Looking for big distortion in a premium-grade pedal? Then you want the Tech 21 Boost Distortion! This pedal captures those tight, aggressive distortions that you're looking for. A SAG control lets you dial in the pick-attack response so you can dial how you want the pedal to react to your playing. You also get a separate Boost function that puts out up to 21dB of clean, punchy boost. It's like getting two pedals in one. Grab a Tech 21 Boost Distortion and take your tone over the edge!

Two Wah modes: Bad Horsie and Contour Wah. In Contour Wah, two knobs adjust Contour (tone) and Wah Level allowing you to customize the Wah anyway you see fit.<br> Buffer Circuit prevents signal loss and maintains tone. Optical circuitry and switchless design; simply step on pedal to engage Wah and step off to go to bypass.

A switchable, Optical Wah with Vintage Wah Tone. Boost knob allows up to 20dB of boost in Wah mode. Buffer Circuit prevents signal loss and maintains tone. Silent switching prevents any switch “pop” getting to amp. Great for pedal boards at 7” L x 4.5” W x 2.75” H. Powers from one 9V battery or optional Morley adapter.

Richie Kotzen’s rig is always a work in progress — much like his constantly evolving playing style. Version 2 of his popular RK5 Fly Rig is packed with everything that Richie demands when he hits the stage. Benefit from a massive range of tones, thanks to SansAmp amplifier emulation and wide variety of available effects. Kick your solos into saturated overdrive with 12dB of clean boost, and smooth and squash it with a musical-sounding FET compressor. The RK5 v2’s OMG overdrive includes a Fuzz function for thick, wooly fuzz tones. Add dimension to your playing with two flavors of reverb. You also get an analog delay and rotating speaker effect with tap tempo, along with a chromatic tuner.

When you're playing a solo, you just need a little extra panache. Tech 21's Boost R.V.B. has that little something extra - and then some! On top of giving you 9dB of boost to help drive your amp into sweet, sweet saturation, the Boost R.V.B. soaks your sound in a spacious reverb. Tunable to sound like vintage reverb units (spring, plate, or hall), the Boost R.V.B. takes the reverb experience further. The remaining reverb tail trails off naturally; it doesn't meet an abrupt end when the pedal is bypassed - very cool! The Boost R.V.B.'s Rumble control lets you fine-tune the amount of low end in the reverb.

Looking for big fuzz in a premium-grade pedal? Then you want the Tech 21 Boost Fuzz! This pedal captures those classic germanium fuzz tones that you're looking for. A SAG control lets you dial in the pick-attack response so you can dial how you want the pedal to react to your playing. We're talking killer fuzz tones with smooth sustain and creamy germanium tone. You also get a separate Boost function that puts out up to 21dB of clean, punchy boost. It's like getting two pedals in one.

The fire and fury of Paul Landers’ virile tone are immortalized in the Tech 21 PL1 Fly Rig. Paul has been a longtime user of Tech 21’s SansAmp guitar gear — notably the PSA and GT2 — since the beginning of Rammstein’s controversial career. “I've always been a no-amp guy,” Landers says of his low-carry, laser-focused industrial guitar sounds heard on “Du Hast” and other hits. The PL1 features two distinct channels of SansAmp emulation, a host of essential FX, and 1/4" and XLR outputs, all at a size you can easily tuck under an arm in transit.

Now you can command the same killer wah tone as Kirk with the new Kirk Hammett Cry Baby Wah. Developed in close collaboration with the metal guitar icon himself, it has been meticulously tuned and tweaked to deliver the wah sound that revolutionized metal solos. This is the legendary tone that Kirk dials in on tour using his Cry Baby Rack Wah. Dunlop's engineers took Kirk's EQ, volume and tone settings-reflecting decades of blazing Cry Baby riffology-and reproduced them with exacting precision. This pedal is exceptionally even in response as you move from heel to toe, with a thick top end and full dynamic range. Dare to step into the footprint of a giant. Own a piece of the legend: the Kirk Hammett Signature Wah from Dunlop.

The Talk Box is a classic effect-you can hear it on some of the greatest songs ever recorded, across genres and time, from funk and '70s rock to hard rock and metal. Its unique, highly expressive character is instantly recognizable. <br><br> The MXR team has fine-tuned the Talk Box for modern gigging convenience and tone sculpting while maintaining the unmistakable sonic character that made the effect legendary. With its own amp and speaker driver, the MXR Talk Box is compact and pedalboard-friendly-you don't have to lug around a separate rig or patch into your amp's speaker output. And with Volume, Tone and Gain controls, you can shape and add texture to your Talk Box voice for maximum impact.

A switchable, combination Optical Wah and Volume pedal. Boost knob allows up to 20dB of boost in Wah mode. Volume mode offers a smooth audio taper gre at for volume swells or straight volume control. Buffer Circuit prevents signal loss and maintains tone. Silent switching prevents any switch “pop” getting to amp.

The Tech 21 SansAmp Para Driver V2 DI supercharges the performance of your acoustic, electric, or bass guitar by imbuing it with a natural tube-like warmth and presence. Whether you run straight into a mixing console or to an amplifier, the Para Driver's sweepable semi-parametric EQ gives you a plethora of tone-shaping possibilities. Also, onboard SansAmp circuitry eliminates the harsh harmonics of your piezo pickups, while the Drive control adds a tasteful edge to your tone. The Tech 21 SansAmp Para Driver V2 DI also gives you Rumble Filter and Air switches, which get rid of boominess and give you silky top-end sparkle.

The Tech 21 Fly Rig 5 v2 offers a complete pedalboard’s worth of stompbox power along with extreme grab-and-go convenience. This killer multi-effects pedal is front-loaded with your choice of Plexi or Cali-style overdrive. