Thanks to Blackstar’s amPlug2 FLY, your practice sessions are about to get a whole lot more interesting. You get the great sound of a Blackstar — just plug in and you get amazing guitar amp tones right in your headphones. Three selectable channels and Blackstar’s patented ISF control give you a great range of British and American amp sounds. You also get delay, chorus, and reverb effects to add depth and dimension to your already sweet amp tones. Blackstar’s FLY series is famous for packing massive tone into a small, portable package, and amPlug2 FLY is no exception. Private rehearsals have never been more fun!

Blackstar’s amPlug2 FLY injects your bass guitar with an inspiring tone that’s sure to turbocharge your practice sessions. This compact headphone amplifier gives you plenty of sounds to choose from, thanks to three selectable Voices and a Tone control. You also get six rhythm loops to play along with — just hit the tap tempo, find your groove, and let ‘er rip! Blackstar’s FLY series is famous for packing massive tone into a small, portable package, and amPlug2 FLY is no exception. Private rehearsals have never been more fun!

The Blackstar Super Fly is your take-anywhere street performance amp. With separate microphone and instrument channels, battery power, plus Bluetooth connectivity, it delivers your performance with power and clarity in any location. <br><br> Channel 1 has an XLR/jack combination input for use with microphones or line level instruments. Channel 2 is for guitar, either electric with clean and overdrive, or a specially voiced acoustic setting. Each channel has its own separate EQ and reverb controls.

With ample storage and excellent padding, this Blackstar Super Fly GB-1 Gig Bag is designed to carry and safely transport the Super Fly amplifier. Made from a tough, water-resistant material, this bag features numerous interior and exterior pockets and a mesh inside front compartment for all kinds of extras such as cables and a power supply.

<br>The FLY 3 is an innovative, cutting edge 3 watt mini amp which combines two channels, tape delay and the Blackstar patented Infinite Shape Feature (ISF) to create the perfect compact and portable guitar amplifier. It's advantageously small and packs a punch with big TONE, even at the lowest volumes.<br> <br>The ISF allows you to infinitely change the sound of your FLY 3, which gives you endless possibilities on the tone of your amp. The FLY 3 also features tape delay effects, allowing you to make your amp output resonate during play.<br> <br>The FLY 3 also comes with an MP3 / LINE IN jack built in, allowing you to connect to your MP3 player, mobile phone, laptop, tablet etc. and jam along to your favourite tracks; the Emulated Output jack can also be used with headphones. Capable of being battery powered, you can take the FLY 3 with you wherever you go as a set of portable speakers.<br> <br>Series One 10 AE driven by the mighty KT-88 and an ECC83 in the preamp stage. Inspired by the now legendary S1-200 this product benefits from the extra headroom of the KT-88, resulting in dynamic modern cleans and tight high-gain overdrive. In addition the patented ISF control gives access to more distortion flexibility than any other single-ended valve amplifier on the market.

Blackstar - FLY Union Flag Black 3w Combo Mini Amp despite being small, it is pack with big punch tone, even at the lowest volume. The Fly 3 comes with an MP3/Line input jack built in allows you to connect and enjoy while you jam with your favorite music using your MP3 player, mobile phone, laptop, tablet etc; the emulated output jack can also be used with headphones. Take it anywhere and enjoy the FLY 3 anywhere you want to go as a set of portable speaker for it is battery operated.<br><br>Features:<br>-Infinite Shape Features(ISF)<br>-Tape Dealy Effect<br>-MP3/Line<br>-Battery Operated

After decades on the market, Tech 21's SansAmp GT2 is still the desert island pedal of choice for guitarists and bass players around the world. With the GT2's combination of three 3-mode voicing switches, a 2-band EQ, and a massive range of gain, you can conjure up just about any amp tone you can imagine.

The newest cabinet in the MESA® Guitar lineup and the tiniest enclosure ever to wear a Boogie logo, the Compact 1x10 Boogie Extension delivers surprising fullness and coverage for its demure size. This is a no-compromise Tone solution for the guitarist who wants ultimate portability in the smallest possible footprint. The Compact 1x10 Extension comes standard loaded with a Toneful Celestion G10 Creamback Driver and is available with the classic Boogie half-back for sparkling, open sounding clean performance and Vintage style overdrive response, or with a fully closed Back for more resonance and low-end push. Either way, this 1x10 defies the laws of physics when combined with the mightiest mini ever, the MARK FIVE: 25. And with a 45 Watt rating, this Extension might also be used with the MARK FIVE: 35, though in extreme Gain applications with the EQ, two cabinets might be a better match.

The MARK FIVE: 25™, now in a 16.5 lbs., 14" wide head or 15”x14”, 24 lb. Combo, delivers 2 Channels, 6 Modes and essentially a “greatest hits” collection of our renowned Mark Series preamp circuits served up with a brash attitude packaged in two unbelievably small formats!<br><br> In this small but mighty 25-watt incarnation, the sounds and attributes that make MARK Series amps so popular on stage and in the studio are not only shrunk to their smallest possible physical size, but are also further refined and improved. The gorgeous sparkling Cleans and soaring high gain Lead sounds have made the jump successfully across output tube platforms and a new and exciting timbre of the MARK Series voice is created here in the MARK FIVE: 25’s EL84 Duet. Brighter, tighter, more shredding in the top end, a bit more forgiving in feel and exceedingly more clip-able, the MARK FIVE: 25 is right on time.

Blackstar – Fly3 Vintage 3W Combo Mini Amplifier is combine with 2 channels, tape delay, allowing you to make your amp output resonate during play. It gives you endless possibilities on the tone of your amp and the size can give you an advantage of portability of a guitar amplifier. You can now enjoy the Fly3 using your headphones, MP3 Player, mobile phone, laptop and many more devices.

The Blackstar ID:Core 10 V2 might be the ultimate practice amplifier for beginning guitarists. Choose from six inspiring amp voices that run the gamut from classic clean to saturated overdrive. Dial in the perfect blend of American and British character with Blackstar's patented ISF control. Add gloss and dimension to your playing with built-in modulation, delay, and reverb effects, while Blackstar's Super Wide Stereo technology envelops you in immersive sound. Jam along to your favorite tunes via a re-voiced MP3/Line Input. Edit and store your favorite patches with the included Insider app.

The Tech 21 Fly Rig 5 v2 offers a complete pedalboard’s worth of stompbox power along with extreme grab-and-go convenience. This killer multi-effects pedal is front-loaded with your choice of Plexi or Cali-style overdrive. Kick your solos into saturation with 12dB of clean boost. Benefit from all-analog amp emulation courtesy of integrated SansAmp technology. Add dimension to your playing with two flavors of reverb. You also get an analog delay with tap tempo, plus an effects loop and a chromatic tuner. The Fly Rig 5 v2 is brimming with features — it can easily take the place of your entire pedalboard.

The fire and fury of Paul Landers’ virile tone are immortalized in the Tech 21 PL1 Fly Rig. Paul has been a longtime user of Tech 21’s SansAmp guitar gear — notably the PSA and GT2 — since the beginning of Rammstein’s controversial career. “I've always been a no-amp guy,” Landers says of his low-carry, laser-focused industrial guitar sounds heard on “Du Hast” and other hits. The PL1 features two distinct channels of SansAmp emulation, a host of essential FX, and 1/4" and XLR outputs, all at a size you can easily tuck under an arm in transit.

The Def Leppard 3 Bluetooth is the ultimate take anywhere mini amp/speaker for Def Leppard fans.<br><br> This officially licensed product has wireless Bluetooth connectivity and innovative sound design, so your Def Leppard albums will sound great wherever and whenever the mood takes you. When you want to play along, just plug in your guitar and express yourself. <br><br> This amazing mini amp is designed and engineered by Blackstar UK, whose amps are seen at festivals and stages all over the globe, being used by some of the best guitarists including the legendary Phil Collen.

The FLY 3 is an innovative, cutting edge 3 watt mini amp which combines two channels, tape delay and the Blackstar patented Infinite Shape Feature (ISF) to create the perfect compact and portable guitar amplifier. It's advantageously small and packs a punch with big TONE, even at the lowest volumes.<br><br> The ISF allows you to infinitely change the sound of your FLY 3, which gives you endless possibilities on the tone of your amp. The FLY 3 also features tape delay effects, allowing you to make your amp output resonate during play.<br><br> The FLY 3 also comes with an MP3 / LINE IN jack built in, allowing you to connect to your MP3 player, mobile phone, laptop, tablet etc. and jam along to your favourite tracks; the Emulated Output jack can also be used with headphones. Capable of being battery powered, you can take the FLY 3 with you wherever you go as a set of portable speakers.<br><br>

Blackstar Super FLY Pack Combo; e-guitar combo + GB-1, PSU-2, PB-1, SA-1; 12W 2 x 3" Battery Powered; With separate microphone and instrument channels and battery operation; Channel 1 features an XLR/jack combination input for use with microphones or line-level instruments; Channel 2 is for guitars, either electrically with clean and overdrive channels or acoustically with a dedicated sound setting; Each channel has its own EQ and reverb controls; the slightly angled beam direction ensures optimum acoustic perception on the road; can be powered either by eight AA batteries or the optional rechargeable battery, which provides up to 15 hours of operating time

Looking for big distortion in a premium-grade pedal? Then you want the Tech 21 Boost Distortion! This pedal captures those tight, aggressive distortions that you're looking for. A SAG control lets you dial in the pick-attack response so you can dial how you want the pedal to react to your playing. You also get a separate Boost function that puts out up to 21dB of clean, punchy boost. It's like getting two pedals in one. Grab a Tech 21 Boost Distortion and take your tone over the edge!

From bedroom to stadium, the Acoustic Fly Rig provides ‘round-the-clock ease and confidence for any gig, anywhere and everywhere you perform.

Whether you’re practicing at home, captivating audiences with improvisational compositions onstage, or weaving intricate sonic tapestries in the studio, the Clone Looper Pedal has you covered. Packed into a standard MXR® housing that’s built like a tank, it’s easier to use and delivers higher fidelity signal reproduction than any other looper of its type—hands down.

A switchable, Optical Wah with Vintage Wah Tone. Boost knob allows up to 20dB of boost in Wah mode. Buffer Circuit prevents signal loss and maintains tone. Silent switching prevents any switch “pop” getting to amp. Great for pedal boards at 7” L x 4.5” W x 2.75” H. Powers from one 9V battery or optional Morley adapter.

When you're playing a solo, you just need a little extra panache. Tech 21's Boost R.V.B. has that little something extra - and then some! On top of giving you 9dB of boost to help drive your amp into sweet, sweet saturation, the Boost R.V.B. soaks your sound in a spacious reverb. Tunable to sound like vintage reverb units (spring, plate, or hall), the Boost R.V.B. takes the reverb experience further. The remaining reverb tail trails off naturally; it doesn't meet an abrupt end when the pedal is bypassed - very cool! The Boost R.V.B.'s Rumble control lets you fine-tune the amount of low end in the reverb.

• All-analog SansAmp™ technology <br> • Two channel modes with individual Gain and Level controls <br> • Blend to control the ratio of SansAmp Tube Amplifier Emulation and your direct instrument signal <br> • 4-band active EQ, cut or boost ±18dB <br> • Bite switch to activate a “Steve” boost for extra clank and clarity <br> • Chromatic tuner

Seeking to streamline and simplify his equipment setup for new projects, Geddy Lee partnered with Tech 21 to design a signature rackmount SansAmp, the GED-2112. This challenging collaboration involved distilling a truckload of gear into a single rackspace. Challenging themselves to bring a super-compact, portable alternative to market, Tech 21 further distilled the rackmount into a pedal format.

Blackstar's HT-5R is what you need when you want to get killer tones in the studio. This amazing little combo combines an all-tube 5-watt guitar amplifier with a custom-designed 12" Blackbird 50 speaker to deliver high-gain tones without frying your eardrums. The HT-5R also dials in a range of great tones, thanks to Blackstar's stellar ISF (Infinite Shape Feature), which takes you from glassy cleans to down-and-dirty crunch, and everything in between. A handy effects loop (complete with level switch) makes integrating your pedalboard a breeze. Plus, an onboard speaker-emulated output makes it easy to record killer amp tones straight from the Blackstar HT-5R.<br>The Blackstar HT-5R is packed with a massive variety of tube tones, by virtue of Blackstar's Infinite Shape Feature (ISF). When turned fully counterclockwise, this exclusive features lends American characteristics to your voice with a tight bottom end and powerful mids. Turned all the way to the right, you'll enjoy a British sound, which is woodier and less aggressive.<br><br>The level tone of packed inside of the HT-5R is impressive for a tiny 5-watt amp. And it's loaded with features that are sure to add excitement to your practice and recording sessions. A speaker-emulated output injects your projects with the dimensional sound of a miked-up cab and loads your amp properly for silent practice. You can also run it straight to a PA. A stereo MP3/line input makes jamming along with your favorite songs and backing tracks a breeze. Integrating the HT-5R with your pedalboard and other effects a piece of cake, thanks to its effects loop. You also get an external speaker output adding an extension cab. Beyond that, the HT-5R features a built-in reverb that provides lush ambience without washing out your playing.<br>Since 2007, Blackstar Amplifiers have created quality guitar amps for electric guitarists.

The HT-5RH has always been a top seller for Blackstar. At five watts, it’s the quintessential low-watt practice amp. And the MkII version ups the ante with revoiced channels and a plethora of player-friendly features borrowed from its higher-watt brethren. The HT-5RH MkII’s upgraded clean channel epitomizes the modern boutique tone, while its drive channel serves up a muscular array of distorted textures. And thanks to Blackstar’s patented Infinite Shape Feature, you can dial in everything from inspiring British edge-of-breakup grit to tight and punchy American high gain. You also get an onboard reverb, speaker-emulated output, USB output, effects loop, and more. The HT-5RH MkII is an excellent all-rounder for your practice space or studio — it delivers premium tube tone no matter what situation you use it in.<br>When Blackstar hit the drawing board for their HT-5RH MkII, not only did they reference their own amps’ popular tones, but they also wanted to match or beat the tones of electric guitar amplifiers costing up to five times more. Take it from the guitarists at Sweetwater: They nailed it. The clean channel has a clarity and note definition that is rare on amps in the MkII’s price range — especially at five watts. Move over to the gain channel, and you’ll take note of how great the sound is throughout the whole range of overdrive. The original HT-5RH was an incredibly popular amp. With the MkII, Blackstar beats it.<br>The Blackstar HT-5RH MkII is packed with a massive variety of tube tone, by virtue of Blackstar’s Infinite Shape Feature (ISF). This exclusive feature shifts the EQ curves of the amplifier’s Bass, Middle, and Treble controls. When turned fully counterclockwise, you’ll lend an American characteristic to your voice with a tight bottom end and aggressive middle. Turned all the way to the right, you’ll enjoy more of a British vibe.

The new HT-20 MkII has quickly established itself as a popular choice for guitarists, combining the very best clean and overdrive tones into one amazing 1x12 combo. <br> In the Total Guitar review it secured 5 out of 5 in all categories and a Best Buy Award. The review concluded: “probably the best small combo on the market at the moment.”<br> This stunning special edition comes in a Trafalgar Blue bronco tolex with tan basketweave fret, for a high-end boutique look.

Blackstar's HT series has always been highly-regarded. Encompassing a range of British-designed valve amps that don't break the bank, the HT line has been a popular one at Andertons Music Co. for several years. The Blackstar HT-1RH MkII is one of their latest contenders!<br>The latest incarnation of the HT-1, the HT-1RH MkII gives you pure valve tones that are suitable for bedroom levels. Super-compact and easy to transport, the MkII head boasts a raft of new and updated features.<br>With USB connectivity and a studio-quality reverb, the HT-1RH has all of the appointments to meet the demands of modern guitarists.<br>The Blackstar HT-1RH is a pure and authentic valve-powered amplifier. With a single ECC83 preamp valve, the HT-1RH gets most of its British voice from its ECC82 power amp valve. Delivering pristine-sounding cleans, warm overdrive tones and saturated high-gain, this versatile little head is suitable for both contemporary players and traditionalists alike.<br>With 2 channels, allowing you to setup switchable clean and overdrive/distortion sounds, the HT-1RH has a clever trick up its sleeve. Each channel has two footswitchable voices, giving you more tonal options.<br>The clean channel lets you access "American" and "British" voices. The latter has a stronger mid-range, while the US-style mode has a more scooped, bright and focused character. Flick to the overdrive channel, and you can choose between "Classic" and "High-Gain" voices. So, whether you want those rich, old-school British rock tones, or aggressive American metal sounds - the choice is yours!

This limited Edition 10 w Combo Blackstar Artist 10 AE will give you shimerring cleans and overdrive tone, with its 6L6 Pwer Tube. This will give you fueled power section calls up loads of glassy-sounding chime, while an ECC83 preamp tube and built-in overdrive provide the perfect amount of grit for lead playing. with its classic punch, wamrth, and midrange because of the Celestion speaker. <br><br> Limited to only 1,000 pieces, the Artist 10 AE also features effect loop, speaker-emulated output, and a-1 button footswitch.<br><br>Features<br>-6L6 power tube yields glassy cleans & toneful grit<br>-A great platform for your pedals<br>-Add dimension to your playing with digital reverb

Looking for big fuzz in a premium-grade pedal? Then you want the Tech 21 Boost Fuzz! This pedal captures those classic germanium fuzz tones that you're looking for. A SAG control lets you dial in the pick-attack response so you can dial how you want the pedal to react to your playing. We're talking killer fuzz tones with smooth sustain and creamy germanium tone. You also get a separate Boost function that puts out up to 21dB of clean, punchy boost. It's like getting two pedals in one.

The Tech 21 Bass Fly Rig Bass multi-effects pedal gives players all the sonic necessities they need for great bass tone in a single, compact unit. It combines five independent effects sections: boost, chorus, compression, a complete SansAmp, and a powerful Octafilter. There's a built-in tuner for convenience, and an XLR output connects directly to a PA system or recording device for when an amp isn't available. The Tech 21 Bass Fly Rig puts all of this power into a pedal that will fit in your gig bag's front pocket.

The Talk Box is a classic effect-you can hear it on some of the greatest songs ever recorded, across genres and time, from funk and '70s rock to hard rock and metal. Its unique, highly expressive character is instantly recognizable. <br><br> The MXR team has fine-tuned the Talk Box for modern gigging convenience and tone sculpting while maintaining the unmistakable sonic character that made the effect legendary. With its own amp and speaker driver, the MXR Talk Box is compact and pedalboard-friendly-you don't have to lug around a separate rig or patch into your amp's speaker output. And with Volume, Tone and Gain controls, you can shape and add texture to your Talk Box voice for maximum impact.

A switchable, combination Optical Wah and Volume pedal. Boost knob allows up to 20dB of boost in Wah mode. Volume mode offers a smooth audio taper gre at for volume swells or straight volume control. Buffer Circuit prevents signal loss and maintains tone. Silent switching prevents any switch “pop” getting to amp.

The Orange OBC410 is a superbly built, monster of a speaker cabinet. Loaded with 4 Eminence Beta 10A speakers, and featuring an Eminence APT80 horn, with switchable hi/lo/off, located on the rear of the cab. The cabinet itself is crafted from 13 play high density 18mm Birch plywood, and internally, the enclosure is acoustically compartmented for anti-vibration and ultimate strength. The tough skids on the base of the cabinet enhance stage protection, and also couple the enclosure to the floor, increasing bass response. The OBC410 emits a highly focused sound, with tones of amazing low ends, and mids sparkling through.

Richie Kotzen’s rig is always a work in progress — much like his constantly evolving playing style. Version 2 of his popular RK5 Fly Rig is packed with everything that Richie demands when he hits the stage. Benefit from a massive range of tones, thanks to SansAmp amplifier emulation and wide variety of available effects. Kick your solos into saturated overdrive with 12dB of clean boost, and smooth and squash it with a musical-sounding FET compressor. The RK5 v2’s OMG overdrive includes a Fuzz function for thick, wooly fuzz tones. Add dimension to your playing with two flavors of reverb. You also get an analog delay and rotating speaker effect with tap tempo, along with a chromatic tuner.

The HT Club 40 MK II Kentucky Special takes Blackstar’s venerable 112 combo and gives it the Kentucky-friend treatment. Enjoy the full gamut of 6L6-fueled tones, from chiming California-style cleans, to bluesy edge-of-breakup, to full-blown American high gain — with two channels, four voices, and Blackstar’s patented Infinite Shape Feature, they’re all within your grasp. You also get a Kentucky-built Eminence Screamin Eagle speaker, which lends a bright, articulate quality to your tone, along with a tight low end that really punches you in the gut. And to set it apart from its standard black counterpart, the Blackstar HT Club 40 MK II Kentucky Special includes a blood red covering, tan basketweave grille, Kentucky Special metal plaque, cream-colored chicken head knobs, and a boutique-style no-corners cabinet.

In celebration of Blackstars 10th Anniversary they've released a commemorative version of their incredible Artist amp in a 10w version <br>Series One 10 AE driven by the mighty KT-88. Inspired by the now legendary S1-200 this product benefits from the extra headroom of the KT-88, resulting in dynamic modern cleans and tight high-gain overdrive. In addition the patented ISF control gives access to more distortion flexibility than any other single-ended valve amplifier on the market.<br> <br>You'd easily be able to use this amp at home or in the studio for those classic tube sounds at lower volumes and the on-board digital reverb gives you lush, spring verb sounds.<br> <br>Clean and Boost or Overdrive settings, which are footswitchable <br>Specially voiced Reverb, speaker emulated output and effects loop <br>A super cool retro styling <br>A Celestion 70/80 loudspeaker

Blackstar- Artisan 10 AE is developed with the iconic Blackstar lines like Artisan, Artist & Series One, in celebration of 10 years of glorious Blackstar tone<br><br> The Artist 10 AE is a low gain, classic crunch amp that uses an EL34 in the power amplifier & an ECC83 in the pre-amp stage for superlative, warm British crunch. In this model we have included a hot pre-amp Boost for authentic classic rock/indie rhythm playing & vocal Billy Gibbons inspired leads.<br><br>The Artist 10 AE deploys a 6L6 deploy output valve & an ECC83 in the preamp stage to give this amp a characteristically bright clean sound & a hot lead tone. The lead sounds are enhanced by a built-in overdrive circuit inspired by our HT-Drive pedal which will take you from dynamic crunch to singing & smooth legato.

The ID:Core Stereo 40 V2 is a 2x20W ultimate entry level guitar amplifier. Incredible tone and flexibility is accessed by a simple and intuitive control set and delivered in SUPER WIDE STEREO to give an immersive playing experience that will have you hooked on playing guitar.<br><br>ID:CORE V2 represents the culmination of more than nine years’ technical Research and Development. These amps have an intuitive control set like a traditional amp, but have the versatility of programmability.The unique controls allow you, the guitarist, to custom design your own sound.The unique and enhanced Voice control has six different channels - Clean Warm, Clean Bright, Crunch, Super Crunch, OD 1, OD 2. When used together with Blackstar's patented ISF control you can get the exact tone you're thinking of.<br><br>The effects section delivers studio quality modulation, delay and reverb effects simultaneously that you can store with your sound.Deep editing and storing of patches is simple using the Blackstar INSIDER software. Patches can be shared, uploaded and downloaded via the online community.The USB connector also allows you to record from your amp directly to your computer. An emulated output and MP3/line input complete the package. By using the unique Voice control and the patented ISF, ID:CORE Series amplifiers allow unparalleled flexibility and ease of use, enabling you to design the sound in your head and deliver it at home, in the studio or in rehearsal.<br><br>Deep editing and storing of patches is simple using the Blackstar INSIDER software.Patches can be shared, uploaded and downloaded via the online community.The USB connector also allows you to record from your amp directly to your computer; new USB 2.0 functionality makes for easier recording and reamping, plus the ability to record just the preamp out for adding your own effects and cabinet emulation in the DAW/post-processing. An emulated output, MP3/line input and inbuilt panel-accessible tuner complete the package

The Fly3 is a 3 watt mini amp combo with Bluetooth capability. It has a great tone and flexibility of control. This device is perfect to take anywhere either for practice or just using MP3 speaker dock.

Use the MXR Ten Band EQ Pedal for precision control over your guitar or bass tone. Featuring 10 EQ sliders, with carefully selected frequencies and +/-12dB boost/cut range, you can optimize your sound in any room or recording session. Additional Volume and Gain sliders allow you to use the Ten Band EQ Pedal as an extremely tweakable boost pedal.<br> Dual outputs allow you to feed two amplifiers at once. And 18-volt operation ensures you'll have all the headroom you need, even if you're running a chain of pedals into it. Built with rugged aluminum and featuring true bypass switching, the MXR Ten Band EQ Pedal is a fine addition to any pedalboard.

The FLY 3 Green is an innovative, cutting edge 3 watt mini amp which combines two channels, tape delay and the Blackstar patented Infinite Shape Feature (ISF) to create the perfect compact and portable guitar amplifier. It's advantageously small and packs a punch with big TONE, even at the lowest volumes.<br><br> The ISF allows you to infinitely change the sound of your FLY 3 Green, which gives you endless possibilities on the tone of your amp. The FLY 3 Green also features tape delay effects, allowing you to make your amp output resonate during play.<br><br> The FLY 3 Green also comes with an MP3 / LINE IN jack built in, allowing you to connect to your MP3 player, mobile phone, laptop, tablet etc. and jam along to your favourite tracks; the Emulated Output jack can also be used with headphones. Capable of being battery powered, you can take the FLY 3 with you wherever you go as a set of portable speakers.

The battery powered SUPER FLY has separate microphone and instrument channels, plus Bluetooth connectivity, to deliver your performance with power and clarity in any location. <br><br> Up to four simultaneous inputs give you excellent flexibility when playing and the two 3" full range speakers deliver 12 Watts of stereo sound. <br><br> When you need more power simply add on a SUPER FLY ACT powered extension cabinet to create a powerful 24 Watt stereo set-up. <br> Whether you Fly Solo or play in a duo, SUPER FLY delivers your performance.

With its own built-in cable, the FLY 103 can easily be connected to FLY 3 making it as the official extension speaker that makes it a true stereo set-up combo. With the connection to FLY 3, you can now enjoy playing your guitar or just listening to your favorite music using your MP3, phone, laptop or tablet.

The Blackstar LT-Echo 15 is a starter guitar combo amplifier with amazing tone and feel. It has a built-in digital tape delay effect and with MP3 input, you can now enjoy playing along with your favorite songs. The Blackstar LT-Echo 15 is a speaker-emulated output sound like miked cabinet, even when wearing headphones. Thanks to the Infinite Shape Feature (ISF), the The Blackstar LT-Echo 15 is packed with a massive spread of tones. With a simple turn clockwise, you’ll lend an American characteristics to your voice. Turned all the way to the right, you’ll enjoy more of a British vibes.

Blackstar - Fly Stereo Pack is a mini combo amp includes FLY 3 & a FLY 103 extension cabinet that makes a 6 Watt stereo amp either for guitar playing or just a normal MP3 music playback. Perfect for outdoor, at home or as PC speaker because of its portability. <br><br>Main Features:<br>-Battery Powered<br>-Tape Delay<br>-MP3/Line inout<br>-Recording using the Emulated Output<br>-ISF Control

Bass Amplifier Package with 1 Fly 3 Bass Amplifier, 1 Fly 103 Extension Cabinet, and 1 Power Supply<br><br>The Blackstar Fly 3 Bass amplifier stack package offers powerful tone for writing, practicing, and even recording. You won't believe how close this tiny stack sounds to a large bass amp when you connect the included Fly 103 extension cabinet to the Fly 3 Bass combo amp. Each unit pushes a huge amount of low end thanks to their specially designed cabinets and 3" speakers. This combination also offers true stereo performance, delivering a wide sonic field.<br> <br>Fly 3 Bass combo amp <br>Blackstar's Fly 3 Bass 3-watt combo amplifier packs huge low end and articulate highs into an enclosure that houses a single 3" full-range speaker. The Fly 3 Bass's design allows it to pump an astounding amount of bass out of its tiny enclosure. Onboard overdrive and compression voice your tone exactly how you prefer. And the line input and line/headphone outputs are indispensable tools for practicing silently. The Blackstar Fly 3 3-watt, 1 x 3" combo bass amplifier is so convenient, it will quickly become your favorite practice tool.<br> <br>Fly 103 extension cabinet <br>Turn your Fly 3 Bass combo amplifier into a 6-watt stereo setup with the Blackstar Fly 103 3-watt extension cabinet. The Fly 103 comes with its own built-in cable, making setup a snap. Not only does the Fly 3 Bass/Fly 103 combination make a great-sounding bass amplifier, but you can also connect it to your MP3 player or computer to transform the Fly 3/Fly 103 into a set of powered stereo speakers. Complete your portable rig with a Blackstar Fly 103 3-watt extension bass cabinet.<br>

Blackstar PSU 9V Power Supply is compatible with LT Pedals

The FLY Stereo Pack includes the FLY 3 mini amp, a FLY 103 extension cabinet and a power supply. Combined together, the FLY 3 and FLY 103 make a 6 Watt stereo amp for guitar or music playback - perfect as a set of portable speakers or for using at home as pc speakers.

Blackstar – FS 14 5 Button Footcontroller for HTV MkII lets you unlock its full potential and gives you the control of all amplifier channels and voice for sound switching. The Footswitch has 5 buttons that lets you access all the different voices and the independent volume boost and reverb effect. You can turn this into a powerful live performance tool with remote control of all functions.

Protect your precious bass speaker cabinets with the Ampeg SVT-15E Cabinet Cover. This rugged and padded cover keeps you speaker cab free from dust and dirt while it is being stored or between gigs. No one likes moving gear in the rain, while the cover won't make it any more fun, it will keep your gear dry. You spent your hard earned money on your Ampeg speaker cab, why not protect it with a cover that's made to fit it? order your Ampeg SVT-15E Cabinet Cover today! <br>Ampeg SVT-15E Cabinet Cover Features at a Glance: <br>-Rugged nylon cover for Ampeg SVT-15E speaker cabinets <br>-Heavily-padded to keep your gear safe from bumps and dings <br>-Handle cut outs for easy transport <br>-Accessory pouch for holding cables, tuners, and more Embroidered logo

The 1SKB-SC1913 combines the protective qualities of rigid foam with the style and portability of a canvas bag to accommodate popular DJ performance controllers or small MIDI controller keyboards. A padded interior, padded carrying handle and shoulder strap provide lightweight portability. The 1SKB-SC1913 Controller Soft Case will accommodate products such as the American Audio VMS4 MIDI Station controller, Axiom 25 Midi Keyboard and more.

The 1SKB-SC3212 combines the protective qualities of rigid foam with the style and portability of a canvas bag to accommodate popular DJ performance controllers or MIDI controller keyboards. A padded interior, padded carrying handle and shoulder strap provides lightweight portability. The SKB-SC3212 Controller Soft Case will accommodate the M-Audio Axiom 49 MIDI Keyboard Controllers and more.

Blackstar - LT DriveCompact Drive Pedal delivers amazing valve –like tone & compression for a wide variety of playing style. This small form factor is great for pedalboards rugged construction & a 9V battery powered or using 9V DC power input.<br><br> Main Features:<br>-Gain Control-is the amount of distortion that this pedal will deliver<br>-Tone Control-allows exact adjustment of the treble frequencies within the sound. <br>-True Valve-like Response- is a unique clipping circuit in the LT Pedals that is designed & tested to behave just like our successful HT pedals.

The FS-12 is a multi-function footcontroller in a compact, low profile, durable aluminium body that allows access to all 36 patches of the ID:CORE 100 / ID:CORE 150.<br> <br>-The large, clear dot matrix display ensures easy visibility for the fully chromatic tuner and current patch details.<br> <br>-Two user-configurable function switches provide control for <br>-Modulation, Delay and Reverb effects on/off <br>-Modulation and Delay tap tempo <br>-Full Looper functionality <br>-Effects Loop on/off <br>-Super Widestereo on/off <br>-Noise Gate on/off<br> <br>The FS-12 includes an extension socket for connection to the FS-13 2-button footcontroller (included with ID:CORE 100 / ID:CORE 150) In this configuration you can add two extra, programmable switches which are configurable via the Blackstar INSIDER software.

An endless list of immortal artists have used the flange effect to create musical magic. From The Beatles to Pink Floyd to Van Halen, Metallica and the Red Hot Chili Peppers and beyond – thanks to VORTEX FLANGER, all of those sounds are instantly yours for the rocking!<br>-Classic flange and tape flange modes<br>-Intuitive yet deep control set <br>-Stereo I/O<br><br>The two modes in VORTEX FLANGER are a classic pedal flanger capable of giving you everything from suble chorus tones to classic Van Halen jet flanger swoosh, and tape mode, which gives you the psychedelic sound of the original flange tones of Jimi Hendrix and Led Zeppelin. And it does fantastic ‘through zero’ sounds too!<br><br>VORTEX takes the great pioneers of ’60s and ’70s flange and adds a set of deep controls, allowing you to sculpt and time your flange sounds with great precision. This allows you to quickly dial through the rich history of the legendary flange pioneers, such as Hendrix and Van Halen – or sculpt your own twisted sounds!

The Blackstar –LT Boost Compact Pedal is an extremely flexible pedal that can be use into a clean amp as a volume boost or to drive your amplifier into dynamic overdrive. With its patent-applied for gain circuit, you can push your guitar amp into smooth overdrive but with a maximum delivery of dynamics & tone.<br><br>Features:<br>- Bass Control <br>- Treble Control <br>- True Valve-Like Response<br>- Battery Operated <br>- Continuously variable boost <br>- Small form-factor - great for pedalboards Rugged construction<br>- Patent-Applied-For clipping circuit that matches the tone and response of our valve pedals

Blackstar - LT DualCompact Distortion Pedal is a 2 channel pedal that lets you move from clean to boost to overdrive. While the other channel takes you from super crunch right up to screaming lead. Thanks to the Blackstar Infinite Shape Features (ISF) circuit that gives you infinite adjustment over the characteristics of the tone control so you can play a wide variety of style because of patent-applied for clipping circuit that delivers amazing valve-like tone & compression. The unique switching operation will transform a single channel amp into a three tone machine.<br><br>Features:<br>- Dual Gain Channel <br>- Dual Level Channels <br>- True Valve-like Response <br>- Battery Operated

The Micro Terror is a global phenomenon. Taking its inspiration from the original Tiny Terror, this miniature incarnation couples a valve preamp to a solid state output section for enormous tones that makes a mockery of its pint-sized frame. <br><br> Weighing in at under 1 kilo, the Micro Terror is arguably the most portable amp head on the market. When paired with its matching PPC108 cabinet, the Micro Terror’s Aux Input and Headphone output make it a perfect practice partner, small enough for even the most cluttered sideboard. <br><br> However, don’t be fooled by its miniature footprint because size is the only thing that is small about this amp. With a high tensile steel casing, the Micro Terror is built to the same high standards as the rest of the Terror family and features a single 12AX7/ECC83 preamp valve, coupled to a solid state output section. The depth of sound (and volume) that this little thing pushes out is truly staggering, with Orange growl and bite in abundance. What’s more, the Micro Terror can be used with any 8-16 Ohm speaker cabinet

The classic 1970's funk box now available in a pocket-sized case. Dynamic picking response produces super-funky wah-like tones. The Doctor Q is an envelope filter that specializes in generating percussive punchy filter sweeps for a rhythmic groove.

Guitarists and keyboardists know that nothing beats a Leslie rotary speaker for smooth, swirling stereo chorus. The Electro-Harmonix Lester-G pedal re-creates the classic Leslie sound in pedal form with two adjustable speeds controlled by a footswitch to move between fast and slow textures without tying up your hands. The Lester-G's drive control adds B-3 guts and grit to your sound, while a balance control, which simulates the balance between a Leslie's horn and bass speaker, helps smooth out your tone. Dynamic players will appreciate the Lester-G's onboard compressor, which helps to smooth out rhythms and leads. True stereo ins/outs and a stage-ready metal chassis make the Lester-G a great option for keyboardists and guitarists wanting to add stereo textures to live work and ear-to-ear effects to recordings.

350W RMS, Solid State Preamp, D Class Power Amp <br>Equipped with a three-band EQ and an on-board limiter, the PortaFlex PF-350 from Ampeg is a compact 350W amplifier head designed for bass guitar. Two 1/4" jacks provide dual outputs to cabinets, while an XLR line out allows you to port sound directly into a console or PA. Should you wish to loop in outboard effects via the rear-panel, the PF-350 sports 1/4" jacks for this express purpose. Additionally, an 1/8" headphone out allows you to monitor your signal privately, while an 1/8" stereo auxiliary input affords you the ability to play line-level signals through the amplifier.<br> <br>Features:<br> <br>-Selectable -15 dB input pad <br>-Gain and volume control <br>-3-band EQ with bass, midrange, and treble <br>-Selectable limiter replete with LED <br>-Effects loop <br>-Balanced XLR line output <br>-Voltage selector switch

The Ampeg SCR-DI Bag is the ideal accessory for all bassists who want to transport their Ampeg SCR-DI Preamp well protected to their next concert session or recording studio. The thick padding protects the preamplifier from shock, while the power supply or other accessories are in the compartment provided for this purpose. In addition, the Ampeg Bag for SCR-DI offers an adjustable shoulder strap in length.

Exceptionally Musical Vibrato Pedal with 2 Vibrato Types, Easy Controls and Built-In TonePrint Technology<br><br>Vibrato is one of those ‘hard to grasp but oh so important’ parts of guitar playing. Just think where Yngwie Malmsteen, BB King or Stevie Ray Vaughan would be without their unique vibrato. It’s what makes us recognize a guitarist after 2 notes - vibrato is what makes playing come alive. And from a subtle warble to Leslie sounds, SHAKER VIBRATO does what it can to liven things up!<br>- 2 vibrato types<br>-Great controls, including ‘Rise-Time’ <br>- Latch-mode<br><br>SHAKER VIBRATO features 2 different types of settings: a classic true pitch vibrato and ‘latch mode’ where the effect is only active when you press and hold the switch. This allows for subtle vibrato and faux-whammy bar effects without you having to tap dance all night.<br><br>Vibrato is an effect with a wide range of applications, but it can be tough to figure out which those are if you don’t get a range of sounds, voicings and expressions that knock you off your feet - and with SHAKER VIBRATO those surprises are always musical, never unpleasant. Featuring a set of controls and giving you control over the ‘rise-time’ of the effect, SHAKER VIBRATO vibes with your playing instantly.

The SVT-810 Cover from Ampeg is a protective nylon cover for the SVT-810AV or SVT-810E speaker cabinet.

Take control of your Blackstar ID:Core Stereo 20 or ID:Core Stereo 40 amplifier with the 2-button Blackstar FS-11 footcontroller. The all-metal FS-11 offers two modes of operation to make your gig and rehearsals run smooth. Mode 1 offers the standard channel switching and effects on and off functions. Mode 2 lets you scroll up and down through your presets so you can quickly get to your next sound. Capture the full functionality of your Blackstar ID:Core Stereo amp with the Blackstar FS-11 Footcontroller!

The FLY 3 is a 3 watt mini amp combines with two channels, tape delay that makes your amp output resonate during palying, with Infinte Shape Feature (ISF) to give that punch of endless tone of your amp even at lowest volume. The FLY 3 can also be connected via mobile phone, laptop, tablet etc. And like the other FLY models, you can enjoy jamming with your favorite songs by plugging to your devices. The FLY 3 is very portable speaker, you can bring it anywhere as it is capable of battery powered.<br>The FLY 3 has a capability as well to connect to an extension cabinet for more power (optional & sold separeately)

Blackstar - HT Stage 60 212 MarkII guitar amp has a power reduction features that allows further flexibility by allowing the guitarist to attenuate to 10 percent of the 60 Watts of power also making the HT Stage 60 MkII perfect for studio or home. Like other Blackstar amp, the HT Stage 60 MkII amp is selected duet of EL34s deliver 60W of glorious valve power through two high quality Celestion speakers, making for a combo that will deliver every night, even in the most testing live environment. It has two modes- British Class A & Dynamic US. Each of the two ISF equipped overdrive channels allows a further two modes

Blackstar - UNITY BASS 30 is designed for bass player as they are straight forward & very powerful amp. Even though Unity Bass 30 is compact, it allows you to quickly and easily create a tone with rock solid bass amp from a 30 watts to 500 watts. You can have a full control of sound of three classic power amp stages, shaping compression, natural drive & dynamics. <br><br>Features:<br>- three distinct preamp voicing<br>- 3-band semi-parametric EQ<br>- flexible bass tone <br><br> The Unity 250ACT powered cabinet can be linked to any model in the line to add 250W or more of active power to your rig; taking you from the studio or rehearsal room to the gig with ease and portability. From the organic response of classic valve amps, to a transparent clean platform, Unity brings together the ultimate in bass tone.

The Electro-Harmonix Epitome multi-effects pedal marries the Micro POG (octave), Stereo Electric Mistress (flange/chorus), and Holy Grail Plus (reverb) into a single pedal. Use all three together or separately. Dedicated, straightforward controls eliminate need to scroll through tedious setting menus, giving you the stompbox simplicity you expect from ehx. You can even totally change the Epitome's overall character via the shimmer button, which re-routes the effects signal chain by swapping the Holy Grail reverb with the Electric Mistress and adds an analog delay to the POG.

Limited Edition of Kiko’s version of our mini Switchless Wah. Our world famous Electro-Optical circuitry and switchless design in this cool new mini-format. Simply step on pedal to engage Wah and step off to go to bypass. Equipped with our custom MQ2 Inductor and TrueTone Buffer circuit, the Mini Kiko is set for Kiko’s preferred Wah tone and sweep and decked out in Brazilian colors and graphics.

500W RMS, MOSFET Preamp, D Class Power Amp <br>Equipped with a three-band EQ and a variable compressor, the PortaFlex PF-500 from Ampeg is a 500W RMS amplifier head designed for bass guitar. Augmenting the EQ's functionality are Ampeg's proprietary Ultra Hi/Lo settings, as well as a five-way midrange selector, giving you different frequency choices for midrange manipulation from 220 Hz all the way up to 3 kHz. Neutrik speakON and 1/4" jacks provide dual outputs to cabinets, while a XLR line out allows you to port sound directly into a console or PA—providing you with a ground lift, a -40 dB pad, and a pre/post EQ option to boot. Should you wish to loop in outboard effects via the rear-panel, the PF-500 sports a FX knob for blending exterior processing to taste. Additionally, a 1/8" headphone out allows you to monitor your signal privately, while a 1/8" stereo auxiliary input affords you the ability to play line-level signals through the amplifier. 500W into 4 ohms or 300W into 8 ohms Dual JFET preamp On-board variable compressor Ampeg's proprietary Ultra Lo and Ultra Hi options 3-band EQ with 5-way midrange frequency control FX mix control Dedicated tuner output for uninterrupted signal flow, if preferred Footswitch jack for controlling mute and FX on/off (dual footswitch not included) SpeakON and 1/4" output jacks XLR Line Out featuring pre/post EQ, -40 dB pad, and ground lift

The PF-500 / PF-800 Bag from Ampeg is a protective nylon bag for the PF-500 or PF-800 bass amp head.

The MESA® 5U4G Rectifier Tube is a classic 1930s "Coke Bottle" design. It produces a flexible, elastic and spongy feel that is a bit more controlled and slightly less "saggy" than our newer 5U4GB

You'll find the MESA 5Y3 inside all the Mesa/Boogie Lone Star Special tube amplifier. The MESA 5Y3 is a true, authentic 5Y3 NOS (New Old Stock) tube based on the original Phillips 5Y3 and is built to Mesa/Boogie's exacting specifications. This tube produces a sultry vintage sag, creating a silky, smooth feel on the strings and provides the most sag of all of Mesa/Boogie rectifier tubes. Get vintage tone with the MESA 5Y3.

Blackstar - LT Metal Compact Distortion Pedal is designed for a modern guitarist because of its aggressive high gain tones but sametime, giving you infinite adjustment of the tone control of heavy metal & anywhere in between. It also features the Blackstar patented Infinite Shape Feature(ISF) circuit, & Blackstar patent-applied for clipping circuit that deliver an amazing valve-like tone & compression for a wide variety of playing style.<br><br>Features:<br>- GAIN CONTROL <br>- TONE CONTROL <br>- TRUE VALVE-LIKE RESPONSE <br>- BATTERY OPERATED <br>- ISF CONTROL

40W RMS, Single 10" Combo with Scrambler <br>Geared towards providing Ampeg's signature tone in a compact frame, the BA-110V2 is a 30W combo amplifier with a single 10" speaker that's designed for electric bass.<br> The amp can deliver a clean tone, or Ampeg's proprietary Scrambler Overdrive can be utilized to add distortion to taste. This unit sports a 3-band EQ, as well as a -15 dB pad to suit any electric bass, be it passive or active. Furthermore, this combo amp hosts two auxiliary inputs—one 1/4" and one 1/8"—for playing along with external sound sources, while a headphone jack allows you to practice quietly and discreetly. A 60° monitoring angle directs the sound closer to your ears. Lightweight at 33 lb, this amp is a portable option for many practice situations. Classic Ampeg Tone 30W RMS power 10" Ampeg Custom10 speaker Legacy Ampeg preamp with 3-band EQ Scrambler overdrive for tube-like tone Updates 60° monitor angle Aux inputs for playing along with smartphone or iPod Headphone output for silent practicing -15 dB input pad for active basses or additional level control Portability All-steel amp chassis Black metal corners Double-thick black Tolex Lightweight at 33 lb In the Box Ampeg BA-110V2 30W 1/X10 Combo Bass Amplifier Limited 2-Year Warranty on Electronics and Speakers

Blackstar - ID Core BEAM Artisan Red is a retro design with a super wide stereo guitar amp, with a Bluetooth functionality & channels for two bass, six electric guitar, two acoustic simulator voices & with a sealed & ported cabinet construction for optimum bass response & stereo definition, Blackstar - ID Core BEAM Artisan is the ultimate musicians amp either for home or studio.

Blackstar - HTV 112 MarkII Cabinet is a great choice for guitar player of any style because of real Celestion speaker. Blackstar built this amp for toughness & ready for the demands of the road. It is an extension cabinet that you can add to your rig. This amp is an open-back extension that gives you British-voice tone you’ve been looking for. You will love the sound of this cab’s balanced sound across spectrum.

Blackstar - HTV 212 MarkII Cabinet built tough & ready for the demands on the road, the Blackstar extension cabinet will be a powerful addition to your rig as it gives you the balance power and articulation of tone you have been looking for because of its cub’s punchy lows, defined mids, & clear highs.

Blackstar - ID Core 150 is the latest model addition to the award winning ID Family with brand new features as looping and octave modulation in a high wattage and lightweight package will take your sound to the next level with all the innovation, tone and features of their smaller counterparts including Super Wide Stereo experience of these amplifier. <br><br> 150W (SUPER WIDE STEREO 2x75W) <br>-6 Blackstar voices <br>-Looper with 30 seconds record time and infinite overdubs <br>-Patented ISF control <br>-12 vintage style effects including Octaver <br>-Store up to 36 sounds <br>-USB Audio <br>-FREE INSIDER software <br>-Stereo MP3/Line In <br>-Speaker Emulated Line Out <br>-Stereo Effects Loop<br> <br>Features<br> -6 CLASSIC BLACKSTAR VOICES <br>The unique Voice control has six different channels - Clean Warm, Clean Bright, Crunch, Super Crunch, OD 1, OD 2. When used together with Blackstar's patented ISF control you can get the exact tone you're thinking of.<br> <br>-SUPER WIDE STEREO <br>Blackstar’s unique Super Wide Stereo technology gives you an immersive sound experience that will have you playing along to your MP3 backing tracks for hours.<br> -INSIDER SOFTWARE <br>Plug the amp in to a mac or PC with the USB connection. This will give enable you to edit patches, record and re-amp audio and much more via the GUI.

Ampeg’s BA-210 2x10″ Bass Combo delivers classic Ampeg tone and performance-driven features in a powerful 450W design perfect for keeping up with a full band. The ruggedly portable design provides a true 60-degree sound reinforcement monitor angle for added clarity on stage. The BA-210 features Bass Scrambler™ overdrive plus flexible tone-shaping and stage-ready features in a powerful 2x10″ combo.

British invasion! Taking its roots from legendary British guitar amps, the English Muff'n recreates their majesty and classic tone with spot-on accuracy. Rather than approximating these amps like "emulator" products, the English Muff'n employs vacuum tubes to produce the richness and natural saturation of Brit-valve sounds. A bloody masterpiece!

Overdrive Pedal with True Bypass Switching, Gain Control, Tone Control, and up to 20dB of Signal Boost<br> Mesa/Boogie made the Grid Slammer overdrive pedal to make sure you've got a commanding guitar tone whenever you need it. The Grid Slammer gives you a wide-range variable gain boost with a midrange bump that really makes your guitar cut through a thick mix. From sweet, warm breakup to sizzling, harmonic-laden overdrive that sings and stings, the Grid Slammer sets the overdrive bar incredibly high. And with up to 20dB of signal boost via the master level control, you'll be able to push your tube amplifier into glorious overdrive too with the Mesa/Boogie Grid Slammer overdrive pedal.<br> <br>Mesa/Boogie Grid Slammer Distortion Pedal at a Glance:<br> <br>Wide-ranging overdrive is a workhorse for your pedalboard <br>Built tough in the USA for rugged reliability<br> <br>Mesa/Boogie Grid Slammer Overdrive Pedal Features:<br> <br>Versatile overdrive pedal with tone control <br>True bypass switching ensures you maintain your tone <br>Master level can add up to 20dB of signal boost <br>Powered by 1 x 9V battery or optional power supply (sold separately) <br>Designed and handbuilt in the USA

The Ebtech GLW2 George Lynch Dragon 2 Wah Pedal is ideal for guitar, bass and keyboards. The GLW2 features three Wah modes: Wah (traditional), Wow (bit of overdrive with unique vowel-like tone) and Wah Lock (allows user to electronically lock the Wah in Wah mode). A Notch knob lets musicians dial the desired Wah frequency. The pedal features a ninja-red and black trim finish, and graphic treadle rubber.

Rotary speaker emulation at its finest in a compact, easy-to-use package. Stereo outputs provide a lush, realistic sound with either stereo or mono inputs. Tube-style overdrive is variable and the speaker balance can be fine-tuned. Switch between adjustable Fast and Slow modes to achieve that iconic sound when the big cabinet ramps up to speed and down.

The Carbon Copy Analog Delay delivers rich, warm bucket-bridgade delay with up to 600ms of delay time and modulation.<br><br>THE LONG STORY.<br> Go from crisp bathroom slap echoes to epic, Gilmouresque delays with the MXR Carbon Copy Analog Delay. Featuring 600ms of delay time with optional modulation, and a three-knob layout that controls Delay, Mix, and Regen. In addition, there are two internal trim pots that offer user-adjustable width and rate control of the modulation for even more tonal options. All done by a completely analog audio path for authentic rich, warm analog delay-made possible only by old-school analog bucket brigade technology. True bypass.

The Phase 95 combines the Phase 45 and Phase 90 circuits-toggled by the 45/90 switch-in a mini housing, featuring a Script switch to toggle between modern and vintage style phasing.

The MG15CFX combines Marshall’s® famous solid-state tonal circuitry with modern digital FX. Choose from Reverb, Chorus, Phaser, Flanger, Delay (tap-tempo) and Octave (fixed). There are four channels, Clean, Crunch, OD1 and OD2, which when in Manual mode operate like any normal amp. When in Preset mode, whatever settings you dial-in can be stored, so that when you switch to that channel, your settings will be recalled. The MG15CFX is 15 Watts and is loaded with an 8″ Custom speaker.

Armed with Morley’s acclaimed MQ2 inductor, the Mini Classic Switchless Wah delivers classic wah-wah tone with a wide, smooth sweep that sounds good in a broad range of applications. What’s more, it avoids scratchy pots, thanks to Morley's famous electro-optical design. Operating the Mini Classic Switchless Wah is child’s play, thanks to its switch-less design — just step on the treadle to engage and off to bypass. This pedal’s rugged cold-rolled steel housing is built to withstand heavy (ab)use, and its LED indicator and quick-clip battery door are infinitely useful. Beyond that, its True Tone Bypass buffer ensures zero tone loss. Best of all, the Morley Mini Classic Switchless Wah gives you this pro-level performance at an entry-level price!

The Guitar God’s legendary, signature Wah now available in a convenient size. Decorated with Vai’s original artwork this beauty not only saves valuable space on your board, but also brightens it up. This eye candy wonder Wah is limited to 500 pieces worldwide.<br>-Engineered to save space on your board; 6.85″ x 4.5″ x 2.5″ (L x W x H)<br>-Switchless operation; Simply step on the treadle to engage the Wah and step off to bypass.<br>-Our world famous Electro-Optical design. No pots to wear out!Our world famous Electro-Optical design. No pots to wear out!<br>-True Tone Bypass buffer circuit ensures pure guitar tone and output.<br>-Glow-in-the-dark treadle rubber and Morley logo.<br>-Powered by one 9-volt battery or optional Morley 9V adapter. Compatible with most 9V adapters.<br>-Works with Guitar, Bass or Keys!

Built in the tradition of the legendary BOSS overdrives, the OD-3 OverDrive pedal gives guitarists a greatly expanded range of smooth overdrive tones and improved response while staying true to the original.

The PF-115 / PF-210HE Cover from Ampeg is a protective nylon cover for the PF-115 or PF-210HE speaker cabinet.

1-15" Horn-loaded, Flip-top Speaker Cabinet, 450W RMS <br>Drawing from the classic design of Ampeg’s legendary Portaflex cabinets, the PF-115HE combines vintage styling with the performance of a modern 450W cab. The Eminence® 15˝ driver pushes out true Ampeg tone. Since it’s a Portaflex, you can attach any PF Series head to the top, flip it inside and hit the road Ampeg style.<br> <br>Ampeg PF115HE Portaflex bass cab Features at a Glance: <br>Classic Ampeg styling <br>Mount any Portaflex amp to the lid of the cab

2-channel Instrument Preamp with Boost, 2 Piezo Boosters, 3-band EQ, Notch Filter, High-pass Filter, Separate DIs for House Mix and Monitoring, and Tuner Out with Footswitchable Mute The Radial Tonebone PZ-Pre™ is the most powerful acoustic preamplifier ever to be put inside a pedal. And when we say acoustic, we do not just mean acoustic guitar - we mean ANY acoustic instrument including banjo, violin, cello, mandolin, contrabass, bouzouki or lute. The magic lies in the combination of high performance 100% discrete class-A PZB piezo boosters, an ultra-quiet preamp circuit that will adapt to any pickup system and a host of connectivity options that will put you in total control. The PZ-Pre is equipped with two inputs for quick instrument changes on stage. These can also be combined to blend two pickups together if you so desire. Features include a powerful yet warm sounding semi-parametric EQ to tailor your sound, feedback eliminating controls including a dual-Q notch filter to surgically remove feedback, a high-pass filter to cut low frequency resonance, and a phase reverse switch to eliminate hot spots on stage. It is also equipped with a host of outputs: a ¼" hi-Z instrument out for an on-stage amp, a pre-EQ balanced XLR output for the PA system and a post EQ XLR out for stage wedges or in-ear monitors. A dedicated tuner out with mute switch lets you quietly tune on-stage. There's even a combination power booster - effects loop to add sizzle and dynamics to the performance and extra presence when soloing! Compact and easy to use, the Radial PZ-Pre packs in all of the features you need to take your acoustic instrument from home to studio and club to concert.

