With pedal board space at a premium these days, and smaller pedals in demand, Rocktron is pleased to provide the MicroHUSH to wipe out hiss, unwanted feedback and pickup buzz by providing up to 65dB of signal cleanup, while maintaining your music signal integrity. Guitar Player Magazine wrote that a "HUSH pedal will work for all guitar-related noise problems: it's perfect" and "its potent noise-killing abilities will be fully appreciated."

You asked, and now you receive. The Reaction HUSH, when used properly, will wipe out hiss, unwanted feedback and pickup buzz. The Reaction HUSH pedal delivers 65dB of signal cleanup, while your music signal integrity remains unaffected. In other words, get rid of the noise without altering your tone!

The Switch-Track™ enables an either-or-both, ABY scenario for your two favorite amplifiers. Select between two different amplifiers, two identical amps for more Channels and sonic options or combine them for a bigger, fuller sound, or a specific blended character.<br>The INPUT is buffered to prevent signal loss due to increased loading when both amplifiers are engaged. Both OUTPUTS are transformer isolated for consistent tone and provide unbalanced or balanced signals for longer than normal cable runs. The “B” OUTPUT’s Ground is default-lifted to eliminate Ground loops. <br>The switching (including phase) can be triggered at the unit itself for Pedal-Board mounted applications or remote controlled via Midi Program Change (or Control Change) commands sent from a Midi Controller in scenarios that require the ABY be located at the amplifiers or in a larger Touring Rack setup.<br>Other valuable features include an “always on” low impedance TUNER OUT jack, a GROUND LIFT switch for isolating the A Output (B is always isolated), a PHASE invert switch (which is also MIDI controllable) for the “B” Output’s Phase relation to the “A” Output, MIDI IN and THRU DIN jacks and a Midi Preset (Program) STORE button. Two on-board Footswitch Buttons offer A/B and A+B/MUTE.

The Live Logic compact and versatile 6-button MIDI footcontroller gives you quick and easy performance control of any MIDI hardware or software platforms and plugins. MIDI over USB, assignable functions and two expression pedal inputs make it the perfect MIDI control solution and it can also be used as your USB MIDI interface. Power it anywhere via USB, 9V battery or power supply and unlock your performance.

This compact powerhouse provides 1440 seconds of high-quality, uncompressed, stereo recording time plus the ability to store 20 different loops. It can even tempo sync to an external MIDI device and is packed with features you’ll want. Unlimited overdubbing means you can lay down as many parts as you like while variable tempo playback plus Reverse and Octave speed effects really enhance creative control.

Exceptionally Musical Vibrato Pedal with 2 Vibrato Types, Easy Controls and Built-In TonePrint Technology<br><br>Vibrato is one of those ‘hard to grasp but oh so important’ parts of guitar playing. Just think where Yngwie Malmsteen, BB King or Stevie Ray Vaughan would be without their unique vibrato. It’s what makes us recognize a guitarist after 2 notes - vibrato is what makes playing come alive. And from a subtle warble to Leslie sounds, SHAKER VIBRATO does what it can to liven things up!<br>- 2 vibrato types<br>-Great controls, including ‘Rise-Time’ <br>- Latch-mode<br><br>SHAKER VIBRATO features 2 different types of settings: a classic true pitch vibrato and ‘latch mode’ where the effect is only active when you press and hold the switch. This allows for subtle vibrato and faux-whammy bar effects without you having to tap dance all night.<br><br>Vibrato is an effect with a wide range of applications, but it can be tough to figure out which those are if you don’t get a range of sounds, voicings and expressions that knock you off your feet - and with SHAKER VIBRATO those surprises are always musical, never unpleasant. Featuring a set of controls and giving you control over the ‘rise-time’ of the effect, SHAKER VIBRATO vibes with your playing instantly.

An endless list of immortal artists have used the flange effect to create musical magic. From The Beatles to Pink Floyd to Van Halen, Metallica and the Red Hot Chili Peppers and beyond – thanks to VORTEX FLANGER, all of those sounds are instantly yours for the rocking!<br>-Classic flange and tape flange modes<br>-Intuitive yet deep control set <br>-Stereo I/O<br><br>The two modes in VORTEX FLANGER are a classic pedal flanger capable of giving you everything from suble chorus tones to classic Van Halen jet flanger swoosh, and tape mode, which gives you the psychedelic sound of the original flange tones of Jimi Hendrix and Led Zeppelin. And it does fantastic ‘through zero’ sounds too!<br><br>VORTEX takes the great pioneers of ’60s and ’70s flange and adds a set of deep controls, allowing you to sculpt and time your flange sounds with great precision. This allows you to quickly dial through the rich history of the legendary flange pioneers, such as Hendrix and Van Halen – or sculpt your own twisted sounds!

Single-Button Stompbox for Dramatic Megaphone and Distortion Vocal Effects<br><br>VOICETONE X1 brings a modern “down ‘n’ dirty” quality to live vocals with crackling megaphones and amplified vocal distortion effects. Punctuate a word, phrase or an entire song with these sounds. The Drive and Filter controls can be set to suit your voice and the song. Kick it on, kick it off – you’re in control!<br><br>It’s Just this Simple...<br>-Plug in your mic, plug your pedal into the mixer & set the gain<br>- Turn on the effect<br>-(That’s it)<br>-Of course, you can always change the style or the amount of correction, but you shouldn’t need the manual – unless you’re making a fire!

Single-Button Stompbox for Studio Mastered Vocal Tone<br><br>VOICETONE T1 automatically reacts to your voice and applies studio-quality dynamics and EQ to bring out your most-exciting vocal tone. Now you can put a recorded sheen on your live singing – without the setup and adjustment of complex equipment normally required to achieve “that sound”.<br><br>It’s Just this Simple...<br>-Plug in your mic, plug your pedal into the mixer & set the gain<br>-Turn on the effect<br>-(That’s it)<br>-Of course, you can always change the style or the amount of correction, but you shouldn’t need the manual – unless you’re making a fire!

Easy to Use Two-Button Looper Pedal for Vocals and Acoustic Instruments<br><br>Go from idea to performance in an instant, with ease. One knob, two buttons – it couldn’t be simpler! With its superior audio quality, unlimited overdubs and Undo/Redo, Ditto Mic Looper is the essential choice for looping vocals and instruments.<br>Top single artist Daniel Bedingfield and emerging singer Butterscotch share their first creations with Ditto Mic Looper...<br><br>Using Ditto Mic Looper is exactly like plugging a mic directly into the PA – you only need to set input gain once, at the mixer. No more trial-and-error to find the optimal balance between input gain on your effects unit and the mixing desk.<br><br>It's This Simple<br>-Press LOOP to record. Press again to play the loop. Repeat for endless overdubs. Hold to undo/redo latest overdub.<br>-Press STOP to stop all loops, press again to restart play from the beginning – or hold it for a quick, noiseless erase.

Classic Revolution<br> All the classic TC Electronic Reverbs are represented in Nova reverb, including the stunningly realistic TC Classic Hall. Combine the 6 reverb types with a slew of advanced features, and it's clear to see why Nova Reverb has all the makings of a revolutionary product.<br> • 5 studio quality digital stereo reverb types<br> • Two switchable settings: manual and preset<br> • DynaMix™ - dynamic ducking reverb<br><br> Rocking Reverbs<br> With everything from rooms, springs, halls, plates and some specials in between at your disposal, the search for reverb tones end with one pedal, no matter your taste or needs.<br><br>Manual or Preset Mode Whether you want the programmability or presets or the spontaneous creativity of manual modes, Nova reverb fully supports either way.<br>Goodbye Muddy Sounds DynaMix™acts as a dynamic ducking effect that turns down the reverb while you're playing and turns it back up again when you're not playing - great for when using long reverbs since DynaMix keeps the sounds focused and sharp.

REVERB 4000 is the first stereo Reverb capable of rendering credible space onto two discrete sources, or to truly process a composite stereo source. Quite simply, REVERB 4000 gives you the most immense and innovative selection of State-of-the-Art stereo Reverbs - at the touch of a button.

