With pedal board space at a premium these days, and smaller pedals in demand, Rocktron is pleased to provide the MicroHUSH to wipe out hiss, unwanted feedback and pickup buzz by providing up to 65dB of signal cleanup, while maintaining your music signal integrity. Guitar Player Magazine wrote that a "HUSH pedal will work for all guitar-related noise problems: it's perfect" and "its potent noise-killing abilities will be fully appreciated."

You asked, and now you receive. The Reaction HUSH, when used properly, will wipe out hiss, unwanted feedback and pickup buzz. The Reaction HUSH pedal delivers 65dB of signal cleanup, while your music signal integrity remains unaffected. In other words, get rid of the noise without altering your tone!

Exceptionally Musical Vibrato Pedal with 2 Vibrato Types, Easy Controls and Built-In TonePrint Technology<br><br>Vibrato is one of those ‘hard to grasp but oh so important’ parts of guitar playing. Just think where Yngwie Malmsteen, BB King or Stevie Ray Vaughan would be without their unique vibrato. It’s what makes us recognize a guitarist after 2 notes - vibrato is what makes playing come alive. And from a subtle warble to Leslie sounds, SHAKER VIBRATO does what it can to liven things up!<br>- 2 vibrato types<br>-Great controls, including ‘Rise-Time’ <br>- Latch-mode<br><br>SHAKER VIBRATO features 2 different types of settings: a classic true pitch vibrato and ‘latch mode’ where the effect is only active when you press and hold the switch. This allows for subtle vibrato and faux-whammy bar effects without you having to tap dance all night.<br><br>Vibrato is an effect with a wide range of applications, but it can be tough to figure out which those are if you don’t get a range of sounds, voicings and expressions that knock you off your feet - and with SHAKER VIBRATO those surprises are always musical, never unpleasant. Featuring a set of controls and giving you control over the ‘rise-time’ of the effect, SHAKER VIBRATO vibes with your playing instantly.

An endless list of immortal artists have used the flange effect to create musical magic. From The Beatles to Pink Floyd to Van Halen, Metallica and the Red Hot Chili Peppers and beyond – thanks to VORTEX FLANGER, all of those sounds are instantly yours for the rocking!<br>-Classic flange and tape flange modes<br>-Intuitive yet deep control set <br>-Stereo I/O<br><br>The two modes in VORTEX FLANGER are a classic pedal flanger capable of giving you everything from suble chorus tones to classic Van Halen jet flanger swoosh, and tape mode, which gives you the psychedelic sound of the original flange tones of Jimi Hendrix and Led Zeppelin. And it does fantastic ‘through zero’ sounds too!<br><br>VORTEX takes the great pioneers of ’60s and ’70s flange and adds a set of deep controls, allowing you to sculpt and time your flange sounds with great precision. This allows you to quickly dial through the rich history of the legendary flange pioneers, such as Hendrix and Van Halen – or sculpt your own twisted sounds!

Single-Button Stompbox for Dramatic Megaphone and Distortion Vocal Effects<br><br>VOICETONE X1 brings a modern “down ‘n’ dirty” quality to live vocals with crackling megaphones and amplified vocal distortion effects. Punctuate a word, phrase or an entire song with these sounds. The Drive and Filter controls can be set to suit your voice and the song. Kick it on, kick it off – you’re in control!<br><br>It’s Just this Simple...<br>-Plug in your mic, plug your pedal into the mixer & set the gain<br>- Turn on the effect<br>-(That’s it)<br>-Of course, you can always change the style or the amount of correction, but you shouldn’t need the manual – unless you’re making a fire!

HarmonyControl | Guitar reads your guitar playing and tells your MIDI equipped harmony processor how to sing "the right stuff". If you've ever used Key and Scale harmony, you'll know it works wonderfully for a lot of songs, but now you can add even more harmony songs to your repertoire while you focus on playing and singing your best with HarmonyControl | Guitar. Previously, only MIDI keyboard players had the ability to create spontaneous harmony parts but now it lies in your hands too. HarmonyControl | Guitar is a big step forward for performing guitarists.

Single-Button Stompbox for Studio Mastered Vocal Tone<br><br>VOICETONE T1 automatically reacts to your voice and applies studio-quality dynamics and EQ to bring out your most-exciting vocal tone. Now you can put a recorded sheen on your live singing – without the setup and adjustment of complex equipment normally required to achieve “that sound”.<br><br>It’s Just this Simple...<br>-Plug in your mic, plug your pedal into the mixer & set the gain<br>-Turn on the effect<br>-(That’s it)<br>-Of course, you can always change the style or the amount of correction, but you shouldn’t need the manual – unless you’re making a fire!

Guitarists and keyboardists know that nothing beats a Leslie rotary speaker for smooth, swirling stereo chorus. The Electro-Harmonix Lester-G pedal re-creates the classic Leslie sound in pedal form with two adjustable speeds controlled by a footswitch to move between fast and slow textures without tying up your hands. The Lester-G's drive control adds B-3 guts and grit to your sound, while a balance control, which simulates the balance between a Leslie's horn and bass speaker, helps smooth out your tone. Dynamic players will appreciate the Lester-G's onboard compressor, which helps to smooth out rhythms and leads. True stereo ins/outs and a stage-ready metal chassis make the Lester-G a great option for keyboardists and guitarists wanting to add stereo textures to live work and ear-to-ear effects to recordings.

The classic 1970's funk box now available in a pocket-sized case. Dynamic picking response produces super-funky wah-like tones. The Doctor Q is an envelope filter that specializes in generating percussive punchy filter sweeps for a rhythmic groove.

The Electro-Harmonix Epitome multi-effects pedal marries the Micro POG (octave), Stereo Electric Mistress (flange/chorus), and Holy Grail Plus (reverb) into a single pedal. Use all three together or separately. Dedicated, straightforward controls eliminate need to scroll through tedious setting menus, giving you the stompbox simplicity you expect from ehx. You can even totally change the Epitome's overall character via the shimmer button, which re-routes the effects signal chain by swapping the Holy Grail reverb with the Electric Mistress and adds an analog delay to the POG.

Rotary speaker emulation at its finest in a compact, easy-to-use package. Stereo outputs provide a lush, realistic sound with either stereo or mono inputs. Tube-style overdrive is variable and the speaker balance can be fine-tuned. Switch between adjustable Fast and Slow modes to achieve that iconic sound when the big cabinet ramps up to speed and down.

British invasion! Taking its roots from legendary British guitar amps, the English Muff'n recreates their majesty and classic tone with spot-on accuracy. Rather than approximating these amps like "emulator" products, the English Muff'n employs vacuum tubes to produce the richness and natural saturation of Brit-valve sounds. A bloody masterpiece!

A wired remote control for the 22500 Dual Stereo Looper that gives you foot control over paging up and down thru the pedal’s Loop Banks. The 22500 records and plays in up to 100 Loop Bank. The Foot Controller makes it easy to navigate thru the 22500’s 100 Loop Banks, moving up or down by either one or ten banks at a time.

Combines two sweet pedals—-the Soul Food transparent overdrive and Nano POG polyphonic octave generator—-in one potent multi-effect. Use them alone or together, put either first in the chain, insert other pedals between them with the FX loop. Also includes a cool Mode switch for a choice of two different octave-up sounds. The versatile Soul POG delivers award-winning overdrive and flawless polyphonic octaves in any combination!

Dual tube magic! Using the same professional-grade techniques as the most revered, vintage, high-end studio compressors, the Black Finger delivers truly professional performance compression. Unlike other "tube hyped" products on the market, which use 9 to 50 volts, the Black Finger's toroidal transformer allows for a full 300 volts of swing, preserving the attack while providing the warmest compression imaginable. Fantastic sustain, and a must for any amplified acoustic guitar.

Foot Controller and Live Expansion Module for the ehx 45000 Looper It makes everything faster and easier by delivering hands free operation of key functions. Choose a new track or loop without missing a beat. Get instant access to up to 100 loops per SDHC card. The Foot Controller receives power from the 45000 and connects to it with a standard mono guitar cable. It’s a must have!

The Electro-Harmonix Riddle is a powerful and precise envelope filter fine-tuned for guitar frequency response.<br> Sculpt your envelope to reveal a truly expressive tone, with a defined and unique signature. Riddle will deliver tight and smooth control over the complete 80 Hz to 5 kHz range, with a consistent and even sweetness.<br> Need some edge? Engage Riddle's analog distortion and dial in anything from subtle bite to dominating crush.<br> You can even plug in an optional expression pedal to control the filter sweep with your foot. With the ability to adjust Q, sweep range, and filter type, you'll also wind up with of the most versatile wahs available.<br> Riddle: a mysteriously musical envelope filter for guitar.

The EHX Volume Pedal is part of our innovative Next Step Effects series. It does not use a potentiometer, optics or magnetism to sweep the volume control. It delivers accurate and very expressive control over the volume of an instrument.

Digital Delay Pedal with Up to 2 Seconds of Delay, Analog-style Decay, Blend, Delay Time, and Feedback Controls, and Heavy-duty Housing<br> The #1 Echo is part of the Electro-Harmonix line of Micro (xo) guitar effect pedals, with a small die-cast housing. But don't let the size deceive you - it produces some of the finest digital echo available, with a full two seconds(!) of maximum delay time. Echo/delay effect is controlled by feedback and delay time knobs. A blend control lets you adjust the amount of delay in your signal to make sure the Micro #1 sits exactly where you want it in any track or performance.<br> <br>A rugged footswitch selects whether the #1 Echo pedal is engaged or bypassed, indicated by an LED. When in Bypass mode, the output jack is connected to the input jack through a buffer. It's equipped with standard 1/4" instrument I/O jacks. The barrel connector is for a 9-volt battery eliminator capable of delivering 100 mA of current. The inner ring of the 9-volt battery eliminator must be negative, the outer ring positive. The unit's battery may be left in or taken out when the eliminator is in use.<br> <br>FEATURES<br> <br>Up to two seconds of delay <br>Blend control <br>Delay Time control <br>Feedback control <br>On/off footswitch <br>LED indicator <br>1/4" input and output jacks <br>Buffer bypass

Building on EHX’s looper legacy, the 45000 combines the familiar controls of a multi-track digital recorder with state-of-the-art features making it possible to create complex multi-track loops quickly and easily. Each loop has four mono tracks and one stereo mixdown track. The 45000 records non-compressed, 44.1 kHz / 16-bit CD quality audio direct to a removable SDHC card (4 to 32GB). Each card holds up to 100 individual loops accessed with the optional 45000 Foot Controller (sold separately). Loop speed is adjustable over a two octave range, and reverse recording and playback are also possible. For extra convenience, a built-in metronome to a separate Monitor Out and a Headphone Out are also included.

The Signal Pad is a passive attenuator that allows you to instantly switch to a different preset volume. It's like your guitar's volume knob, with a fully-passive and color-free circuit. Leave your amp's volume set high for overdrive, and use the Signal Pad to lower your level for a clean sound -- then switch it off to kick in your amp's natural overdrive. You can also experiment with the Signal Pad anywhere in your effects chain -- you'll bring out new tonal combinations from your favorite old pedals.

Transpose, detune, texturize, and harmonize all from the same pedal: the Electro-Harmonix Slammi Plus. Think of the Slammi Plus as an EXH Pitch Fork and a space-saving expression pedal all in one, with a powerful new dry/wet crossfade feature baked right in. Tracking is lightning fast and glitch-free as ever, even on chords, and a ±3-octave range gives guitar, bass, and synth players plenty of room to experiment. Transpose keys in seconds to suit your vocalist. Pull off whammy and dive-bomb tricks without whipping out your trem guitar. Create chorus and doubling FX on the spot. An X-Fade function even blends seamlessly between wet and dry tones — stack fifths on your riffs and thirds on your leads at will and as subtly as you please.