Combines two sweet pedals—-the Soul Food transparent overdrive and Nano POG polyphonic octave generator—-in one potent multi-effect. Use them alone or together, put either first in the chain, insert other pedals between them with the FX loop. Also includes a cool Mode switch for a choice of two different octave-up sounds. The versatile Soul POG delivers award-winning overdrive and flawless polyphonic octaves in any combination!

The SVT-210AV Cover from Ampeg is a protective nylon cover for the SVT-210AV speaker cabinet.

This is the classic Ampeg stack that you see on stages worldwide. Identical to the Classic Series SVT-810E, the AV version has the fit and finish of the original Ampeg SVT stack. It's everything you love about "The Fridge" in a vintage-inspired look that is powerful and timeless.<br><br> The SVT-810AV Infinite Baffle™ design has remained constant since 1969 and delivers the punchy, round sound that defines the Ampeg tone. The combined air-moving capability of eight 10" speakers reacts faster to transients than fifteens or eighteens. The result is sound you can feel, that the audience can feel and that truly delivers what you want out of a bass rig.<br><br> Simply put, the SVT-810AV produces the vast amounts of tightly focused bass your band needs. In the world of high-performance bass cabs, the Ampeg SVT-810AV stands tall and proud.<br><br> -Heavy-duty Poplar ply enclosure <br>-Infinite Baffle design adds punch <br>-1/4" and Neutrik® Speakon jacks <br>-Rugged recessed wheels and skid rails <br>-Ampeg AV fit and finish

The Two Stroke Boost EQ is our take on the essential ‘clean boost’ pedal, but with even more versatility. Combining an active dual-parametric EQ and up to 12dB of output boost, the Two Stroke is the perfect tool for fine-tuning your sound or pushing your amp’s front end with unsurpassed control. Subtle Two Stroke tweaks can add an extra dimension to solos, whilst more aggressive use of the pedal’s EQ can sculpt entirely new sounds. Use the Two Stroke to add an extra channel to your amplifier or re-voice your guitar’s pickups completely. Crank the high mids to jump through the mix, cut the low end to remove the woolliness that normally occurs with traditional boost pedals, or leave the EQ flat to hear more of what you already like.<br><br>However you set it, thanks to the pedal’s charge pump circuit (which doubles the internal voltage and massively increases the headroom), the Two Stroke works brilliantly placed before or after other pedals, or even in your effects loop. It’s also suitable for bass and acoustic guitars as a practical tool to remove unwanted ‘honk’ or feedback, making this pedal a valuable addition to any musician’s setup. If you’ve flirted with EQ pedals before but been immediately put off by excessive noise and underwhelming results, the awesome Two Stroke Boost EQ may just change your mind.<br><br>

Born to obey the demanding boots of no other than guitar god Steve Vai – a guitar virtuoso and a true tone aficionado. This second version of the Bad Horsie adds a second Wah mode (Contour Wah). In contour Wah mode, two knobs, Contour and Level allow you to tweak the loudness and frequency of the Wah. You can switch between the Contour and Bad Horsie modes easily on the fly with a footswitch. A Bad Horsie and then some.

Single-Button Stompbox for Studio Mastered Vocal Tone<br><br>VOICETONE T1 automatically reacts to your voice and applies studio-quality dynamics and EQ to bring out your most-exciting vocal tone. Now you can put a recorded sheen on your live singing – without the setup and adjustment of complex equipment normally required to achieve “that sound”.<br><br>It’s Just this Simple...<br>-Plug in your mic, plug your pedal into the mixer & set the gain<br>-Turn on the effect<br>-(That’s it)<br>-Of course, you can always change the style or the amount of correction, but you shouldn’t need the manual – unless you’re making a fire!

Single-Button Stompbox for Dramatic Megaphone and Distortion Vocal Effects<br><br>VOICETONE X1 brings a modern “down ‘n’ dirty” quality to live vocals with crackling megaphones and amplified vocal distortion effects. Punctuate a word, phrase or an entire song with these sounds. The Drive and Filter controls can be set to suit your voice and the song. Kick it on, kick it off – you’re in control!<br><br>It’s Just this Simple...<br>-Plug in your mic, plug your pedal into the mixer & set the gain<br>- Turn on the effect<br>-(That’s it)<br>-Of course, you can always change the style or the amount of correction, but you shouldn’t need the manual – unless you’re making a fire!

Digital Delay Pedal with Up to 2 Seconds of Delay, Analog-style Decay, Blend, Delay Time, and Feedback Controls, and Heavy-duty Housing<br> The #1 Echo is part of the Electro-Harmonix line of Micro (xo) guitar effect pedals, with a small die-cast housing. But don't let the size deceive you - it produces some of the finest digital echo available, with a full two seconds(!) of maximum delay time. Echo/delay effect is controlled by feedback and delay time knobs. A blend control lets you adjust the amount of delay in your signal to make sure the Micro #1 sits exactly where you want it in any track or performance.<br> <br>A rugged footswitch selects whether the #1 Echo pedal is engaged or bypassed, indicated by an LED. When in Bypass mode, the output jack is connected to the input jack through a buffer. It's equipped with standard 1/4" instrument I/O jacks. The barrel connector is for a 9-volt battery eliminator capable of delivering 100 mA of current. The inner ring of the 9-volt battery eliminator must be negative, the outer ring positive. The unit's battery may be left in or taken out when the eliminator is in use.<br> <br>FEATURES<br> <br>Up to two seconds of delay <br>Blend control <br>Delay Time control <br>Feedback control <br>On/off footswitch <br>LED indicator <br>1/4" input and output jacks <br>Buffer bypass

The 2x12 Mesa Boogie Rectifier Cabinet delivers 120 watts and 2 V30 speakers in a powerful 61-lb. package. The closed-back speaker cab is constructed from marine-grade Baltic birch with black vinyl covering, twisted jute grille, and black piping. Includes removable casters and slip cover.

Don't think for a moment that the Mini Rectifier® is a trendy down-line toy or marketing-derived imitation of our mighty Recto®. This is the real deal… in every way a high-end, hand made all-tube amplifier.<br> <br>Lurking within this expensive metal chassis, lies one of our most expressive and nuance-enhancing circuits to date and it creates an exciting, adrenaline-producing Tone machine… one of the most fun to play in the entire MESA® collection.<br> <br>Like its original two channel forefathers, this Recto® keeps things straight ahead and easy to navigate. This generation features two footswitchable Channels that each contain two Modes and while it looks basic and drives easy, a world of stylistic versatility lives within these two simple rows of controls.<br> <br>TWO CHANNELS AND FOUR VERSATILE STYLE MODES<br> <br>Two independent channels and four style modes deliver everything from sparking cleans to aggressive fury. The Mini Rectifier’s Channel 1 focuses on rhythm sounds, both clean and overdriven. The CLEAN Mode delivers sparkling, big headroom rhythm sounds that breathe with rich, warm air on the bottom end. When driven to clip and combined with the 10 watt Power setting, this Mode misbehaves with real attitude and shines for urgent, yet soulful, Blues solo sounds and furry Rock rhythm.<br> <br>PUSHED aptly describes what to do with the second Mode in Channel 1 and here you'll find the next region of gain. With a more stripped EQ and just enough added drive, PUSHED invites aggressive Rock rhythm and Crunch styles to the party and even taunts your mid-gain solo work, especially in the 10 Watt Power setting.<br> <br>Channel 2 features the iconic Recto high gain sounds - the iconic liquid wall of VINTAGE and the aggressive fury of MODERN. VINTAGE excels at thick, high gain chording and single note soloing with an elastic feel and a broad harmonic spread.

Cable - 5 Pin Din, Male/Male - 25 ft.<br><br>Used with the following amplifiers:<br><br> Express, F-Series Amps Mark Five: 35, M-Pulse 360 / 600 Ver. 1, Rect-O-Verb 50 - Series II, Single Rectifier / Solo 50 - Series II, Venture 600 Footcontroller

The EL 34-STR-447 is the best valve EL-34 Mesa ever. It is an equivalent premium valve NOS (New Old Stock) and is the preferred Mesa in the production of all models equipped with EL34. It has a very urgent and aggressive sound and is an excellent choice for all styles "gain" especially classic rock, alternative and metal.

The MESA® 5881 STR 425 is a military grade 6L6 designed with an emphasis on rugged durability and the capability to handle higher voltage requirements. It produces a full bass and rich midrange with tapered highs that lends itself well to styles of jazz, fusion and traditional roots and blues music… or any style where tapered high frequencies and greater longevity and reliability is desired. The STR 425 is also commonly used in older MESA all-Tube Bass Amps using 6L6s like the MESA D-180, Bass 400 and Bass 400+ models. MESA power tubes are among the highest quality available and selected for their exceptional full-range tonal quality, consistency and reliability. All MESA tubes offer unsurpassed consistency and reliability for ANY tube amplifier, and certainly MESA amplifiers!

Got the digital blues? Coat your guitar in warm, organic tone. The new Analogizer thaws out digitally processed guitar, and gives you that analog sound and feel. Boost your solos with up to 26dB of gain. Fatten your sound. The Analogizer is perfect for warming up the harshness of your digitally processed guitar or for thickening up your already warm sound.

Blackstar – Fly3 is a portable guitar combo amplifier with cutting edge 3 watt, battery powered amp and combines 2 channels, tape delay and a patented infinite shape and features. This device is small but pack with punch and big tone, even at the lowest volume.

Blackstar - HT112 1 x 12 Speaker Cabinet 50 Watt is very known for its highest standard & finest material. Blackstar make sure that it will produce the best possible sound & built to last a lifetime. This cabinet speaker is compatible & designed for use with the HT-5 range heads.<br><br>Main Features:<br>- The HT-112 and HT Metal 112 extension cabinets use 12" Blackbird 50 Speakers<br>- The HT-5C and HT-5R models both feature a Blackstar custom voiced 12inch 50W speaker.

By allowing infinite adjustment over the characteristics of the HT-DIST guitar pedal's tone control network, the Patented ISF circuit allows you to effectively design your own tone and find the sound in your head. Add to this the dynamics of the high voltage valve design and a no compromise speaker emulated output and this pedal is a classic amongst modern distortions.<br> <br>Genuine valve design <br>Operates at 300V HT <br>Cascaded valve gain stages <br>Responds like a valve amp <br>Unique enhanced tone controls <br>Patented Infinite Shape Feature (ISF) <br>Fully equipped for stage or studio <br>Speaker emulated output <br>High integrity buffered bypass <br>Power supply included Silent switching<br> <br>Features<br> <br>DISTORTION ADJUSTMENT <br>By allowing infinite adjustment over the characteristics of the HT-DIST's tone control network, the patent-applied-for ISF circuit allows you to effectively design your own tone and find the sound in your head.<br> <br>OPERATES AT 300V HT <br>The HT pedal operates on a 300V DC anode supply voltage (High Tension voltage). This is the same used in traditional valve amplifier design and means the circuit has the headroom associated with a true valve design and will 'clean up' accordingly. The pedal will exhibit the compression and distortion characteristics associated with a true valve design.<br> <br>SILENT SWITCHING <br>Many hours of research showed us that only soft switching and a buffered bypass signal will give absolutely silent switching in high gain applications.<br> <br>SPEAKER EMULATED OUTPUT <br>The Blackstar emulated output design is a new benchmark for pro direct recording. This no-compromise design makes it easy to get your tone to disk and tape. You can also use it to run a line out to a PA.<br> <br>ISF CONTROL <br>The ISF control works in conjunction with the Tone control. It allows you to choose the exact tone signature you prefer.

Ampeg’s BA-112 12″ Bass Combo delivers classic Ampeg tone and performance driven features at volume levels ideal for practice, rehearsal or small stages. With Ampeg’s all-new grinding Bass Scrambler™ overdrive and true 60-degree sound reinforcement monitoring angle for added clarity, the BA-112 is perfect for applications that demand great tone at manageable volume levels.

Blackstar - HT CLUB 40 MarkII is perfect for home or studio use because of its power reduction features that allows the guitarist to attenuate to 10 percent of the 40 watt of power. This amp has the amazing ISF equipped overdrive channel access to two modes- classic crunch & super saturated lead. Equipped with 2 channels & 4 footswitch able voices, the HT Club 40 MkII is the deal gigging valve for club sized venues.

The ID:Core Stereo 20 V2 is a 2x10W ultimate entry level guitar amplifier. Incredible tone and flexibility is accessed by a simple and intuitive control set and delivered in SUPER WIDE STEREO to give an immersive playing experience that will have you hooked on playing guitar.<br> <br>ID:CORE V2 represents the culmination of more than nine years’ technical Research and Development. These amps have an intuitive control set like a traditional amp, but have the versatility of programmability. The unique controls allow you, the guitarist, to custom design your own sound. The unique and enhanced Voice control has six different channels - Clean Warm, Clean Bright, Crunch, Super Crunch, OD 1, OD 2. When used together with Blackstar's patented ISF control you can get the exact tone you're thinking of. The effects section delivers studio quality modulation, delay and reverb effects simultaneously that you can store with your sound.<br> <br>Deep editing and storing of patches is simple using the Blackstar INSIDER software. Patches can be shared, uploaded and downloaded via the online community. The USB connector also allows you to record from your amp directly to your computer; new USB 2.0 functionality makes for easier recording and reamping, plus the ability to record just the preamp out for adding your own effects and cabinet emulation in the DAW/post-processing. An emulated output, MP3/line input and inbuilt panel-accessible tuner complete the package.<br> <br>Adding to this, the inclusion of Presonus’ renowned Digital Audio Workstation software Studio One, gives you all the tools at your disposal for ultimate creative autonomy.<br> <br>By using the unique Voice control and the patented ISF, ID:CORE Series amplifiers allow unparalleled flexibility and ease of use, enabling you to design the sound in your head and deliver it at home, in the studio or in rehearsal.<br> <br>2x10W programmable combo Super Wide Stereo EQ with patented ISF Voice - select from 6 classic

The Blackstar LT-Echo 10 sets a new bar for starter guitar combo amplifiers. Experience amazing tone and feel. Conjure up infinite sounds with Blackstar's patented Infinite Shape Feature. Add dimension to your playing with a built-in digital tape delay effect and jam along with your favorite tunes, courtesy of an MP3 input. A speaker-emulated output sounds like a miked cabinet, even when you're wearing headphones. Just because you're a beginner doesn't mean that you don't deserve great tone. The Blackstar LT-Echo guitar combo amplifier will ensure that every practice session is an inspiring one.

Dual tube magic! Using the same professional-grade techniques as the most revered, vintage, high-end studio compressors, the Black Finger delivers truly professional performance compression. Unlike other "tube hyped" products on the market, which use 9 to 50 volts, the Black Finger's toroidal transformer allows for a full 300 volts of swing, preserving the attack while providing the warmest compression imaginable. Fantastic sustain, and a must for any amplified acoustic guitar.

The CBM95 Cry Baby Mini Wah gives you all the famed Dunlop tone in a smaller, convenient package. Roughly half the size of the original, this wah is perfect for crowded pedalboards and gigs with little stage room. The legendary Fasel inductor delivers smooth sweeps and classic tone. Internal switching gives you a choice of three voicings - low, vintage, and the more modern GCB95 - so you'll have all the tonal control you'd expect from a full-sized wah. Take it from the Sweetwater crew - if you want a versatile wah that is the perfect size for any rig, then you want the Dunlop CBM95 Cry Baby Mini Wah

Analog Bass Preamp Pedal with 3-band Tone Controls<br> <br>The Ampeg Classic Analog Bass Preamp pedal is like having a choice of Ampeg amps right on your pedal board. Dial in a wide range of authentic Ampeg tones with the 3-band tone stack and highly flexible Ultra-Hi and Ultra-Lo circuits. It’s the most affordable way into the pure analog bass tone of Ampeg.<br> <br>Features:<br> <br>-Delivers a wide range of authentic Ampeg tones <br>-Classic 3-band tone stack plus volume <br>-Ultra-Hi and Ultra-Lo circuits for tonal flexibility <br>-True bypass, analog design with incredible signal-to-noise ratio <br>-Roadworthy all-metal chassis construction <br>-9V DC supply or battery capable (not included)

Guitar gods have used the cocked wah sound to create monster riffs that have earned a permanent place in the rock lexicon. That required finding the sweet spot in their wah pedal’s sweep. The Cock Fight lets you achieve that cool cocked wah sound without the wah pedal. Tune in the tone you want. Add the built-in distortion for more grind and growl, or switch to the Talking Wah mode for a stuck voice-box sound. If you plug in an expression pedal, you can sweep the Cock Fight for jaw dropping wah and the tone you want.

Add an MXR Custom Shop Script Phase 90 to your pedalboard and instantly transport your tone back to the early days of rock, when shimmering chords and warbling leads were giving creative guitarists the fuel they needed to redefine modern music. True to the specs of the original Phase 90 model that MXR made up until the late '70s, the Script Phase 90 gives you both the expansive headroom and exceptional clarity that made this such a popular effect, plus the warmth and smoothness those old circuit designs were known for. Top it off with an original orange paint job and script logo, and the only way you can tell the original apart from the reissue MXR Custom Shop Script Phase 90 is the handy status LED.<br><br>

Orange's blazing Dual Dark 50 all-tube guitar amp head pumps out the molten tube tones you're looking for, with its 2-channel design, multiple-wattage settings, ultra-tweakable tone controls, its onboard effects loop give you all the options you need to rule the stage. The Dual Dark 50 head's channel one gives you a tweaked, Orange British amp voice, while channel two delivers Dark Terror tones. This head's 50-/25-watt selectable output makes it perfect for both stage and studio. when you need serious rock tones, look to the Orange Dual Dark 50 all-tube amplifier head.