Blackstar - HT DistX is patented Infinite Shape Features (ISF) control that takes you from a Classic British to a Modern American & anywhere in between & the no compromise speaker emulated output that lets you get it all down to tape or disk.<br><br>Features:<br>- Genuine valve design <br>- Operates at 300V HT <br>- Cascaded valve gain stages <br>- Responds like a valve amp <br>- Unique enhanced tone controls <br>- Patented Infinite Shape Feature (ISF) <br>- Fully equipped for stage or studio <br>- Speaker emulated output <br>- High integrity buffered bypass <br>- Power supply included <br>- Silent switching Extreme gain and tone<br>- Extreme Gain<br>-Operates at 300V HT<br>-Silent Switching

By allowing infinite adjustment over the characteristics of the HT-DIST guitar pedal's tone control network, the Patented ISF circuit allows you to effectively design your own tone and find the sound in your head. Add to this the dynamics of the high voltage valve design and a no compromise speaker emulated output and this pedal is a classic amongst modern distortions.<br> <br>Genuine valve design <br>Operates at 300V HT <br>Cascaded valve gain stages <br>Responds like a valve amp <br>Unique enhanced tone controls <br>Patented Infinite Shape Feature (ISF) <br>Fully equipped for stage or studio <br>Speaker emulated output <br>High integrity buffered bypass <br>Power supply included Silent switching<br> <br>Features<br> <br>DISTORTION ADJUSTMENT <br>By allowing infinite adjustment over the characteristics of the HT-DIST's tone control network, the patent-applied-for ISF circuit allows you to effectively design your own tone and find the sound in your head.<br> <br>OPERATES AT 300V HT <br>The HT pedal operates on a 300V DC anode supply voltage (High Tension voltage). This is the same used in traditional valve amplifier design and means the circuit has the headroom associated with a true valve design and will 'clean up' accordingly. The pedal will exhibit the compression and distortion characteristics associated with a true valve design.<br> <br>SILENT SWITCHING <br>Many hours of research showed us that only soft switching and a buffered bypass signal will give absolutely silent switching in high gain applications.<br> <br>SPEAKER EMULATED OUTPUT <br>The Blackstar emulated output design is a new benchmark for pro direct recording. This no-compromise design makes it easy to get your tone to disk and tape. You can also use it to run a line out to a PA.<br> <br>ISF CONTROL <br>The ISF control works in conjunction with the Tone control. It allows you to choose the exact tone signature you prefer.

British invasion! Taking its roots from legendary British guitar amps, the English Muff'n recreates their majesty and classic tone with spot-on accuracy. Rather than approximating these amps like "emulator" products, the English Muff'n employs vacuum tubes to produce the richness and natural saturation of Brit-valve sounds. A bloody masterpiece!

All-tube time machine allows you to go back to the 1960's with The Wiggler's recreation of the most sought-after modulation effects that until now were only found in classic amps. Clear and defined amplitude modulation and vibrato with the vacuum tube warmth that older generations once took for granted. CAUTION: Your friend who shelled out big bucks for a Leslie cabinet will no longer speak to you... don't say we didn't warn you.

Dual tube magic! Using the same professional-grade techniques as the most revered, vintage, high-end studio compressors, the Black Finger delivers truly professional performance compression. Unlike other "tube hyped" products on the market, which use 9 to 50 volts, the Black Finger's toroidal transformer allows for a full 300 volts of swing, preserving the attack while providing the warmest compression imaginable. Fantastic sustain, and a must for any amplified acoustic guitar.

The Electro-Harmonix Cathedral Stereo Reverb pedal surrounds your tone with an aria of rich presence. It's loaded with 7 different types of reverb plus digital echo, all of which work in true stereo. Full programmability lets you recall previous settings instantly. The EHX Cathedral Stereo Reverb lets you create the perfect space for your instrument or voice while offering an elegance that takes your music to a higher ground. The Cathedral offers two spring modes: Grail Spring, based on the Holy Grail's spring emulation, and Accu Spring, an Accutronics spring tank emulation. Top notch, professional Hall, Room, Plate, and Reverse reverb algorithms. Grail Flerb mode is the EHX Holy Grail Flerb with greater adjustability. Echo mode makes the Cathedral into a versatile 2-second digital delay. Up to 2 seconds of Pre-Delay, with Feedback allow for reverberant echoes. Tap tempo footswitch sets the pre-delay time with your foot. Instantaneous infinite reverb is yours by pressing and holding the Tap footswitch. Tone controls on the reverbs allow for further refinement of the sound. True stereo in and out.

With the price of vintage HOT TUBES soaring, countless guitarists have requested that we re-issue our 1970s CMOS HOT TUBES. We’ve done this using the exact same design and miniaturized it, too! Volume and Overdrive let you go from a gentle rasp that caresses your notes to a full-blown gain monster with a powerhouse punch. Sculpt your sound with the Tone control, or take a detour around the tone circuit with the Tone On/Off switch. True bypass for a pristine signal chain.