The polyphonic SUPEREGO Synth Engine reinvents sample and hold, performs fluid glissandos and creates oscillator like, synthesizer effects. It can stack sounds or create infinite sustain, it even lets you tweak attack and decay, or use its effects loop to invent novel synth patches. Indulge your guilty pleasures!

The Fulltone MDV2 Mini Deja Vibe 2 offers great chorus and vibrato tones. With true bypass operation, the Fulltone MDV2 Mini Deja Vibe 2 is a great addition.

REVERB 4000 is the first stereo Reverb capable of rendering credible space onto two discrete sources, or to truly process a composite stereo source. Quite simply, REVERB 4000 gives you the most immense and innovative selection of State-of-the-Art stereo Reverbs - at the touch of a button.

Take the power of Aphex’s legendary Aural Exciter® and Big Bottom® technologies to the stage. This is the only pedal that will help your guitar, bass and your other pedals sound better. We’ve taken the legend of the Aphex Aural Exciter and Big Bottom and placed it firmly at your feet. Aphex Xciter pedals are designed to deliver the sonic enhancement the Aural Exciter and Big Bottom are famous for, taking it out of the studio and onto the stage. The Xciter pedal brings out the character and nuance of your instrument without adding volume and distortion.

We’ve got your back, or rather, you’ve got your back! Vocal looping has never been simpler; with one stomp you are now your own back-up vocalist. Creating multiple, overdubbed loops for vocal harmonies or rhythmic counterpoint is just a foot stomp away.<br><br> The DigiTech® JamMan® Vocal XT is a compact looper designed specifically for vocalists. It is easy to use, yet versatile enough to add the “wow factor” to your vocal performances. 10 minutes of looping time, Silent Clear™, JamSync™, XLR Input/Output, a Built-in dbx® Mic Preamp, and +48V Phantom Power, the JamMan Vocal XT extends our JamMan Looper family to vocalists!<br><br> JamSync automatically synchronizes the JamMan Vocal XT to another Vocal XT, JamMan Express XT, or JamMan Solo XT. This revolutionary feature allows you to create independent, yet perfectly synchronized loops. Using JamSync you can build a custom multi-track looper or build loops within your band.<br><br> The JamMan Vocal XT’s Silent Clear feature allows you to clear a recorded phrase without requiring you to play it first, an annoyance typical with some other loopers.<br> Connect your favorite mic to the JamMan Vocal XT with its built-in studio quality mic preamp and you’ll instantly notice its pristine sound. Your original vocal and the repeated loops will be crystal clear and you’ll be able to creatively express yourself in new, jaw-dropping ways!

Mesa Boogie Acoustic DI-Preamp DI Box with preamp for acoustic guitars, control phase switch, level control, boost footswitch with variavle thomann boost level control, variable notch-filter (40Hz to 500Hz), Vvriable hi-Pass filter (40Hz to 200Hz), activer 4-Band (+/- 12dB bass, low-Mid, high-Mid & treble) with switchable low-mids (150Hz-1800Hz) & high-mids (300Hz-5000Hz) frequency controls; separate preamp output level control, tuner out, FX loop, balanced XLR DI with level control and thomann pre/post & ground lift switch, line level preamp out, battery or 9v power supply(not included),

Blackstar - HT DistX is patented Infinite Shape Features (ISF) control that takes you from a Classic British to a Modern American & anywhere in between & the no compromise speaker emulated output that lets you get it all down to tape or disk.<br><br>Features:<br>- Genuine valve design <br>- Operates at 300V HT <br>- Cascaded valve gain stages <br>- Responds like a valve amp <br>- Unique enhanced tone controls <br>- Patented Infinite Shape Feature (ISF) <br>- Fully equipped for stage or studio <br>- Speaker emulated output <br>- High integrity buffered bypass <br>- Power supply included <br>- Silent switching Extreme gain and tone<br>- Extreme Gain<br>-Operates at 300V HT<br>-Silent Switching