The Micro Dark shares the same intuitive Shape control combined with a new 12AX7-driven high gain preamp section which yields screaming dirty tones that make a mockery of its miniature frame. Like its bigger brothers, however, the Micro Dark’s smoky black chassis and simple layout actually disguises its cunning versatility. <br><br> Of course, there’s plenty of gain on tap to satisfy even the most discerning devotee of distortion, but this little beast is by no means just a one-trick Metal monster! Beneath the menacing exterior you’ll find a rich and diverse pallette of classy and confident tones. From squeaky clean to brash and mean – whatever your style – you’re gonna love this thing.

Our flagship overdrive/distortion covers vast tonal real estate and redefines versatility. Like a database of great tone, the EHX TORTION’s full complement of features and controls make dialing in inspired guitar sound intuitive. Whatever the era, from vintage to modern, your search for the ultimate tone has ended.

The MXR® design team has collaborated with Eddie Van Halen to deliver a full range of powerful saturation and hyper-driven tones right at your feet. The resulting EVH 5150™ Overdrive joins hand-adjusted multi-stage MOSFETs with a full complement of controls to deliver overdriven tube-like tones and exceptional sonic flexibility through a wide variety of amps and speaker cabinets.

A wired remote control for the 22500 Dual Stereo Looper that gives you foot control over paging up and down thru the pedal’s Loop Banks. The 22500 records and plays in up to 100 Loop Bank. The Foot Controller makes it easy to navigate thru the 22500’s 100 Loop Banks, moving up or down by either one or ten banks at a time.

Foot Controller and Live Expansion Module for the ehx 45000 Looper It makes everything faster and easier by delivering hands free operation of key functions. Choose a new track or loop without missing a beat. Get instant access to up to 100 loops per SDHC card. The Foot Controller receives power from the 45000 and connects to it with a standard mono guitar cable. It’s a must have!

Bass Preamp and DI Box with with Voicing Control, Active 4-band EQ, and Deep Switch<br> The warm, musical Tone and powerful features of our SUBWAY® D-800™ Bass Head are now available in a Gig-Bag-Pocket ready package for floor or desktop that boasts friendly connectivity, take anywhere flexibility and ultimate control. Features include Gain, Active BASS, LOW-MID, HIGH-MID and TREBLE EQ Controls, VOICING Control, ACTIVE/PASSIVE Instrument Select, DEEP Switch, XLR Balanced and ¼” Unbalanced PREAMP Outputs with GROUND LIFT and a Balanced DIRECT Output with PRE/POST SWITCH and GROUND LIFT.<br> <br>FEATURES<br> <br>-Made in Petaluma, California with the World’s Finest Materials <br>-Preamp derived from the renowned Subway D-800 Bass Amp <br>-Active/Passive Input Switch <br>-Preamplifier features: Input Gain, Variable Voicing (Flat to Vintage Scoop), Fully <br>-Active 4-Band EQ (+/- 12dB of Bass, Low-Mid, High-Mid, Treble) plus Deep <br>-Switch (for enhanced low-end) and Master Volume <br>-Balanced XLR Direct Mic Level Out with Pre/Post & Ground Lift Switches <br>-Line Level Preamp Outputs - Unbalanced & Balanced with Ground Lift Switch (drives any power amp) Instrument-Thru Output <br>-Powered by AC or Battery, auto-switches to battery if AC fails

Overdrive Pedal with Dual Modes, 5-band Graphic EQ, True Bypass Switching, Gain Control, Bass/Treble EQ Controls, and Hi Mode Trim The FLUX-FIVE™ adds our classic Five Band Graphic EQ and footswitchable HI/LO performance Modes, featuring separate OUTPUT LEVEL controls to the already versatile FLUX-DRIVE™ package for increased tone shaping power and enhanced stylistic versatility.<br> <br>The reception for the FLUX-DRIVE’s fat, smooth, expressive gain has been outstanding among Artists and players alike. With critical praise from around the globe, it was an obvious recipient for the enhanced power of our Five-Band EQ. The FLUX-FIVE overdrive is a supercharged version of our popular FLUX-DRIVE that features a “shrunk-to-size” version of our classic Boogie&ref; Five-Band Graphic EQ and new added versatility thanks to footswitchable HI/LO performance Modes. The LO Gain Mode is the original FLUX-DRIVE in every way and now, on this wider platform, a new higher gain version of this soulful sound appears in the HI Mode. The Graphic EQ allows the popular “V-Curve” EQ setting to be applied to its layers of thick gain - creating a huge, wide Heavy Rock or Metal sound that still retains the FLUX’s warm character. The original TREBLE and BASS rotary EQ controls can be used to dial in global enhancements and the combination of the two EQ styles produces signature sounds for any genre.<br> <br>The Graphic EQ can be applied to both HI and LO Gain Modes enabling you to have a global EQ curve or apply it to either gain Mode separately to have two “preset” sounds with different EQ shapes and gain signatures to switch between. A HI TRIM pot allows the volume level of HI to be adjusted in relation to the original LO (FLUX-DRIVE) Mode. However you choose to utilize all this potential, the warm rich FLUX-FIVE overdrive is sure to inspire you and bring out your best.

The TONE-BURST™ Boost/Overdrive offers a virtually transparent gain range usually associated with “clean” boost pedals. However, the TONE-BURST has enough gain to boost your guitar to the threshold of clip and slightly beyond, making it far more useful for a variety of applications. It’s incredibly powerful for adding boost, drive and/or EQ to any guitar and amp combination. Whether using it as a utility to boost the output of single coils to match a humbucker or as a subtle overdrive when a standard overdrive may be too much, the TONE-BURST is an incredibly useful and expressive pedal that makes the best things sound even better!<br> <br>Product Features<br> <br>-Designed and Handcrafted in Petaluma, California, USA <br>-True Bypass On/Off Switching - Bypasses all circuitry when off to ensure no tonal loss <br>-Gain Control allows you to dial in the perfect amount of boost or mild overdrive <br>-Master Level Control provides a variable range of signal boost up to +20dB <br>-Bass & Treble Controls provide +/- 12dB of EQ boost or cut for exceptional tone shaping <br>-On/Off Status LED <br>-9V Battery Powered Externally Powered (optional) via External Power Jack Input <br>-Input & Output Jacks (Nominal Input -20dB

This Cry Baby Wah is equipped with a Fasel® Inductor, a vintage voice, and true bypass switching.<br><br>The Cry Baby Classic Wah is a modern take on a classic sound. Dunlop's engineers re-tuned the Cry Baby Standard Wah circuit to have a lower frequency center and a more subtle effect while adding the legendary Fasel® Inductor to create the gorgeous tone, voice, and sweep of early Cry Baby pedals. For tonal purists, the Cry Baby Classic Wah also features true bypass switching.

The Good Vibes recaptures the iconic chorus/vibrato effect of the 1960s in an updated pedal with features designed to meet the needs of the modern player. Like the original Uni-Vibe®, it uses photocells to create chorus and vibrato with a warm, undulating, liquid groove for a sound and response that’s true to the classic design. Boosted power rails provide 21st century definition and headroom, and an expression pedal input puts free-form control for speed or intensity at your feet. True bypass, too. Very groovy!

HarmonyControl | Guitar reads your guitar playing and tells your MIDI equipped harmony processor how to sing "the right stuff". If you've ever used Key and Scale harmony, you'll know it works wonderfully for a lot of songs, but now you can add even more harmony songs to your repertoire while you focus on playing and singing your best with HarmonyControl | Guitar. Previously, only MIDI keyboard players had the ability to create spontaneous harmony parts but now it lies in your hands too. HarmonyControl | Guitar is a big step forward for performing guitarists.

The first multi-effect pedal from Electro-Harmonix! Righteous possibilities emerge when you combine a kaleidoscope of effects: Reverbs, Pitch Shifting, Tremolo, pure analog drive and fuzz. The brilliance of the Stain lies in the dynamic interaction of its controls. Invent brilliant tonal combinations.

We’ve got your back, or rather, you’ve got your back! Vocal looping has never been simpler; with one stomp you are now your own back-up vocalist. Creating multiple, overdubbed loops for vocal harmonies or rhythmic counterpoint is just a foot stomp away.<br><br> The DigiTech® JamMan® Vocal XT is a compact looper designed specifically for vocalists. It is easy to use, yet versatile enough to add the “wow factor” to your vocal performances. 10 minutes of looping time, Silent Clear™, JamSync™, XLR Input/Output, a Built-in dbx® Mic Preamp, and +48V Phantom Power, the JamMan Vocal XT extends our JamMan Looper family to vocalists!<br><br> JamSync automatically synchronizes the JamMan Vocal XT to another Vocal XT, JamMan Express XT, or JamMan Solo XT. This revolutionary feature allows you to create independent, yet perfectly synchronized loops. Using JamSync you can build a custom multi-track looper or build loops within your band.<br><br> The JamMan Vocal XT’s Silent Clear feature allows you to clear a recorded phrase without requiring you to play it first, an annoyance typical with some other loopers.<br> Connect your favorite mic to the JamMan Vocal XT with its built-in studio quality mic preamp and you’ll instantly notice its pristine sound. Your original vocal and the repeated loops will be crystal clear and you’ll be able to creatively express yourself in new, jaw-dropping ways!

Boasting 180 Watts from its 15 inch woofer and horn tweeter, the KC550 is Rolands flagship keyboard amp. The built-in 4 channel stereo mixer allows the user to connect up to four keyboards, and you can use the amps Shape switch and 3-band EQ to sculpt

With the Kongpressor pedal, Orange is utilizing optical compression to deliver superior tone, sustain, and sheen. You'll find that the controls for attack and release sound great all the way through their range. The volume control determines the pedal's output, and you'll be able to hear the detail in your tone, thanks to an onboard active chime circuit that adds and removes top-end sparkle. The Kongpressor is no one-trick pony. It is just as happy in front of a gained-up amp, nailing chicken pickin' tones, or simply smoothing out your performance.<br><br>Orange has been an iconic rock 'n' roll brand since the dawn of distorted electric guitar. Their high-powered bass and guitar amp heads have powered the backlines of everyone from Black Sabbath to the Eagles of Death Metal. The company also helped kick off the lunchbox amp revolution with their famous Tiny Terror amp line. The Kongpressor is an addition to the company's recent line of high-quality effects pedals that are taking the industry by storm. If you're looking to pick up some legendary British tone, this is the right one for you.<br><br>Orange Kongpressor Compressor Pedal Features:<br>-Optical compressor pedal with a versatile set of controls<br>-Attack and release controls optimize the pedal's bloom<br>-Active chime control adds and removes top-end sparkle<br>-Up to 12dB of clean gain available for boosting the front of your amp<br>-Internal charge pump doubles the operating voltage for more headroom<br>-Clear and true-sounding buffered bypass

The Ampeg Liquifier Analog Chorus pedal delivers incredibly rich tones thanks to its dual chorus circuit design. Experience classic dreamy chorus or turn it all the way up to transport your tone to a new dimension. Featuring a roadworthy all-metal chassis and true bypass switching, the Liquifier Analog Chorus delivers all the lush sounds you’ve been dreaming of and more.

The Distortion+ delivers everything from cool overdriven blues tones to huge '80s hard rock distortion.

Ultimate riff power is yours with the Fullbore Metal Distortion pedal from MXR. This compact but powerful device is all you need to unleash the most devastating contemporary metal guitar tones ever heard. The Fullbore Metal turbo-charges your guitar signal with lethal amounts of ultra high gain. This is combined with a built-in Noise Gate to knock out the noise associated with extreme gain levels while also adding definition and tightness to syncopated metal riffs.

Built from the ground up with the best available components, the MXR GT-OD Overdrive pedal creates smooth, warm, and classic overdrive without excess noise or tone coloring. The simple controls make it easy to dial in a great tone quickly-from crunchy rhythm tone with chord clarity-to sparkly and harmonicrich lead tones with tons of sustain.

The Analog Chorus creates classically lush, liquid textures with Rate, Level, Depth, High, and Low controls for superior control over your sound.<br><br>THE LONG STORY.<br> The Analog Chorus uses bucket-brigade circuitry to create classically lush, liquid textures that you just can't get with digital circuitry. Rate, Level, and Depth controls, as well as knobs for cutting High and Low frequencies allow ultimate tone control. Like all MXR pedals, the Analog Chorus comes in a heavy-duty housing with durable jacks and switches for a lifetime on the road.

The Dyna Comp Mini Compressor combines classic tone and modern convenience in a housing that's nearly half the size of the original, featuring an all-new Attack switch to toggle between slow and fast attack times.

The MXR Sugar Drive provides a diverse range of clear and transparent overdrive tones, from sauced up boosting to blown-tube distortion. It’s based on a rare overdrive pedal that has acquired a mythical reputation among fanatical tone-seekers thanks to its unique circuit design.

The MXR M77 Custom Modified Badass Overdrive Guitar Effects Pedal is a classic overdrive circuit with modern modifications for improved performance and versatility. <br>For added flexibility, there's a 100HZ cut and boost control that allows for a more focused EQ when cut, or a beefier tone when boosted. The Bump switch engages an alternate EQ voicing that boosts the lows and mids. Put it in front of the '78 Custom Badass Distortion for a slew of amp-like gain structures that won't mask your tone.<br><br>Features:<br>-Classic overdrive circuit modded for improved performance and versatility<br>-100HZ cut and boost control allows tonal fine-tuning<br>-BUMP switch engages alternate voicing for a low and mid-range boost<br>-True Bypass

The Bass Chorus Deluxe delivers analog lush modulated tones with Bass and Treble controls, a Flanger switch, and a X-Over switch for tonal flexibility.

The Bass Compressor provides recording-quality compression with Constant Headroom Technology™ and true bypass switching for keeping your low end tight and clean.

The Ebtech Mark 1 - Mark Tremonti Power Wah Pedal incorporates Morley's world famous Electro-Optical circuitry and switchless design, and a Boost knob that allows a full 20dB of Wah gain to cut through the mix. The Wah tone is the perfect hybrid of a traditional and modern Wah, voiced to Mark's preferred frequency & sweep controls. Clear-Tone buffer circuitry translates your guitar's personality and tone, while maintaining full output. Roadworthy housing is dressed up with Diamond Plate foot-pad for no slip Wah action.

The MICRO-VR Cover from Ampeg is a protective nylon cover for the Micro VR head.

Limited Edition mini version of George’s signature Wah: Electro-Optical Wah with THREE Wah modes: Wah (traditional), Wow (bit of overdrive with unique vowel-like tone) and Wah Lock (allows you to electronically lock the Wah in Wah mode).

A great-sounding volume pedal, a classic-sounding wah pedal, and a whole lot of extra room on your pedalboard. That's what you get with the Morley Mini Power Wah Volume pedal. With all of the classic tone and convenience of the full size version, this mini pedal puts it in a package that allows you to fit more pedals into your rig. And it's equipped with Morley's custom HQ2 inductor, Electro-optical circuitry, and Cold Rolled Steel Housing for rock-solid operation.

Rich, overtone laden sound that doesn’t get muddy. Responsive controls that take you from sparkling, clean boost through brown crunch and all the way to thick, saturated hi-gain. Advanced features like Tone Shift and selectable 9 or 18V internal voltage for surgical sound sculpting. The new OD Glove delivers overdrive and distortion with impact, and the modern player in mind. “The OD Glove is unlike any of the overdrives we offer and great!” - Mike Matthews

The PF-350 Bag from Ampeg is a protective nylon bag for the PF-350 bass amp head.

Ampeg Nylon Cover for PF-410HLF Speaker Cabinet

This 2 x 12" open-back enclosure gives you the classic sound you want plus a distinctive look that's perfect for all kinds of stage setups. Whether you're rocking the house or laying down tracks, you'll appreciate the full yet dimensional sound you get from the 2 x 12" configuration.The PPC212 comes loaded with two premium 12" Celestion Vintage 30 speakers, and it can handle up to 120 watts of power. The compact PPC212 cab is sized perfectly for your Orange Rockerverb 50C or AD30TDC amp!

Classic Wah sound sharing a space with dedicated Volume control. Our custom MQ2 inductor ensures a super clean tone and the electro-optical design has eliminated the need for having pots that may wear out and get scratchy. Duality at its absolute finest!

The Signal Pad is a passive attenuator that allows you to instantly switch to a different preset volume. It's like your guitar's volume knob, with a fully-passive and color-free circuit. Leave your amp's volume set high for overdrive, and use the Signal Pad to lower your level for a clean sound -- then switch it off to kick in your amp's natural overdrive. You can also experiment with the Signal Pad anywhere in your effects chain -- you'll bring out new tonal combinations from your favorite old pedals.

The SVT-410HE Cover from Ampeg is a protective nylon cover for the PF-410HE speaker cabinet.

This is the speaker cabinet for the bass player who demands the ultimate in a single, compact cabinet setup. The SVT-410HLF delivers devastating low-end bass, all the way down to 28Hz, thanks to four 10” speakers working together to move a tremendous amount of air. The SVT-410HLF actually moves 10% more air than two 18-inch speakers, and 25% more than three 15-inch speakers! And those leviathans simply can’t respond to transient peaks as quickly as four tens can.<br><br> The SVT-410HLF also delivers superb top-end, thanks to its 1” horn driver, strategically crossed over at 4kHz. This is a favorite enclosure for such artists as Meshell Ndegeocello, John McVie of Fleetwood Mac, and Ricky Skaggs’ bass player, Mark Fain. <br><br> The Ampeg SVT-410HLF is the supreme speaker enclosure for the multi-string bass player seeking both superior power handling and true high-fidelity performance.

The SVT-410HLF Cover from Ampeg is a protective nylon cover for the SVT-410HLF speaker cabinet.

The SVT-610HLF Cover from Ampeg is a protective nylon cover for the SVT-610HLF speaker cabinet.

The EHX Volume Pedal is part of our innovative Next Step Effects series. It does not use a potentiometer, optics or magnetism to sweep the volume control. It delivers accurate and very expressive control over the volume of an instrument.