Line-level preamp. Two tubes deliver optimum gain while remaining quiet and transparent, offering amazing definition and warmth. In either stereo or dual mono mode, the LPB 2ube offers two full-frequency inputs and outputs, as well as the potential to gang the I/Os.

The HT-DUAL guitar pedal offers the ultimate in high voltage valve distortion flexibility. Channel 1 has Clean or Crunch modes and can be used clean, as a boost or overdrive. Channel 2 gives distortion tones from super crunch right up to screaming lead. The unique switching operation will transform a single channel vintage amp into a three channel tone machine.<br> <br>Genuine valve design <br>Operates at 300V HT <br>Cascaded valve gain stages <br>Responds like a valve amp <br>2 channel operation <br>Clean, Crunch & Lead modes <br>Unique switching operation <br>Unique enhanced tone controls <br>Patented Infinite Shape Feature (ISF) <br>Fully equipped for stage or studio <br>Speaker emulated output <br>High integrity buffered bypass <br>Power supply included Silent switching<br> <br>Features<br> <br>DUAL CHANNELS <br>The HT-DUAL features two switchable channels for flexability. Channel 1 has either Clean or Crunch modes so it can be used clean, as a boost or overdrive. Channel 2 gives distortion tones from super crunch right up to screaming lead. The unique switching operation will transform a single channel vintage amp into a three channel tone machine.<br> <br>ISF CONTROL <br>The ISF control works in conjunction with the Tone control. It allows you to choose the exact tone signature you prefer. Fully CCW is a more American characteristic with a tight bottom end and more aggressive middle, and fully CW is a British characteristic which is more ‘woody’ and less aggressive.<br> <br>OPERATES AT 300V HT <br>The HT pedal operates on a 300V DC anode supply voltage (High Tension voltage). This is the same used in traditional valve amplifier design and means the circuit has the headroom associated with a true valve design and will 'clean up' accordingly. The pedal will exhibit the compression and distortion characteristics associated with a true valve design.<br>

The HT-METAL valve distortion pedal is a no-compromise, two channel, ultra high gain, filth machine. Powered by true 300V high-voltage valve circuitry, this pedal offers cascaded tube gain stages and authentic tube amp response. Each ultra-high gain channel offers its own gain and volume controls. Channel 1 is equipped with a Clean/Overdrive switch. The three-band EQ includes Blackstar's patented ISF (Infinite Shape Feature) control, which re-voices the entire tone stack from British Heavy Metal to US High Gain. No compromises, no excuses, no apologies - stay Metal!<br> <br>Genuine valve design <br>Operates at 300V HT <br>Cascaded valve gain stages <br>Extreme Gain and Tone <br>Responds like a valve amp <br>2 channel operation <br>Clean, Overdrive and Super High Gain Lead modes <br>Unique switching operation <br>Unique enhanced tone controls <br>Patented Infinite Shape Feature (ISF) <br>Fully equipped for stage or studio <br>Speaker emulated output <br>High integrity buffered bypass <br>Power supply included Silent switching<br> <br>Features<br> <br>OVERDRIVE AND SUPER GAIN <br>The HT Metal takes gain to the next level. Powered by true 300V high-voltage vacuum tube circuitry this pedal offers cascaded tube gain stages and authentic tube amp response. Two channels and three modes provide extreme versatility. Each ultra-high gain channel offers its own gain and volume controls. Additionally, Channel 1 is equipped with a Clean/Overdrive switch. The three-band EQ (Bass, Middle, Treble) is tied to the patented ISF (Infinite Shape Feature), which re-voices the entire tone stack for an expansive tonal range.<br> <br>ISF CONTROL <br>The ISF control works in conjunction with the Tone control. It allows you to choose the exact tone signature you prefer. Fully CCW is a more American characteristic with a tight bottom end and more aggressive middle, and fully CW is a British characteristic which is more ‘woody’ and less aggressive.<br>

The OD-1X launches the famous BOSS overdrive into a modern era of expression, delivering an unmatched level of performance for guitarists with an ear for tone. This next-generation stomp combines over 35 years of innovation in pedal design with the most advanced technologies, bringing you a completely new tonal experience that’s only possible with the legendary expertise of BOSS. Prepare to be amazed—the inspiring and ultra-responsive OD-1X will change your thinking about overdrive pedals forever.

Built in the tradition of the legendary BOSS overdrives, the OD-3 OverDrive pedal gives guitarists a greatly expanded range of smooth overdrive tones and improved response while staying true to the original.