By allowing infinite adjustment over the characteristics of the HT-DIST guitar pedal's tone control network, the Patented ISF circuit allows you to effectively design your own tone and find the sound in your head. Add to this the dynamics of the high voltage valve design and a no compromise speaker emulated output and this pedal is a classic amongst modern distortions.<br> <br>Genuine valve design <br>Operates at 300V HT <br>Cascaded valve gain stages <br>Responds like a valve amp <br>Unique enhanced tone controls <br>Patented Infinite Shape Feature (ISF) <br>Fully equipped for stage or studio <br>Speaker emulated output <br>High integrity buffered bypass <br>Power supply included Silent switching<br> <br>Features<br> <br>DISTORTION ADJUSTMENT <br>By allowing infinite adjustment over the characteristics of the HT-DIST's tone control network, the patent-applied-for ISF circuit allows you to effectively design your own tone and find the sound in your head.<br> <br>OPERATES AT 300V HT <br>The HT pedal operates on a 300V DC anode supply voltage (High Tension voltage). This is the same used in traditional valve amplifier design and means the circuit has the headroom associated with a true valve design and will 'clean up' accordingly. The pedal will exhibit the compression and distortion characteristics associated with a true valve design.<br> <br>SILENT SWITCHING <br>Many hours of research showed us that only soft switching and a buffered bypass signal will give absolutely silent switching in high gain applications.<br> <br>SPEAKER EMULATED OUTPUT <br>The Blackstar emulated output design is a new benchmark for pro direct recording. This no-compromise design makes it easy to get your tone to disk and tape. You can also use it to run a line out to a PA.<br> <br>ISF CONTROL <br>The ISF control works in conjunction with the Tone control. It allows you to choose the exact tone signature you prefer.

The HT-METAL valve distortion pedal is a no-compromise, two channel, ultra high gain, filth machine. Powered by true 300V high-voltage valve circuitry, this pedal offers cascaded tube gain stages and authentic tube amp response. Each ultra-high gain channel offers its own gain and volume controls. Channel 1 is equipped with a Clean/Overdrive switch. The three-band EQ includes Blackstar's patented ISF (Infinite Shape Feature) control, which re-voices the entire tone stack from British Heavy Metal to US High Gain. No compromises, no excuses, no apologies - stay Metal!<br> <br>Genuine valve design <br>Operates at 300V HT <br>Cascaded valve gain stages <br>Extreme Gain and Tone <br>Responds like a valve amp <br>2 channel operation <br>Clean, Overdrive and Super High Gain Lead modes <br>Unique switching operation <br>Unique enhanced tone controls <br>Patented Infinite Shape Feature (ISF) <br>Fully equipped for stage or studio <br>Speaker emulated output <br>High integrity buffered bypass <br>Power supply included Silent switching<br> <br>Features<br> <br>OVERDRIVE AND SUPER GAIN <br>The HT Metal takes gain to the next level. Powered by true 300V high-voltage vacuum tube circuitry this pedal offers cascaded tube gain stages and authentic tube amp response. Two channels and three modes provide extreme versatility. Each ultra-high gain channel offers its own gain and volume controls. Additionally, Channel 1 is equipped with a Clean/Overdrive switch. The three-band EQ (Bass, Middle, Treble) is tied to the patented ISF (Infinite Shape Feature), which re-voices the entire tone stack for an expansive tonal range.<br> <br>ISF CONTROL <br>The ISF control works in conjunction with the Tone control. It allows you to choose the exact tone signature you prefer. Fully CCW is a more American characteristic with a tight bottom end and more aggressive middle, and fully CW is a British characteristic which is more ‘woody’ and less aggressive.<br>