All-tube time machine allows you to go back to the 1960's with The Wiggler's recreation of the most sought-after modulation effects that until now were only found in classic amps. Clear and defined amplitude modulation and vibrato with the vacuum tube warmth that older generations once took for granted. CAUTION: Your friend who shelled out big bucks for a Leslie cabinet will no longer speak to you... don't say we didn't warn you.

Take the power of Aphex’s legendary Aural Exciter® and Big Bottom® technologies to the stage. This is the only pedal that will help your guitar, bass and your other pedals sound better. We’ve taken the legend of the Aphex Aural Exciter and Big Bottom and placed it firmly at your feet. Aphex Xciter pedals are designed to deliver the sonic enhancement the Aural Exciter and Big Bottom are famous for, taking it out of the studio and onto the stage. The Xciter pedal brings out the character and nuance of your instrument without adding volume and distortion.

The Mesa brand is synonymous with high-quality products that put a world of flexibility at your fingertips. With the release of their Rosette 300-watt combo amplifier, acoustic players now have access to that same top-shelf construction, versatile functionality, and great tone. The amp's two fully independent channels allow for use with a guitar pickup, a microphone, or both. You'll dial in your ambience via three onboard reverb types as well as a footswitchable parallel effects loop. With so much power and so many tonal options inside the Rosette, it's hard to believe it still comes in at a very manageable 30 lbs.

Introducing the MESA/Boogie® Fillmore™ 25. Joining the award-winning Fillmore™ 50, the new Fillmore 25 shows up to claim the bantam-weight class with a compact 6V6 format. Authentic traditional tones abound in this new Fillmore’s popular power range, from clipped cleans, to a purring grind, all joined by the preamp’s higher gain realm delivering blistering tube overdrive like only a MESA can. The 25 also features tube-driven spring reverb that provides some of our lushest, richest reverb to date. Experience the 50's circuit, soul and clip-ability coupled seamlessly with the realm beyond where traditional amp evolution tapped-out in the twilight of the 60s with the new Fillmore 25. Finally, you can have the original Boogie-sized footprint, preamp flexibility to cover any style, and Traditional, old-school dress in the perfect power range! …Tone for days that brings back The Years!<br>Humbly named in tribute to the renown bi-coastal venues that showcased the biggest names in Classic Rock and Blues over decades, this new instrument has been dubbed super-responsive, nuanced, organic… and “vintage-inspired Magic” by those who’ve experienced it. Subtle saturation that serves, not smothers, your style.<br><br>PURE VINTAGE INSPIRATION<br>In the Fillmore 25, you'll discover a new source of “perfect-power” inspiration. You’ll enjoy our most expressive gain ever, presented in a simple 2 (identical) Channel, 3-Mode platform, served up in our original Boogie®-sized combo and head formats, dressed in Fillmore attire. Where this class of amplifiers used to be only for practicing and recording, the Fillmore 25 arrives to reveal an amp capable of much more. …Versatility to cover any style, ample power and dynamic punch to Gig, true portability to make that effortless and myriad possibilities across the entire range of gain from which to build your two footswitchable sounds.

If you play electric guitar, chances are you’ve heard of John Petrucci and Dream Theater. You may even know of our 30-Year relationship building many of his favorite amplifiers – the very same amplifiers you might have chosen for your sound. This distinguished list includes the MARK IIC+™, Dual Rectifier®, TriAxis™, MARK IV™ and MARK V™ to name a few.<br> <br>In celebration of John’s talent, his life-long dedication to our shared art, and the long relationship we’ve enjoyed with him, we are proud to introduce a MESA® first; The JP-2C™ - Our first unlimited-build Signature Amplifier.<br> <br>And YES… it’s a MARK IIC+! A next generation Re-Issue of the legendary amp so many Recording Artists, MESA enthusiasts and Tone Freaks the world over covet, often searching high and low to find. Only THIS IIC+ pulls in an enhanced feature set born from our collaboration with John over a period of three decades of research and development.<br>

The Mesa/Boogie Mark Five: 35 tube amp head gives you legendary Mesa tone from its Mark Series preamp and proprietary Dyna-watt, 4 x EL84 output section. Pushing the EL84 power tubes lets you dial in everything from sweet cleans to roaring leads. The two independent Solo controls allow you to footswitch a preset boost. And the Mesa/Boogie Mark Five: 35's built-in Cabclone speaker-emulated output, with closed-back, open-back, and vintage voices, completes this amazing gigging and recording tube amplifier.

The Mesa/Boogie Mark V guitar amp head will take you on a tonal journey through the company's illustrious history with some new capabilities thrown in. Whether you're craving the sound of the Mark I's high-gain cascading preamp or the fat, wide tone of the Mark IV, the Mark V delivers. At Sweetwater, we've been blown away by what this ultra-versatile guitar amp head is capable of. The Mark V lets you dial up anything from tweed-like tones to British crunch to the highly-coveted trademark Boogie overdrive. Featuring a 5-band EQ, Multi-Watt and Simul-Class power, and three channels of sonic mayhem, the Mesa/Boogie Mark V guitar amp head will give you all of the clarity, crispness, and punch that you can handle!

Since the worldwide success of the Mini-Rectifier Twenty-Five Head, the call for a light-weight expressive combo has been loud. Well, your wish was answered! And that's not all ... Mesa Boogie now introduces the RECTO-VERB TWENTY-FIVE Head and the 1x12 Combo.<br> <br>The twin-breasted twin brothers of the world-famous MINIRECTIFIER are somewhat bigger than the LUNCH-BOX format of the Mini-Rec, but just big enough for a 12-inch loudspeaker (at the combo) and a "long-spring" Hallspiral Place.<br> <br>These classic vinyl-birch plywood cases are available in black and are available in a variety of color options. Players who prefer less gain for their style will appreciate the tube-driven reverb with its lush sound and softer attack. But do not be afraid ... ... for lovers of tougher gaits, the familiar authentic RECTO sounds are still available. Whether you're rocking "straight" or using the immense bandwidth of the new Recto, this exceptional and super-transportable 1x12 combo / head will bring you lots of fun.<br>

Building on EHX’s looper legacy, the 45000 combines the familiar controls of a multi-track digital recorder with state-of-the-art features making it possible to create complex multi-track loops quickly and easily. Each loop has four mono tracks and one stereo mixdown track. The 45000 records non-compressed, 44.1 kHz / 16-bit CD quality audio direct to a removable SDHC card (4 to 32GB). Each card holds up to 100 individual loops accessed with the optional 45000 Foot Controller (sold separately). Loop speed is adjustable over a two octave range, and reverse recording and playback are also possible. For extra convenience, a built-in metronome to a separate Monitor Out and a Headphone Out are also included.

The MESA® 12AT7 is a premium grade, lower gain preamp tube most often used in reverb stages and/or phase inverter positions in older amplifiers. It is used in older MESA/Boogie® designs (MESA amps built before 1991) as a reverb driver stage, but the 12AT7 can also be substituted in 12AX7 gain stages where users are seeking lower gain response from higher gain positions in the preamp string. The lower gain output of 12AT7s can expands the range of clip and overdrive potential of higher gain amps for truly authentic roots and traditional styles.

The MESA® 5U4GB Rectifier Tube is our very best overall 5U4 and our rectifier tube of choice in the production of all new MESA amps featuring this tube. This tube produces a "traditional vintage sag" with the most elastic and compressed feel of the two 5U4's that we offer. Amazing feel and exceptional overall quality make this our factory favorite. Based on classic 1950s technology, the 5U4GB is a vastly improved 5U4 design that is extremely reliable and consistent, as well as more compact compared to original “Coke Bottle” 5U4Gs (3 3/4" from bottom of base to top of glass). It is similar in size to a 6L6 power tube so please take special care to install them in the correct tube position(s), especially when replacing 6L6's at the same time. 5U4GB Rectifier Tubes are used in MESA Amps like the Dual and Triple Rectifiers®, Road King®, Roadster®, Stiletto Ace™, Deuce™ & Trident™.

The MESA® 6V6 STR 417 is the little brother to the 6L6 and exemplifies classic American tube tone from yesteryear. Extremely sweet and bubbly with a beautifully deep bass and spacious, shimmering highs, this tube defines vintage "Deluxe" styled tones and is a great substitute in Mark & Lone Star Series amplifiers when used with their Tweed Power Switch feature (consult the amplifier owner's manual for proper use). MESA power tubes are among the highest quality available and selected for their exceptional full-range tonal quality, consistency and reliability. All MESA tubes offer unsurpassed consistency and reliability for ANY tube amplifier, and certainly MESA amplifiers!

The Switch-Track™ enables an either-or-both, ABY scenario for your two favorite amplifiers. Select between two different amplifiers, two identical amps for more Channels and sonic options or combine them for a bigger, fuller sound, or a specific blended character.<br>The INPUT is buffered to prevent signal loss due to increased loading when both amplifiers are engaged. Both OUTPUTS are transformer isolated for consistent tone and provide unbalanced or balanced signals for longer than normal cable runs. The “B” OUTPUT’s Ground is default-lifted to eliminate Ground loops. <br>The switching (including phase) can be triggered at the unit itself for Pedal-Board mounted applications or remote controlled via Midi Program Change (or Control Change) commands sent from a Midi Controller in scenarios that require the ABY be located at the amplifiers or in a larger Touring Rack setup.<br>Other valuable features include an “always on” low impedance TUNER OUT jack, a GROUND LIFT switch for isolating the A Output (B is always isolated), a PHASE invert switch (which is also MIDI controllable) for the “B” Output’s Phase relation to the “A” Output, MIDI IN and THRU DIN jacks and a Midi Preset (Program) STORE button. Two on-board Footswitch Buttons offer A/B and A+B/MUTE.

The Mesa/Boogie Cabclone is a speaker cabinet simulator and load box that gives you entirely new ways to use your guitar amplifier on stage or in your studio. Plug your amplifier's speaker output to the Cabclone, and you can connect your amp's tone directly to a mixing console, mic preamp, or even direct to your recording device. Three different cabinet simulation voicings let you emulate the sound of open-back, closed-back, and "vintage" speaker cabinets. You won't need to lug a speaker cabinet with you to get outstanding tone from your amplifier, with the Mesa/Boogie Cabclone.

Use Your Cab and FX with 2 Amp Heads<br>With the Mesa/Boogie Head-Track, you can toggle between two amplifiers while using the same cabinet. Beyond that, a shared effects loop allows you to route effects to each amplifier's loop and switch it to the amp in use. The Head-Track is a breeze to set up — you simply place it near your amp to safeguard your signal's integrity, while controlling its switching via MIDI or a latching footswitch on your pedalboard. You can also switch between amps using the Head-Track's built-in footswitch. Ideal for live, studio, and A/B comparisons alike, the Head-Track is also an easy way to route your entire signal chain to a backup amplifier.<br><br>Mesa/Boogie — tone, versatility, and performance<br>For decades, Mesa/Boogie amps have set the standard for what a great-sounding tube amplifier should be. Renowned for their combination of pure tube tone, versatility, and player-friendly performance, these amps are found on stages and in studios everywhere, and for good reason — the best choose the best. We're very proud to offer a full range of Mesa/Boogie products, from compact and studio-friendly tube combos all the way up to arena-shaking high-wattage heads and cabinets.<br><br>Mesa/Boogie Head-Track Guitar Amp Head/Effects Loop Switcher Features:<br>Guitar amp head/effects loop switcher<br>Instantly toggle between two amplifiers while using the same cab<br>Shared effects loop allows you to route effects to each amplifier's loop and switch it to the amp in use<br>Control switching via built-in footswitch, MIDI, or a latching footswitch on your pedalboard<br>An internal load resister protects the amp not in use<br>Ideal for live, studio, A/B comparisons, and routing your signal chain to a backup amplifier

The Boss AW-3 Dynamic Wah Pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new "humanizer" effect that can simulate human vowel sounds. The Boss AW-3's bass input even provides a variety of funky wah sounds for bass guitar.

The Blackstar –LT Boost Compact Pedal is an extremely flexible pedal that can be use into a clean amp as a volume boost or to drive your amplifier into dynamic overdrive. With its patent-applied for gain circuit, you can push your guitar amp into smooth overdrive but with a maximum delivery of dynamics & tone.<br><br>Features:<br>- Bass Control<br>- Trebel Control<br>- True Valve-Like Response<br>- Battery Operated<br>- Continuously variable boost <br>- Small form-factor - great for pedalboards Rugged construction<br>- Patent-Applied-For clipping circuit that matches the tone and response of our valve pedals

Blackstar - HT 408 60 W/ 8 Ohm 4x8” mono extension cabinet is an awesome projection & tone because it is a small cab but unbelievably cool for its compact format that is perfectly matched to the HT-1RH valve head.

The HT-1 is the perfect amp, packing all the great tone and innovative features of the award-winning HT-5 valve amp into a 1 Watt format. The patented ISF (Infinite Shape Feature) circuit gives you infinite adjustment over the characteristics of the tone control network and takes you from the USA to the UK and anywhere in between. Add a fully specified speaker emulated output, MP3/ Line Input, plus an 4-16Ω speaker output and you have everything you need for recording or practicing.<br><br> Features:<br> <br>-Innovative 1 Watt valve combo <br>-1xECC83 and 1xECC82 <br>-Unique push-pull power amp design <br>-Based on award winning HT-5 <br>-Two channels <br>-8" speaker <br>-Patented Infinite Shape Feature (ISF) <br>-Perfect for studio or practice <br>-Speaker emulated output <br>-Stereo MP3 / Line input <br>-External speaker output

The HT-5R takes the tone and features of the HT-5C and adds the same stereo reverb as used in the acclaimed HT Venue Series. The HT-5R guitar amp features dedicated tone control on the clean channel, a custom designed 12" speaker and stereo reverb, making it the perfect guitar amp for the studio or home use.<br> <br>Innovative 5 Watt valve combo <br>1xECC83 and 1x12BH7 valves <br>Unique push pull power amp design <br>Award winning HT Pedal preamp <br>Two footswitchable channels <br>12" 50W speaker custom designed by Blackstar <br>Enhanced tone controls <br>Patented Infinite Shape Feature (ISF) <br>Fully equipped for studio or practice <br>Digital Stereo Reverb <br>Speaker emulated output with 1x12 or 4x12 voicing <br>Effects loop with effects level switch <br>Footswitch included Cool vintage styling<br> <br>Features<br> <br>TWO FOOTSWITCHABLE CHANNELS <br>The guitar amplifier has two channels available for selection, a Clean channel and an Overdrive channel. Using the Volume control while on the Clean channel you are able to deliver everything from a clean sound through to a crunch tone. Alternatively you can select the Overdrive channel and again using the Gain control, change from a clean sound on the edge of breakup right through to a distorted lead tone.<br> <br>5 WATT, PUSH-PULL DESIGN <br>The HT-5 power amplifier is a low powered push-pull design which produces the crunch and break-up characteristics of a traditional 100W output stage, but at a much lower volume. This is achieved by the use of a 12BH7 dual triode valve in push-pull configuration producing 5 Watts output, which is rich in valve harmonics and compression, sounding full and toneful even at the lowest volume level.<br> <br>DIGITAL REVERB <br>The reverb control sets the overall level of the reverb effect. With the control fully counter clockwise there will be no reverb. Turning the control clockwise will increase the amount of reverb.<br>

Blackstar - HT 5RS is an award winning guitar amp & cabinet combo that is fully equipped for either practice use or studio recording purpose. This combo comes with HT-5RS mini stack & HT-5RH head with two 1x12 Blackstar voiced speaker<br><br>Features:<br>- Innovative 5 Watt valve head <br>- 1xECC83 and 1x12BH7 valves <br>- Unique push pull power amp design <br>- Award winning HT Pedal preamp <br>- Two footswitchable channels <br>- Two 1x12" speaker cabinets loaded with custom designed 50W speakers<br>-Enhanced tone controls<br>- Patented Infinite Shape Feature (ISF) <br>- Digital Stereo Reverb <br>- Speaker emulated output with 1x12 or 4x12 voicing <br>- Effects loop with effects level switch <br>- Footswitch included Cool vintage styling

Blackstar - HT DistX is patented Infinite Shape Features (ISF) control that takes you from a Classic British to a Modern American & anywhere in between & the no compromise speaker emulated output that lets you get it all down to tape or disk.<br><br>Features:<br>- Genuine valve design <br>- Operates at 300V HT <br>- Cascaded valve gain stages <br>- Responds like a valve amp <br>- Unique enhanced tone controls <br>- Patented Infinite Shape Feature (ISF) <br>- Fully equipped for stage or studio <br>- Speaker emulated output <br>- High integrity buffered bypass <br>- Power supply included <br>- Silent switching Extreme gain and tone<br>- Extreme Gain<br>-Operates at 300V HT<br>-Silent Switching

The HT-DUAL guitar pedal offers the ultimate in high voltage valve distortion flexibility. Channel 1 has Clean or Crunch modes and can be used clean, as a boost or overdrive. Channel 2 gives distortion tones from super crunch right up to screaming lead. The unique switching operation will transform a single channel vintage amp into a three channel tone machine.<br> <br>Genuine valve design <br>Operates at 300V HT <br>Cascaded valve gain stages <br>Responds like a valve amp <br>2 channel operation <br>Clean, Crunch & Lead modes <br>Unique switching operation <br>Unique enhanced tone controls <br>Patented Infinite Shape Feature (ISF) <br>Fully equipped for stage or studio <br>Speaker emulated output <br>High integrity buffered bypass <br>Power supply included Silent switching<br> <br>Features<br> <br>DUAL CHANNELS <br>The HT-DUAL features two switchable channels for flexability. Channel 1 has either Clean or Crunch modes so it can be used clean, as a boost or overdrive. Channel 2 gives distortion tones from super crunch right up to screaming lead. The unique switching operation will transform a single channel vintage amp into a three channel tone machine.<br> <br>ISF CONTROL <br>The ISF control works in conjunction with the Tone control. It allows you to choose the exact tone signature you prefer. Fully CCW is a more American characteristic with a tight bottom end and more aggressive middle, and fully CW is a British characteristic which is more ‘woody’ and less aggressive.<br> <br>OPERATES AT 300V HT <br>The HT pedal operates on a 300V DC anode supply voltage (High Tension voltage). This is the same used in traditional valve amplifier design and means the circuit has the headroom associated with a true valve design and will 'clean up' accordingly. The pedal will exhibit the compression and distortion characteristics associated with a true valve design.<br>

The HT-METAL valve distortion pedal is a no-compromise, two channel, ultra high gain, filth machine. Powered by true 300V high-voltage valve circuitry, this pedal offers cascaded tube gain stages and authentic tube amp response. Each ultra-high gain channel offers its own gain and volume controls. Channel 1 is equipped with a Clean/Overdrive switch. The three-band EQ includes Blackstar's patented ISF (Infinite Shape Feature) control, which re-voices the entire tone stack from British Heavy Metal to US High Gain. No compromises, no excuses, no apologies - stay Metal!<br> <br>Genuine valve design <br>Operates at 300V HT <br>Cascaded valve gain stages <br>Extreme Gain and Tone <br>Responds like a valve amp <br>2 channel operation <br>Clean, Overdrive and Super High Gain Lead modes <br>Unique switching operation <br>Unique enhanced tone controls <br>Patented Infinite Shape Feature (ISF) <br>Fully equipped for stage or studio <br>Speaker emulated output <br>High integrity buffered bypass <br>Power supply included Silent switching<br> <br>Features<br> <br>OVERDRIVE AND SUPER GAIN <br>The HT Metal takes gain to the next level. Powered by true 300V high-voltage vacuum tube circuitry this pedal offers cascaded tube gain stages and authentic tube amp response. Two channels and three modes provide extreme versatility. Each ultra-high gain channel offers its own gain and volume controls. Additionally, Channel 1 is equipped with a Clean/Overdrive switch. The three-band EQ (Bass, Middle, Treble) is tied to the patented ISF (Infinite Shape Feature), which re-voices the entire tone stack for an expansive tonal range.<br> <br>ISF CONTROL <br>The ISF control works in conjunction with the Tone control. It allows you to choose the exact tone signature you prefer. Fully CCW is a more American characteristic with a tight bottom end and more aggressive middle, and fully CW is a British characteristic which is more ‘woody’ and less aggressive.<br>

Blackstar- HT Club 50 Mark II is a very versatile amp head that can give all the tones that you need. With the inspiring British edge-of-breakup grit to tight & punchy American high grain using overdrive channel. Thanks to Blackstar Infinite Shape Features (ISF) you can get two different textures of reverb & speaker-emulated output that makes direct recording easier than ever.