The Boss AW-3 Dynamic Wah Pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new "humanizer" effect that can simulate human vowel sounds. The Boss AW-3's bass input even provides a variety of funky wah sounds for bass guitar.

A truly pleasant Chorus, even its name is reminiscent of the BOSS classics. Let us remind ourselves: with the Roland Jazz Chorus Amp and the BOSS CE 1, Roland/BOSS built the very first Chorus effects. Nowadays this effect can be considered indispensable since there are people who simply do not know any more, what a Clean sound without a Chorus actually sounds like. Alongside the usual Rate, Depth and Level controls there is also a filter control, which allows a fine tuning of the effects characteristics.

The single-button footswitch is housed in a sturdy metal casing with an orange LED indicator. The 1/4″ jack on the back allows you to connect any length of the cable* from the footswitch to your amp.

The FS-12 is a multi-function footcontroller in a compact, low profile, durable aluminium body that allows access to all 36 patches of the ID:CORE 100 / ID:CORE 150.<br> <br>-The large, clear dot matrix display ensures easy visibility for the fully chromatic tuner and current patch details.<br> <br>-Two user-configurable function switches provide control for <br>-Modulation, Delay and Reverb effects on/off <br>-Modulation and Delay tap tempo <br>-Full Looper functionality <br>-Effects Loop on/off <br>-Super Widestereo on/off <br>-Noise Gate on/off<br> <br>The FS-12 includes an extension socket for connection to the FS-13 2-button footcontroller (included with ID:CORE 100 / ID:CORE 150) In this configuration you can add two extra, programmable switches which are configurable via the Blackstar INSIDER software.

The dual-button footswitch is housed in a sturdy metal casing with an orange LED indicator. The 1/4″ jack on the back allows you to connect any length of the cable* from the footswitch to your amp.

The Legenday and classic original POG won top awards from every major magazine on every continent for its flawless polyphonic tracking and musical flexibility. The Micro POG delivers the same perfect tracking and smooth polyphony in a simplified design. Now in a small pedalboard-friendly diecast chassis, the Micro POG delivers and will blow you away the first time you use it.

The little brother of the Metal Muff family takes the most powerful features and packs them into a slick die-cast box. Carefully selected mid frequencies are switch-selectable, offering powerful musical scoops. Heavy Metal fire power with slag simplicity.

The Big Muff Pi with Tone Wicker taps into the sonic power of the legendary Big Muff Pi, but creates new tonal possibilities at the flick of a switch -- or two. Use the Wicker switch to open up three high-frequency filters for raspy, sustaining distortion with top-end bite, or flick on the Tone switch to bypass the tone control for unabated tonal slam. Want the original Big Muff sound? Just switch off the Wicker and turn on the Tone. The ability to create your own personal Big Muff sound is what truly makes this the Wicked Wicker.

The classic 1970's funk box now available in a pocket-sized case. Dynamic picking response produces super-funky wah-like tones. The Doctor Q is an envelope filter that specializes in generating percussive punchy filter sweeps for a rhythmic groove.

Guitarists and keyboardists know that nothing beats a Leslie rotary speaker for smooth, swirling stereo chorus. The Electro-Harmonix Lester-G pedal re-creates the classic Leslie sound in pedal form with two adjustable speeds controlled by a footswitch to move between fast and slow textures without tying up your hands. The Lester-G's drive control adds B-3 guts and grit to your sound, while a balance control, which simulates the balance between a Leslie's horn and bass speaker, helps smooth out your tone. Dynamic players will appreciate the Lester-G's onboard compressor, which helps to smooth out rhythms and leads. True stereo ins/outs and a stage-ready metal chassis make the Lester-G a great option for keyboardists and guitarists wanting to add stereo textures to live work and ear-to-ear effects to recordings.

Housed in a smaller enclosure than the Metal Muff and with simplified controls the Micro Metal Muff delivers the same aggressive metal drive that made its big brother famous. A wicked sound - a metallurgist's dream. The Metal Muffs from Electro-Harmonix have been called "the finest pedals ever created for heavy metal". Massive tones that sculpt the mids and add extra ‘bite’ by boosting a narrow band of high frequencies are the hallmarks of these metal monsters.