2-channel Instrument Preamp with Boost, 2 Piezo Boosters, 3-band EQ, Notch Filter, High-pass Filter, Separate DIs for House Mix and Monitoring, and Tuner Out with Footswitchable Mute The Radial Tonebone PZ-Pre™ is the most powerful acoustic preamplifier ever to be put inside a pedal. And when we say acoustic, we do not just mean acoustic guitar - we mean ANY acoustic instrument including banjo, violin, cello, mandolin, contrabass, bouzouki or lute. The magic lies in the combination of high performance 100% discrete class-A PZB piezo boosters, an ultra-quiet preamp circuit that will adapt to any pickup system and a host of connectivity options that will put you in total control. The PZ-Pre is equipped with two inputs for quick instrument changes on stage. These can also be combined to blend two pickups together if you so desire. Features include a powerful yet warm sounding semi-parametric EQ to tailor your sound, feedback eliminating controls including a dual-Q notch filter to surgically remove feedback, a high-pass filter to cut low frequency resonance, and a phase reverse switch to eliminate hot spots on stage. It is also equipped with a host of outputs: a ¼" hi-Z instrument out for an on-stage amp, a pre-EQ balanced XLR output for the PA system and a post EQ XLR out for stage wedges or in-ear monitors. A dedicated tuner out with mute switch lets you quietly tune on-stage. There's even a combination power booster - effects loop to add sizzle and dynamics to the performance and extra presence when soloing! Compact and easy to use, the Radial PZ-Pre packs in all of the features you need to take your acoustic instrument from home to studio and club to concert.

The HT-DUAL guitar pedal offers the ultimate in high voltage valve distortion flexibility. Channel 1 has Clean or Crunch modes and can be used clean, as a boost or overdrive. Channel 2 gives distortion tones from super crunch right up to screaming lead. The unique switching operation will transform a single channel vintage amp into a three channel tone machine.<br> <br>Genuine valve design <br>Operates at 300V HT <br>Cascaded valve gain stages <br>Responds like a valve amp <br>2 channel operation <br>Clean, Crunch & Lead modes <br>Unique switching operation <br>Unique enhanced tone controls <br>Patented Infinite Shape Feature (ISF) <br>Fully equipped for stage or studio <br>Speaker emulated output <br>High integrity buffered bypass <br>Power supply included Silent switching<br> <br>Features<br> <br>DUAL CHANNELS <br>The HT-DUAL features two switchable channels for flexability. Channel 1 has either Clean or Crunch modes so it can be used clean, as a boost or overdrive. Channel 2 gives distortion tones from super crunch right up to screaming lead. The unique switching operation will transform a single channel vintage amp into a three channel tone machine.<br> <br>ISF CONTROL <br>The ISF control works in conjunction with the Tone control. It allows you to choose the exact tone signature you prefer. Fully CCW is a more American characteristic with a tight bottom end and more aggressive middle, and fully CW is a British characteristic which is more ‘woody’ and less aggressive.<br> <br>OPERATES AT 300V HT <br>The HT pedal operates on a 300V DC anode supply voltage (High Tension voltage). This is the same used in traditional valve amplifier design and means the circuit has the headroom associated with a true valve design and will 'clean up' accordingly. The pedal will exhibit the compression and distortion characteristics associated with a true valve design.<br>

The OD-1X launches the famous BOSS overdrive into a modern era of expression, delivering an unmatched level of performance for guitarists with an ear for tone. This next-generation stomp combines over 35 years of innovation in pedal design with the most advanced technologies, bringing you a completely new tonal experience that’s only possible with the legendary expertise of BOSS. Prepare to be amazed—the inspiring and ultra-responsive OD-1X will change your thinking about overdrive pedals forever.

Built in the tradition of the legendary BOSS overdrives, the OD-3 OverDrive pedal gives guitarists a greatly expanded range of smooth overdrive tones and improved response while staying true to the original.

The Boss AW-3 Dynamic Wah Pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new "humanizer" effect that can simulate human vowel sounds. The Boss AW-3's bass input even provides a variety of funky wah sounds for bass guitar.

A truly pleasant Chorus, even its name is reminiscent of the BOSS classics. Let us remind ourselves: with the Roland Jazz Chorus Amp and the BOSS CE 1, Roland/BOSS built the very first Chorus effects. Nowadays this effect can be considered indispensable since there are people who simply do not know any more, what a Clean sound without a Chorus actually sounds like. Alongside the usual Rate, Depth and Level controls there is also a filter control, which allows a fine tuning of the effects characteristics.