Blackstar - HT STAGE 100 Mark II is an ultimate amp delivering ground-breaking cleans, rich full overdrives & offering maximum control & flexibility. The boutique style clean channel has two modes-British Class A & Dynamic US. Each of the two Infinite Shape Features equipped overdrive channels accesses a further tow modes. This HT Stage 100 MkII is a flagship amp head uses a quartet of selected EL34 power valves to deliver 100w of British Dynamic with 3 channels offering 6 voices for amazing tonal versatility.

Blackstar- Artist 15 is a new classic amp with its metallic thread in the classic paper fret to the embossed Blackstar detail on the luxury leather strap, nothing has been left to chance in delivering the Artist 15. When it comes to reliability, Artist 15 stands out for its countless hours of endurance testing, both in the laboratory & in live performance. This amp is reliable night after night demanding gigs environment.<br><br> Blackstar did great in making Artist 15 a unique power amplifier with two channel offering a widest possible palette of classic tones & each channel can be set as either a clean channel or a classic overdrive channel. This amp is associated with USA 6L6 design, adding the chime & shimmer of a classic British Class A amplifier. This flexibility, tone & quality is delivered with a visual elegance worthy of the world’s greatest stages & performers <br><br> Features:<br>-Footswtiching<br>-Reverb<br>-Master Volume<br>-Effects Loop<br>-Two Channels<br>-USA 6L6 Design<br>-toughness

Blackstar- Artist 30 is a new classic amp with its metallic thread in the classic paper fret to the embossed Blackstar detail on the luxury leather strap, nothing has been left to chance in delivering the Artist 30. When it comes to reliability, Artist 30 stands out for its countless hours of endurance testing, both in the laboratory & in live performance. This amp is reliable night after night demanding gigs environment.<br><br> Blackstar did great in making Artist 30 is a unique power amplifier with two channel offering a widest possible palette of classic tones & each channel can be set as either a clean channel or a classic overdrive channel. This amp is associated with USA 6L6 design, adding the chime & shimmer of a classic British Class A amplifier. This flexibility, tone & quality is delivered with a visual elegance worthy of the world’s greatest stages & performers <br><br> Features:<br>-Footswtiching<br>-Reverb<br>-Master Volume<br>-Effects Loop<br>-Two Channels<br>-USA 6L6 Design<br>-toughness

lackstar's HT series has always been highly-regarded. Encompassing a range of British-designed valve amps that don't break the bank, the HT line has been a popular one at Andertons Music Co. for several years. For 2019, they've unveiled a fresh addition to the line-up: a vertical 2x12" cab.<br>Designed to save space on stage while improving projection, the HT 212VOC is a practical solution for the gigging musician. Naturally, it's been engineered and voiced to suit Blackstar's HT range, particularly the MkIIs - but it'll play nice with just about anything. With 4ohm/16ohm compatibility and a subtly slanted design, this is a brilliant cabinet for heads of all descriptions - but it'll sing particularly well when paired with a purring valve amp!<br>Besides the slanted design, one of the most notable design features of the 212VOC is the removable back panel. With the simple appointment of velcro and a strap, you can switch from closed back to open back. No more choosing one or the other!

Brimming with KT88-injected fury, the Blackstar Series One 10 AE takes the sonic character of their acclaimed Series One 200 head and packs it into a 10-watt combo. This amp runs the full gamut of tones. Its cleans take advantage of the KT88's ample headroom, delivering gorgeous sparkle even at high volumes, while its overdriven sound is tight, defined, and drenched in rich harmonics. Dial in the perfect blend of British and American character with the Blackstar's patented ISF control, then add some ambience with the Series One 10 AE's built-in reverb. Limited to only 1,000 pieces, the Series One 10 AE also features an effects loop, speaker-emulated output, and a footswitch.<br>KT88 power tube yields great rock tones<br> Instead of the usual EL34 or 6L6 power tube, the Series One 10 AE employs a KT88. KT88s fall somewhere between the glassier tone of an EL34 and the harder-edged 6550. Guitarists at Sweetwater know that KT88s are renowned for their tight, defined lows, and the Series One 10 AE is no exception. You also get a ton of headroom, so your cleans retain their sparkle at higher volumes. That being said, KT88s can still get plenty rude when you push them. The Series One 10 AE also boasts an ECC83 preamp tube, along with a built-in overdrive that yields beautiful saturated tones.<br>Infinite Shape Feature dials your drive from American to British tone<br> The Blackstar Series One 10 AE is packed with a massive spread of tube tone, by virtue of Blackstar's Infinite Shape Feature (ISF). When you turn the control fully counterclockwise, you'll lend an American characteristic to your tone with a tight bottom end and an aggressive middle. Turned all the way to the clockwise, you'll enjoy more of a British vibe, with a woodier sound that's less aggressive. With the Series One 10 AE, you'll find an endless array of useful tones at your disposal.

ring punch and definition to your bass tone with the BOSS BB-1X Bass Driver Pedal. The BB-1X can be used as a standard drive pedal for your bass for when you want to add some extra gain. The pedal's natural-sounding distortion maintains the definition, dynamics, and finest details of your tone. With the line-level TRS output you can also use it to define your main tone by always leaving it on to go directly to a studio or stage console as a DI. On the outside, the BB-1X has the familiar BOSS chassis with an added reflective accenting on the control panel. While the pedal provides basic Level, Blend, Low, High, and Drive controls to adjust your sound, there's a lot more going on under the hood.

Leveraging powerful DSP, BOSS applies their MDP (Multi-Dimensional Processing) technology to the BC-1X Bass Compressor Pedal for advanced multi-band compression in a standard stompbox. On the outside, the BC-1X features the standard BOSS chassis with an added reflective accenting and a real-time LED gain reduction readout on the control panel. While the adjustment options on this pedal are simple on the surface, with standard Threshold, Ratio, Release, and Level knobs, each control makes many adjustments under the hood.

Boss BF-2 Flanger: With the classic BOSS BF-2 Flanger, a flanging effect is produced by combining the original signal with an electronically delayed signal. Using four controls, you can tailor a variety of sounds--from dynamic jet-plane effects to short delay, chorus and vibrato sounds. Compact pedal with classic BOSS flanging sounds. Manual, Depth, Rate and Resonance knobs allow users to shape the sound as desired. Produces extreme jet-airplane sounds to mild delay and chorus sounds.

Synth-style filter modulation may not be for everybody, but if you enjoy funky filter sweeps or simply want to explore new avenues to enhance your guitar effects, then you're going to love the Electro-Harmonix Blurst modulated filter pedal. The Blurst follows the tried-and-true modulated filter formula used by countless synthesizers: you start with a variable resonant filter — usually a lowpass filter like the one featured in this pedal — and then modulate the filter cutoff point with an LFO (low-frequency oscillator). The results can be exceptionally stunning, especially when you combine the Blurst with other effects.

Orange Amplifiers expands its line of solid state Crush amps with the new CR120C 120-watt 2 x 12" Combo. This Crush amp delivers more authentic Orange tone than ever, with both amp channels designed after the Rockerverb. The clean channel sports two gain stages that start to break up when it's cranked, and the dirty channel uses four gain stages to deliver classic Orange overdrive tones.<br><br>Orange Crush CR120C 120-watt 2 x 12" Combo Guitar Amplifier Features at a Glance:<br>- 120-watt 2 x 12" combo<br>- 3 digital reverb choices<br>- Built-in effects loop<br>- Built from rugged 18mm plywood<br>- Both amp channels designed after the Rockerverb<br>- Clean channel uses 2 gain stages to go from clean to slight breakup<br>- Dirty channel uses 4 gain stages for overdrive to over-the-top distortion<br>-

Orange's blazing Dual Dark 100 all-tube guitar amp head pumps out the molten tube tones you're looking for. Its 2-channel design, multiple-wattage settings, ultra-tweakable tone controls, with onboard effects loop give you all the options you need to rule the stage. The Dual Dark 100 head's channel one gives you a tweaked, Orange British amp voice, while channel two delivers monster Dark Terror tones. This head's 30-, 50-, 70-, or 100-watt selectable output makes it perfect for both stage and studio.

The classic analog Flanger. An array of critically notched and tuned filters gracefully sweep the sound spectrum, creating shimmering, ethereal passages that are truly out of this world. Exclusive Filter Matrix mode disengages the automatic sweep, allowing manual positioning of the filter bank to achieve chime-like metallic tones and other unique effects.

Classic dual overdrive. The original 1969 plug-in Muff Fuzz had just a touch of overdrive and sounded like a vintage amp with a slightly torn speaker. We paired two of these together in one box to create the Double Muff. Use just one Muff for a hint of milky distortion, or cascade the second Muff for over-the-top overdrive that turns the milk into cream. Two distortions in one! Now in a compact, rugged Nano-sized package.

Diminutive size with tons of tone! The Dual Terror head from Orange puts up to 30 watts of British tube-amp awesomeness at your disposal - along with an amazing array of tonal versatility. The Dual Terror boasts a fat channel for warmer tones, while the Tiny Terror channel offers up Tiny Terror-style tones. Plenty powerful for small gigs, the Dual Terror also adapts well to studio and rehearsal use, as you can drop the wattage down to seven or 15 watts for low-volume saturation. Already a favorite with guitarists in many genres, the Dual Terror is a great head with tons of tone!

Regulated adapters to ensure noise free power and minimize the circuitry in our pedals. This gives our pedals more efficient noise free power and also prolongs battery life.<br><br>Compatible with most popular pedal brands.<br><br>9VDC 300 mA Regulated Power Supply

The EVH Flanger features an Unchained switch for instant EVH tone and comes fittingly adorned with Eddie's famous striped graphics.<br><br>MXR Flanger that powered the timeless Van Halen tunes Unchained and And The Cradle Will Rock. Now you can grab a piece of that world-class tone with the MXR EVH117 Flanger.EVH Switch, which instantly calls up Eddie's Unchained sound with the exact same Manual, Width, Speed and Regeneration settings that he used to get one of the greatest guitar tones of all time.

This pedal features both Script and Block style phasing with graphics inspired by Eddie Van Halen's legendary Frankenstein guitar.<br><br>The EVH 90 will give you the same great spacey swirls and hypnotic warbles that made the Phase 90 famous. But the EVH 90 also features the all-new Script switch that lets you instantly toggle between a vintage, Script Logo phase tone and a more modern, in-your-face Block Logo phaser.

Legendary Boogie® Five-Band Graphic EQ is now available in a Pedal! For well over four decades the Boogie Five-Band Graphic EQ has been at the heart of chart topping guitar sounds and it’s hard to ignore the impact its now-classic “V-Curve” has had on modern guitar sounds and popular music. Now we offer this powerful tool in a stand-alone pedal format that packs the same tone-shaping power and hand-built in Petaluma, CA quality as those found in our high-end amplifiers.

Mesa Boogie Acoustic DI-Preamp DI Box with preamp for acoustic guitars, control phase switch, level control, boost footswitch with variavle thomann boost level control, variable notch-filter (40Hz to 500Hz), Vvriable hi-Pass filter (40Hz to 200Hz), activer 4-Band (+/- 12dB bass, low-Mid, high-Mid & treble) with switchable low-mids (150Hz-1800Hz) & high-mids (300Hz-5000Hz) frequency controls; separate preamp output level control, tuner out, FX loop, balanced XLR DI with level control and thomann pre/post & ground lift switch, line level preamp out, battery or 9v power supply(not included),

The Mesa/Boogie Flux-Drive overdrive pedal delivers liquid gain and juiced sustain with rich harmonic overtones. This pedal is downright inspiring to play, and ideal for enhancing your amp's crunch or high-gain channel. The Flux-Drive overdrive also sports a comprehensive tone-shaping network, with individual Treble and Bass controls that give you a world of sounds to explore - giving you versatility that far outranks most overdrive pedals. So push your amp hard the right way, with the Mesa/Boogie Flux-Drive overdrive pedal.

Capture a frozen moment and turn it into a tonally unique sonic foundation. The Freeze Sound Retainer delivers infinite sustain of any note or chord at the press of a momentary footswitch. Release the footswitch and you are again sample ready. Three selectable decay rates, including a latch mode, guarantee liquid, smooth tonal transitions. Hook the Freeze up with your favorite pedals for a sonic collage that will be unlike anything you have ever heard. It’s like adding an extra musician to the band.

The Crate FlexWave FW15R is a two-channel guitar combo amplifier with reverb that gives you crystal cleans and rugged distortion tones, thanks to Crate's FlexWave Evolution 5 preamp with patented Sequential Cascading Gain technology.

The Holy Grail Nano is a digital reverb in a compact guitar pedal. Holy Grail Nano contains three different reverb algorithms: Spring, Hall and Flerb. All three algorithms were designed and tailored for the electric guitar but they will work equally as well on most instruments and voices. The Spring algorithm is a re-creation of the classic spring reverbs that are found in many guitar amplifiers. The Hall algorithm is a new, lush reverb. Flerb is a beautiful reverb like nothing you have heard before. Holy Grail Nano will change the way you look at reverb!<br><br>Electro-Harmonix Holy Grail Nano Reverb Features:<br>-Three different reverb algorithms <br>-Spring, Hall, and Flerb <br>-Great for guitar, voice, and most any instrument<br>-Digital reverb in a compact pedal

The Holy Grail Max shares the Holy Grail’s remarkable Spring and Hall reverbs. Then we added a Plate reverb, with its wonderfully lush tone, and Reverse reverb for the sonically adventurous. The Max’s multi-function control lets you adjust decay or reverse time. With the Holy Grail Max your quest for the perfect, portable reverb pedal is answered.

With the price of vintage HOT TUBES soaring, countless guitarists have requested that we re-issue our 1970s CMOS HOT TUBES. We’ve done this using the exact same design and miniaturized it, too! Volume and Overdrive let you go from a gentle rasp that caresses your notes to a full-blown gain monster with a powerhouse punch. Sculpt your sound with the Tone control, or take a detour around the tone circuit with the Tone On/Off switch. True bypass for a pristine signal chain.

Electro-Harmonix combined two of their popular dirt pedals — the Crayon boost/overdrive and the Hot Tubes overdrive pedal — to create the Hot Wax dual-overdrive pedal. Offering two footswitchable sections, you can switch between two distinct overdrive tones or combine them for even more harmonic complexity.

This pedal is crafted to deliver the same dynamic tonal sweep of the original Italian-made Thomas Organ wah Jimi Hendrix used, now with half the footprint of a standard wah pedal. <br><br>The wah-wah pedal was just invented when Jimi Hendrix burst on the scene in 1967, but he quickly came to rely on his wah to deliver a stunning array of tones. And to this day, few players' names are more synonymous with killer wah leads and wicked, wah-driven syncopated rhythms.

The JP95 John Petrucci Signature Cry Baby Wah is the result of the legendary prog metal shredder’s years-long quest to hone his perfect wah tone. For years, John used the Cry Baby Rack Wah system to tweak and fine-tune its numerous parameters until he found the sound that perfectly represents all the expression and intensity he needs. Recently, he and Dream Theater engineer Richard Chycki worked with the Cry Baby design team to replicate and further fine-tune that sound with a single pedal. This is a wah that, as John puts it, “sounds huge and badass like an angry, screaming monster with the ultimate expressive range—it‘s perfect for shaping single notes or manipulating growling, heavy chords.

The British-built, 100 Watt all-valve 2 x 12″ JVM210C offers a more straightforward two channel preamp, Clean/Crunch and Overdrive, than the JVM410C’s four channels, for guitarists who prefer a more stripped down, ‘fewer frills’ approach. The two independent channels both have three modes. Each mode reconfigures the gain structure of each channel, making six modes in total, which can take you from Plexi/JTM45 cleans through JCM800 punch to modern high gain tones. The JVM210C is equipped with the same groundbreaking technology as the JVM410C, featuring two studio quality Reverbs (one per channel), with individual channel EQ, two Master Volumes, and a memory that will recall Reverb, FX Loop and Master settings. The JVM210H uses Stompware® switching technology and comes supplied with a fully programmable, four-button footswitch which connects to the amp using a standard guitar lead, so you’re not restricted by stage size – and if your cable fails, it’s very easy to replace ‘Clever, very clever.’ Guitar Player Magazine. The JVM210C is loaded with a Vintage 30 speaker and a Heritage speaker, both of which have unique aural characteristics that make them a perfect match, giving you the best of both sonic worlds.