The Electro-Harmonix Nano Clone Chorus Effect Pedal is everything you love about the Small Clone in an even more compact, die-cast package. This compact battery operated Chorus pedal features a simple, effective Rate knob, with an LED function indicator. To produce the Chorus effect, the Nano Clone bends the frequency slightly from the input source and mixes this altered signal with some direct unaffected signal. The combination produces a doubling effect.The depth switch controls the amount of frequency change that occurs in the altered signal. The rate knob controls the rate of alteration between raising and lowering the frequency. The red LED indicates when the effect is switched on. The footswitch engages and disengages the Chorus effect.

The smallest member of the polyphonic POG clan provides impeccable tracking and sound. Separate level controls for dry, sub octave and octave up plus an extra Dry out and silent footswitching provide the perfect formula for this compact jewel.

The Blackstar –LT Boost Compact Pedal is an extremely flexible pedal that can be use into a clean amp as a volume boost or to drive your amplifier into dynamic overdrive. With its patent-applied for gain circuit, you can push your guitar amp into smooth overdrive but with a maximum delivery of dynamics & tone.<br><br>Features:<br>- Bass Control <br>- Treble Control <br>- True Valve-Like Response<br>- Battery Operated <br>- Continuously variable boost <br>- Small form-factor - great for pedalboards Rugged construction<br>- Patent-Applied-For clipping circuit that matches the tone and response of our valve pedals

The Electro-Harmonix Epitome multi-effects pedal marries the Micro POG (octave), Stereo Electric Mistress (flange/chorus), and Holy Grail Plus (reverb) into a single pedal. Use all three together or separately. Dedicated, straightforward controls eliminate need to scroll through tedious setting menus, giving you the stompbox simplicity you expect from ehx. You can even totally change the Epitome's overall character via the shimmer button, which re-routes the effects signal chain by swapping the Holy Grail reverb with the Electric Mistress and adds an analog delay to the POG.

The first multi-effect pedal from Electro-Harmonix! Righteous possibilities emerge when you combine a kaleidoscope of effects: Reverbs, Pitch Shifting, Tremolo, pure analog drive and fuzz. The brilliance of the Stain lies in the dynamic interaction of its controls. Invent brilliant tonal combinations.

Built from the ground up with the best available components, the MXR GT-OD Overdrive pedal creates smooth, warm, and classic overdrive without excess noise or tone coloring. The simple controls make it easy to dial in a great tone quickly-from crunchy rhythm tone with chord clarity-to sparkly and harmonicrich lead tones with tons of sustain.

Limited Edition of Kiko’s version of our mini Switchless Wah. Our world famous Electro-Optical circuitry and switchless design in this cool new mini-format. Simply step on pedal to engage Wah and step off to go to bypass. Equipped with our custom MQ2 Inductor and TrueTone Buffer circuit, the Mini Kiko is set for Kiko’s preferred Wah tone and sweep and decked out in Brazilian colors and graphics.

The electro-harmonix Pitch Fork polyphonic pitch shifter effects pedal brings a new realm of sound to your playing. Turn your 6-string guitar into an 18-string guitar or send single notes soaring into the stratosphere with razor-sharp precision. You can set the Pitch Fork for your desired pitch shift or use an expression pedal for continuous control of sweeps and multi-octave jumps. We love innovative products at Sweetwater, and the electro-harmonix Pitch Fork pedal delivers a rock-solid pitch shifter in a small package.

Same silky smooth violin-like sustain and creamy tone that made the legendary 1970 Big Muff Pi famous. This little brother displays its heritage proudly. Same circuitry in a compact die-cast box.

Blackstar - LT DriveCompact Drive Pedal delivers amazing valve –like tone & compression for a wide variety of playing style. This small form factor is great for pedalboards rugged construction & a 9V battery powered or using 9V DC power input.<br><br> Main Features:<br>-Gain Control-is the amount of distortion that this pedal will deliver<br>-Tone Control-allows exact adjustment of the treble frequencies within the sound. <br>-True Valve-like Response- is a unique clipping circuit in the LT Pedals that is designed & tested to behave just like our successful HT pedals.

The Electro-Harmonix Crayon is a versatile overdrive with independent Bass and Treble controls and an open frequency range that provides players with a musical alternative to customary mid-focused overdrive pedals. It delivers a range of sounds going from a suggestion of dirt to full-on distortion and is equally impressive all by itself or when driving another overdrive pedal.

Electro-Harmonix creates classic overdrive in a JRC4558 IC based pedal that’s as bold as New York City. Symmetrical overdrive adds edge and gain without compromising tone. Volume and Drive take it from sweet to searing while Tone lets you dial in just the right amount of bite to cut through the mix. No matter how hard you drive it, you’re always in control. True bypass and tone that is absolutely unflinching at a musician-friendly price!