The Live Logic compact and versatile 6-button MIDI footcontroller gives you quick and easy performance control of any MIDI hardware or software platforms and plugins. MIDI over USB, assignable functions and two expression pedal inputs make it the perfect MIDI control solution and it can also be used as your USB MIDI interface. Power it anywhere via USB, 9V battery or power supply and unlock your performance.

Take control of your Blackstar ID:Core Stereo 20 or ID:Core Stereo 40 amplifier with the 2-button Blackstar FS-11 footcontroller. The all-metal FS-11 offers two modes of operation to make your gig and rehearsals run smooth. Mode 1 offers the standard channel switching and effects on and off functions. Mode 2 lets you scroll up and down through your presets so you can quickly get to your next sound. Capture the full functionality of your Blackstar ID:Core Stereo amp with the Blackstar FS-11 Footcontroller!

The Blackstar –LT Boost Compact Pedal is an extremely flexible pedal that can be use into a clean amp as a volume boost or to drive your amplifier into dynamic overdrive. With its patent-applied for gain circuit, you can push your guitar amp into smooth overdrive but with a maximum delivery of dynamics & tone.<br><br>Features:<br>- Bass Control<br>- Trebel Control<br>- True Valve-Like Response<br>- Battery Operated<br>- Continuously variable boost <br>- Small form-factor - great for pedalboards Rugged construction<br>- Patent-Applied-For clipping circuit that matches the tone and response of our valve pedals

The FS-12 is a multi-function footcontroller in a compact, low profile, durable aluminium body that allows access to all 36 patches of the ID:CORE 100 / ID:CORE 150.<br> <br>-The large, clear dot matrix display ensures easy visibility for the fully chromatic tuner and current patch details.<br> <br>-Two user-configurable function switches provide control for <br>-Modulation, Delay and Reverb effects on/off <br>-Modulation and Delay tap tempo <br>-Full Looper functionality <br>-Effects Loop on/off <br>-Super Widestereo on/off <br>-Noise Gate on/off<br> <br>The FS-12 includes an extension socket for connection to the FS-13 2-button footcontroller (included with ID:CORE 100 / ID:CORE 150) In this configuration you can add two extra, programmable switches which are configurable via the Blackstar INSIDER software.

Blackstar – FS 14 5 Button Footcontroller for HTV MkII lets you unlock its full potential and gives you the control of all amplifier channels and voice for sound switching. The Footswitch has 5 buttons that lets you access all the different voices and the independent volume boost and reverb effect. You can turn this into a powerful live performance tool with remote control of all functions.

The dual-button footswitch is housed in a sturdy metal casing with an orange LED indicator. The 1/4″ jack on the back allows you to connect any length of the cable* from the footswitch to your amp.

The single-button footswitch is housed in a sturdy metal casing with an orange LED indicator. The 1/4″ jack on the back allows you to connect any length of the cable* from the footswitch to your amp.

The Big Muff Pi with Tone Wicker taps into the sonic power of the legendary Big Muff Pi, but creates new tonal possibilities at the flick of a switch -- or two. Use the Wicker switch to open up three high-frequency filters for raspy, sustaining distortion with top-end bite, or flick on the Tone switch to bypass the tone control for unabated tonal slam. Want the original Big Muff sound? Just switch off the Wicker and turn on the Tone. The ability to create your own personal Big Muff sound is what truly makes this the Wicked Wicker.

The Legenday and classic original POG won top awards from every major magazine on every continent for its flawless polyphonic tracking and musical flexibility. The Micro POG delivers the same perfect tracking and smooth polyphony in a simplified design. Now in a small pedalboard-friendly diecast chassis, the Micro POG delivers and will blow you away the first time you use it.

Limited Edition of Kiko’s version of our mini Switchless Wah. Our world famous Electro-Optical circuitry and switchless design in this cool new mini-format. Simply step on pedal to engage Wah and step off to go to bypass. Equipped with our custom MQ2 Inductor and TrueTone Buffer circuit, the Mini Kiko is set for Kiko’s preferred Wah tone and sweep and decked out in Brazilian colors and graphics.