The Knockout is a powerful two-filter combination that can make your Les Paul sound like a Strat and your Strat sound like a Tele. Its secret...the Knockout has a 7 pole filter for sculpting the low end of your mids and a 6 pole filter to shape the top end of the mids. This provides incredible tone shaping. Use after distortion to bring out the heavy weight punch of the metal masters. The Knockout is also truly amazing on Bass.

The MXR DC Brick power supply is the perfect way to power your midsize guitar or bass pedalboard. The simple and compact DC Brick power supply provides enough power for 10 of your favorite stompboxes, without hogging your pedalboard. Eight 9V outputs and two additional 18V outs provides clean power to each of your pedals, without the sag and starvation you get with a budget system. There are even LEDs onboard the DC Brick, which warn you in there's a short on the line. And since it comes with all essential cabling, there are no unexpected surprises when you pick up an MXR DC Brick from Sweetwater.

Get the sonic secret sauce of the Echoplex Preamp with the legendary boosting power of the MXR Micro Amp in a lightweight, space-saving mini housing.

The Carbon Copy Mini Analog Delay packs organic analog warmth, shimmery modulation, and ease of use into an MXR mini housing with a Bright switch for additional sonic versatility so that you can make the most out of your pedalboard real estate.

Intended for use with electric guitars, basses, and keyboards, the M2VO Passive Volume Pedal from Morley is a volume pedal requiring no power to run whatsoever. Its smooth taper and volume-controlling monofilament cable will allow you to effect fluid swells, gradual fades, or conversely, immediate changes in level.

The Fulltone MDV2 Mini Deja Vibe 2 offers great chorus and vibrato tones. With true bypass operation, the Fulltone MDV2 Mini Deja Vibe 2 is a great addition.

With all the essentials for getting tone just right, the no-nonsense 10 Watt MG10CF has Clean and Overdrive channels, with a Contour control on the Overdrive channel, so you can fine-tune your tone. Loaded with a custom 6.5″ speaker, the MG10CF also features a handy MP3/Line In for jamming along to a track, and an emulated Headphone output for great sounding silent practice.

Mini version of Morley Volume Plus measuring 6.8” L x 4.5” W x 2.75” H. Electro-Optical circuitry and audio taper allow smooth, studio quiet volume control. Foot switchable Minimum Volume is used for a smooth transition between rhythm and lead volumes. Powers from one 9V battery or optional Morley adapter. Glow in the dark treadle rubber and toe-end logo, LED Indication, cold-rolled steel housing, quick clip battery door and one-year warranty.

In the Orange OB1-300 Combo 300-watt bass amplifier, Orange took the popular bi-amp system, using both bass and guitar amps for a wide range of tone and overdrive tones, and placed it into a single 1 x 15" bass amp. The OB1-300 Combo sports a 3-band active EQ to fine-tune your tone. And the pairing of a gain and blend control lets you add overdrive to the upper harmonics and mix it with your unaffected signal to get plenty of grind without losing your low end. The OB1-300 Combo bass amplifier can create a monstrous wall of bass tone.<br><br>Orange OB1-300 Combo Bass Amplifier at a Glance:<br>- Bi-amped flexibility in a single-channel amp<br>- All the convenience of a combo<br>- Ready for stage and studio<br>-

The OD-1X launches the famous BOSS overdrive into a modern era of expression, delivering an unmatched level of performance for guitarists with an ear for tone. This next-generation stomp combines over 35 years of innovation in pedal design with the most advanced technologies, bringing you a completely new tonal experience that’s only possible with the legendary expertise of BOSS. Prepare to be amazed—the inspiring and ultra-responsive OD-1X will change your thinking about overdrive pedals forever.

The ODB-3 Bass OverDrive delivers the chest-resonating distortion that hard rock, thrash, and punk bassists have been waiting for. This hot compact pedal has been designed specifically for bass applications.OverDrive pedal specifically designed for bass Onboard two-band equalizer Balance knob controls dry/overdriven sound AC adaptor or 9V battery operation

The Electro-Harmonix Operation Overlord overdrive effects pedal originated from the idea of giving keys players a way to add great-sounding grit to their sounds. But the guitarists at EHX quickly realized that the Overlord's FET-based overdrive delivered the tube amp-like tone and feel that guitarists clamor for. So the company went about adding even more guitarist-friendly features, such as an independently footswitchable boot, a dry blend, and more. No matter how you intend to run your EHX Overlord, it's sure to deliver the warm and gritty tones you're after.

The Ampeg PF-112HLF bass enclosure delivers the performance, looks and affordability of the popular Portaflex series in a powerful, ported design that hits hard despite its compact size. Handling 200 watts and featuring a single 12″ Eminence® driver, the PF-112HLF doesn’t disappoint.

The PF-115 / PF-210HE Cover from Ampeg is a protective nylon cover for the PF-115 or PF-210HE speaker cabinet.

450W 2x10" Bass Cab with 1" Tweeter, Flip-top Design<br> <br>Featuring a flip-top design, the Portaflex PF210HE from Ampeg is a 450W bass speaker cabinet that blends seamlessly with the PF-350 or PF-500 amp head, but will serve any amplifier of similar power handling and output impedance. A set of 2x10" Eminence speakers combined with an adjustable high-frequency horn provides a frequency range of 53 Hz to 17 kHz, giving you ample sonic space to thump or growl—the choice is yours.<br><br> Removable casters render this unit marginally portable. Dual parallel 1/4" jacks provide options in connecting or daisy-chaining to other cabinets. Flip-top functionality for secure transport of corresponding Ampeg Portaflex amp heads (available separately)<br><br> Features:<br> <br>-Aligned screw-holes and clasps allow secure stacking of a Portaflex amplifier <br>-2x10" custom ceramic Eminence speakers <br>-1x1" high-frequency horn with three-way attenuator (off, -6 dB, 0 dB) <br>-Two 1/4" jacks wired in parallel for input and output <br>-Removable casters <br>-Sensitivity of 99.6 dB SPL @ 1W/1m <br>-Usable low frequency of 38 Hz (-10 dB) <br>-Maximum SPL of 125.6 dB

The Ampeg PF-410HLF bass enclosure delivers the performance, looks and affordability of the popular Portaflex series in a powerful, shelf-ported design that hits hard and low. Handling 800 watts and featuring four 10″ Eminence® drivers and a selectable HF driver, the PF-410HLF is the perfect cab for any high-powered head.

The Little Alligator Volume was designed specifically for Steve Vai’s needs and preference. The volume swell is linear and smooth, and it works equally well in an FX loop setup as it does going directly into the main input on a guitar amp.

The Radial MR5 is a MIDI signal translator that allows you to use a MIDI controller to drive the JX44, JX42 and other Radial products that use the JR5 footswitch. Equipped with MIDI in, out and thru jacks, the MR5 converts the MIDI data stream from the controller to a data format used by the JR5. This is then sent to the receiving Radial device via XLR jacks to remotely control active inputs, outputs or other remotely accessible functions. The MR5 can be configured to any one of the standard 16 MIDI channels or used in Omni mode to respond to all MIDI channels at the same time. Instrument switching on the JX44 or JX42 can be controlled by MIDI control changes while the amplifier switching on the JX44 can be controlled via MIDI control changes, MIDI program changes or both simultaneously. The MR5 can be used in conjunction with the JR5 so the musician can still enjoy stage remote controllability while the MR5 receives control messages from a sequencer, control pedal or a MIDI track from background orchestration software. Using the MR5 is easy to integrate into any MIDI setup. A side access 8-position dip-switch enables the user to configure the MIDI setup as needed while a side access reset switch allows for instant setup recovery. Standard XLR cables connect the MR5 to the JR5 inputs on various Radial products, while MIDI equipment connects using standard 5-pin DIN connectors. Because the host Radial product automatically powers the MR5, no external power supply is required.

The Electro-Harmonix Riddle is a powerful and precise envelope filter fine-tuned for guitar frequency response.<br> Sculpt your envelope to reveal a truly expressive tone, with a defined and unique signature. Riddle will deliver tight and smooth control over the complete 80 Hz to 5 kHz range, with a consistent and even sweetness.<br> Need some edge? Engage Riddle's analog distortion and dial in anything from subtle bite to dominating crush.<br> You can even plug in an optional expression pedal to control the filter sweep with your foot. With the ability to adjust Q, sweep range, and filter type, you'll also wind up with of the most versatile wahs available.<br> Riddle: a mysteriously musical envelope filter for guitar.

Equipped with 11 Amp Models and 20 Studio Quality Effects, up to 8 effects can be used at once for unimagined tonal possibilities. The RP55 is the easiest RP product to use; just simply dial up your choice of amps and preset effects settings with no deep parameter settings. All settings come from our year's of experience with the pros. We've just made professional tone easy.The RP55 uses our AudioDNA™ DSP chip to produce effects and amps that studio-class. Add 24-bit A/D/A conversion so that no frequency response is lost between inputs and outputs. Also included is a drum machine with 30 patterns and an easy-to-use 13-LED chromatic tuner.

This Cry Baby Wah features a custom-wound resonance inductor, a huge dynamic range, and a wide sweep with LEDs to indicate effect status.<br>THE LONG STORY.<br><br> Throughout his career, Slash has used the Cry Baby to create his trademark epic solos that he weaves into his groundbreaking gritty, blues-influenced rock. We worked closely with him to design the Slash Cry Baby Classic, custom-voiced for the raw, expressive sound that influenced a generation of guitar players. Tuned to a lower frequency and featuring a custom-wound resonance inductor, this wah- wah has a huge dynamic range and a wide sweep. Two side-mounted blue LEDs indicate ON/OFF status, viewable from any angle onstage, so you can always tell when the effect is on. The Slash Cry Baby Classic also features high quality components, such as a true hardwire bypass switch and a long-life pot, and comes in housed in a heavy duty die-cast casing featuring custom Slash artwork and a distressed hot-rod paintjob.

Overdrive Effects Pedal for Bass, with Drive, Blend, Treble, and Volume Controls <br> <br>The Ampeg Scrambler Bass Overdrive pedal infuses your sound with authentic Ampeg grit, grind and sag. Dial in a huge range of overdrive from subtle to screaming. Add in a touch of highs, then blend in with your dry signal to create the perfect tone. It’s pure analog Ampeg overdrive that’s super affordable.<br> <br>Features:<br> <br>-Delivers classic Ampeg grit, grind and sag <br>-Separate drive and blend (wet/dry) control <br>-Treble and volume control <br>-True bypass, analog design with incredible signal-to-noise ratio <br>-Roadworthy all-metal chassis construction <br>-9V DC supply or battery capable (not included)

Bass Preamp Pedal and Direct Box with Overdrive, EQ, and Tone Controls <br>The SCR-DI by Ampeg is a single-channel, portable bass preamp intended for stage and recording use. Designed to bring tube-like grit to solid-state design, this DI provides on-board EQ controls and Ampeg's proprietary Bass Scrambler Overdrive, both of which can be switched on and off with the tap of your foot. Ultra-Hi and Ultra-Lo options are also provided, and a -15 dB pad jumper renders the unit suitable for both active and passive basses. Housed in die-cast zinc and secured by rubberized feet, the SCR-DI offers multiple connection points: one 1/4" input, two auxiliary inputs (1/4" and 1/8"), an 1/8" (3.5mm) headphone jack, a 1/4" thru port for connecting parallel effects processing, a 1/4" unbalanced line out, and a balanced XLR output. Finally, the unit features a ground lift switch to help eliminate electrical hum at the XLR port, and can be powered by either a 9V battery or a 9-12VDC external power supply (both available separately). Tonal control Legacy Ampeg preamp and tone-stack circuits 3-band parametric EQ with bass, mid, and treble Proprietary Ultra-Hi and Ultra-Lo selectors Proprietary Bass Scrambler Overdrive circuit help emulate classic Portaflex and SVT sounds Separate drive and blend controls Footswitches to toggle options on and off -15 dB pad jumper underneath bottom panel mitigates high-output sources

Generate slithering "Axis Bold as Love" textures. Use Filter Matrix mode to manually flange your sound or select a flange point allowing musically frozen tonalities. This is the only pedal where lush Stereo Flange and Stereo Chorus work together seamlessly for the richest modulations that undulate and flow over any stage or recording. Colorful and seductive in stereo.

The Stereo Memory Man is a real time performance tour de force. As a Looper it has up to a full 30 seconds of loop time. World class echoes with modulation and reverse are just a few of the choices. The Stereo Memory Man with Hazarai is destined to be one of the most creative instruments you will ever own. Ethereal tone-scapes to full musical performances are only limited by your imagination. And it's all in stereo.

2-10" Speaker Cabinet, 200W RMS, SVT-VR/AV Color Scheme <br>The Ampeg SVT-210AV is a 200W bass speaker cabinet suitable for use with the Ampeg Micro-VR, or any other amplifier of a similar power rating and output impedance. <br>Featuring two custom Eminence speakers, this cabinet is capable of producing sound from 58 Hz to 5 kHz, with a usable low frequency of 40 Hz (-10 dB). Two parallel 1/4" jacks provide connectivity. Finally, the enclosure sports a faithful 1970s-era SVT look.<br> <br>-2x 10" Eminence speakers <br>-1/4" full-range inputs and outputs can be used for daisy-chaining <br>-Frequency response of 58 Hz to 5 kHz <br>-Usable low frequency of 40 Hz (-10 dB) <br>-Useful top-handle <br>-Foot cups on the top panel allow secure stacking of a Micro-VR amplifier

450W RMS, Tube Preamp, Solid State Power Amp <br>The sound is in your head. You've played countless instruments in search of the ultimate soul mate. Now you need an amp that will speak your sound to the audience. That’s where the SVT-3PRO comes in. There’s a reason this amp is a best seller—it delivers the goods! With up to 450 watts and the sweet sound of tubes, the SVT-3PRO is the top choice of rockers and funkmeisters around the globe.<br> <br>It’s all about tone. The SVT-3PRO’s Frequency control allows you to select the center frequency for the Midrange control, giving you a choice of five distinct “voices” for the Midrange. The center frequencies are 220Hz, 450Hz, 800Hz, 1.6kHz and 3kHz. And if that’s not enough, you can use the 9-Band Graphic EQ to custom tailor your sound even more. Or use the EQ to set up a footswitchable “second channel” for your show-stopping bass solo.<br> <br>The SVT-3PRO offers SVT tone and performance (with a few modern enhancements) in a convenient rackmount design. Moderate size, significant power and genuine Ampeg Round Sound… everything a serious bassist needs. Dozens of the world-class artists depend on the SVT-3PRO to get the job done, day in and day out.<br> <br>Feature:<br> <br>-Tube Drive Control <br>-1/4” and Neutrik Speakon® Outputs <br>-Input Peak LED <br>-Input Pad and Bright Switch <br>-Mute Switch and Tuner Out

In the world of high-performance bass amps, Ampeg’s SVT amplifiers are in a class by themselves. In true Ampeg tradition, the SVT-4 PRO offers you more power, performance and flexibility than any other bass amplifier in its class.<br><br> SVT-4PRO offers an expansive palette of tonal options. The Frequency control allows you to select the center frequency for the Midrange control, giving you five distinct voicing options for the Midrange. And if that’s not enough, you can use the 9-Band Graphic EQ to fine-tune your sound—or use it to set up a footswitchable “second channel” with a volume boost for your bass solo.<br><br> SVT-4PRO is designed for the player who wants SVT tone and performance (with a few modern enhancements) in a convenient, high-powered, rackmount design. With a huge diverse group of artist endorsements, including Tony Levin (Peter Gabriel/King Crimson), Cliff Williams (AC/DC), Pablo Stennett (Ziggy Marley) and far too many others to list here, the SVT-4PRO is a clear favorite among professionals. In the world of high performance bass amps, the Ampeg SVT-4PRO has what it takes to really define your sound.<br><br> Features<br><br> <br>-1/4" and Neutrik Speakon® Outputs <br>-Input Peak LED <br>-Defeatable Optocoupler Limiters <br>-Variable Internal 24 dB/Octave Crossover <br>-Variable 0 - 7:1 Compressor

TONE TATTOO is our first fully-interactive, analog multi-effects pedal. Satisfy your tone jones with a chain that features the Metal Muff Distortion, Neo Clone Chorus and Memory Toy Analog Delay. Delivers crushing Lead & Rhythm tones. Features full tone sculpting, including two levels of scoop. New Noise Gate for minimal noise. With three critically acclaimed effects, it’s like a talisman for great guitar.

Unzip your soul! Just picture your guitar signal being massaged by a complex set of filters moving through a vacuum tube maze. Energized by two Electro-Harmonix 12AX7 tubes, the Tube Zipper's patented moving filter tastefully adds controlled analog harmonics to your signal. In typical EHX fashion, each control can be set over-the-edge, generating a host of novel tones. Tron or Trill a la mode!

The Turnip Greens is a compact multi-effect pedal combining the award-winning Soul Food Overdrive and Holy Grail Max Reverb. The Soul Food delivers transparent sounds starting with clean boost and progressing all the way to intense overdrive. It’s equally adept at adding punch to a player’s tone, pushing an amp into saturation or in front of other dirt pedals driving them into new worlds of distortion. The Holy Grail Max provides four carefully crafted reverbs: Spring, Hall, Plate and Reverse. A newly designed analog wet/dry control yields a constant volume curve as the Blend knob is turned from fully dry to fully wet, while also keeping the dry signal analog through the pedal. The pedal’s left side features the Holy Grail Max’s controls and independent footswitch while the right side is dedicated to the Soul Food’s controls and footswitch. A toggle effect-order switch, located in the middle of the Turnip Greens, selects whether the overdrive or reverb is first in the effects chain. Send and Return jacks let the player insert effects into the signal path between the two. With the switch to the right the signal chain is Soul Food → Holy Grail Max which produces a traditional sound familiar to most players. In the left position the signal chain is Holy Grail Max → Soul Food. Now the reverb is boosted by the overdrive which, when used in conjunction with pedals in the effects loop, can create very lush textures. The Turnip Greens features an internal switch that lets the player select between true bypass or buffered bypass for the Soul Food section. In true bypass mode, when the Turnip Greens is set to bypass, the input jack is connected directly to the amp jack and nothing else. In buffered bypass mode, the bypass signal passes through a high-quality buffer circuit before it is output from the Amp jack. The new Turnip Greens comes standard with an EHX 9.6-Volt/DC200mA AC Adapter.