Overdrive Pedal with True Bypass Switching, Gain Control, Tone Control, and up to 20dB of Signal Boost<br> Mesa/Boogie made the Grid Slammer overdrive pedal to make sure you've got a commanding guitar tone whenever you need it. The Grid Slammer gives you a wide-range variable gain boost with a midrange bump that really makes your guitar cut through a thick mix. From sweet, warm breakup to sizzling, harmonic-laden overdrive that sings and stings, the Grid Slammer sets the overdrive bar incredibly high. And with up to 20dB of signal boost via the master level control, you'll be able to push your tube amplifier into glorious overdrive too with the Mesa/Boogie Grid Slammer overdrive pedal.<br> <br>Mesa/Boogie Grid Slammer Distortion Pedal at a Glance:<br> <br>Wide-ranging overdrive is a workhorse for your pedalboard <br>Built tough in the USA for rugged reliability<br> <br>Mesa/Boogie Grid Slammer Overdrive Pedal Features:<br> <br>Versatile overdrive pedal with tone control <br>True bypass switching ensures you maintain your tone <br>Master level can add up to 20dB of signal boost <br>Powered by 1 x 9V battery or optional power supply (sold separately) <br>Designed and handbuilt in the USA

Electro-Harmonix announces the Grand Canyon equipped with 12 effect types plus a fully featured looper capable of recording and overdubbing the Grand Canyon's effects. The pedal provides up to three seconds of delay time, tap tempo and nine tap divide settings, stereo output, 13 presets, programmable EXP pedal settings and high quality analog bypass with soft switching. The Grand Canyon's 13 modes are: 1. ECHO - 24-bit digital delay with bit crush/sample rate reduction and low/high pass filtering 2. MOD - Modulated delay, yields flanger, chorus, vibrato and more 3. MULTI - Multi-tap delay, set the exact number of echo repeats up to 31 4. REVERSE - Reverse delay with an intelligent pluck detection algorithm 5. DMM - Deluxe Memory Man, re-creates the tone of the EHX bucket-brigade delay pedal 6. TAPE - Tape Delay, simulates analog tape echo including tape distortion, wow and flutter 7. REVERB - Lush plate reverb plus echo. 8. PITCH - Polyphonic pitch shifting plus digital delay creates pitch-shifted echoes 9. SHIM - Shimmer generates a rich octave-shifted wash 10. SAMPLE/HOLD - Sample and hold, senses a note being plucked and produces echoes indefinitely until another note is detected 11. DRUM - Magnetic drum echo that emulates a classic Binson Echorec style delay 12. DOUBLE - Thickens up a mono signal or creates a stereo spread. 13. LOOPER - Looper with up to 16 minutes of recording time. Includes unlimited overdubs, undo/redo, dedicated stop button, loop fade-out, reverse and speed adjust.

Electro-Harmonix combined two of their popular dirt pedals — the Crayon boost/overdrive and the Hot Tubes overdrive pedal — to create the Hot Wax dual-overdrive pedal. Offering two footswitchable sections, you can switch between two distinct overdrive tones or combine them for even more harmonic complexity.

Rotary speaker emulation at its finest in a compact, easy-to-use package. Stereo outputs provide a lush, realistic sound with either stereo or mono inputs. Tube-style overdrive is variable and the speaker balance can be fine-tuned. Switch between adjustable Fast and Slow modes to achieve that iconic sound when the big cabinet ramps up to speed and down.

The Guitar God’s legendary, signature Wah now available in a convenient size. Decorated with Vai’s original artwork this beauty not only saves valuable space on your board, but also brightens it up. This eye candy wonder Wah is limited to 500 pieces worldwide.<br>-Engineered to save space on your board; 6.85″ x 4.5″ x 2.5″ (L x W x H)<br>-Switchless operation; Simply step on the treadle to engage the Wah and step off to bypass.<br>-Our world famous Electro-Optical design. No pots to wear out!Our world famous Electro-Optical design. No pots to wear out!<br>-True Tone Bypass buffer circuit ensures pure guitar tone and output.<br>-Glow-in-the-dark treadle rubber and Morley logo.<br>-Powered by one 9-volt battery or optional Morley 9V adapter. Compatible with most 9V adapters.<br>-Works with Guitar, Bass or Keys!