The smallest member of the polyphonic POG clan provides impeccable tracking and sound. Separate level controls for dry, sub octave and octave up plus an extra Dry out and silent footswitching provide the perfect formula for this compact jewel.

The electro-harmonix Pitch Fork polyphonic pitch shifter effects pedal brings a new realm of sound to your playing. Turn your 6-string guitar into an 18-string guitar or send single notes soaring into the stratosphere with razor-sharp precision. You can set the Pitch Fork for your desired pitch shift or use an expression pedal for continuous control of sweeps and multi-octave jumps. We love innovative products at Sweetwater, and the electro-harmonix Pitch Fork pedal delivers a rock-solid pitch shifter in a small package.

The Blackstar –LT Boost Compact Pedal is an extremely flexible pedal that can be use into a clean amp as a volume boost or to drive your amplifier into dynamic overdrive. With its patent-applied for gain circuit, you can push your guitar amp into smooth overdrive but with a maximum delivery of dynamics & tone.<br><br>Features:<br>- Bass Control <br>- Treble Control <br>- True Valve-Like Response<br>- Battery Operated <br>- Continuously variable boost <br>- Small form-factor - great for pedalboards Rugged construction<br>- Patent-Applied-For clipping circuit that matches the tone and response of our valve pedals

Designed to work with the following amps: ID:15TVP, ID:30TVP, ID:60TVP, ID:60TVP-H, ID:260TVP and ID:100TVP<br> <br>The FS-10 is a multi-function footcontroller that allows access to all 128 patches plus the tuner function. It operates in three modes:<br> <br>Patch Mode – This mode allows you to switch between the three banks of four patches accessible on the front panel of the amp (patches 1-12) in addition to patches 13-128, plus access to the tuner function and the ability to change to the other modes.<br> <br>Effects mode – This offers individual switching of the effects within a patch, operating more like traditional effects pedals. In this mode the fourth switch is used to control the tap time function. 8.<br> <br>Navigation mode – Enables access to the complete set of 128 patches stored on the amp. These can be stepped through one at a time, or in banks. Whilst in this mode you can also store patches.<br> <br>Features<br> <br>PATCH MODE <br>This mode allows you to switch between the three banks of four patches accessible on the front panel of the amp (patches 1-12) in addition to patches 13-128, plus access to the tuner function and the ability to change to the other modes.<br> <br>EFFECTS MODE <br>This offers individual switching of the effects within a patch, operating more like traditional effects pedals. In this mode the fourth switch is used to control the tap time function. 8. <br>NAVIGATION MODE <br>Enables access to the complete set of 128 patches stored on the amp. These can be stepped through one at a time, or in banks. Whilst in this mode you can also store patches.

The TONE-BURST™ Boost/Overdrive offers a virtually transparent gain range usually associated with “clean” boost pedals. However, the TONE-BURST has enough gain to boost your guitar to the threshold of clip and slightly beyond, making it far more useful for a variety of applications. It’s incredibly powerful for adding boost, drive and/or EQ to any guitar and amp combination. Whether using it as a utility to boost the output of single coils to match a humbucker or as a subtle overdrive when a standard overdrive may be too much, the TONE-BURST is an incredibly useful and expressive pedal that makes the best things sound even better!<br> <br>Product Features<br> <br>-Designed and Handcrafted in Petaluma, California, USA <br>-True Bypass On/Off Switching - Bypasses all circuitry when off to ensure no tonal loss <br>-Gain Control allows you to dial in the perfect amount of boost or mild overdrive <br>-Master Level Control provides a variable range of signal boost up to +20dB <br>-Bass & Treble Controls provide +/- 12dB of EQ boost or cut for exceptional tone shaping <br>-On/Off Status LED <br>-9V Battery Powered Externally Powered (optional) via External Power Jack Input <br>-Input & Output Jacks (Nominal Input -20dB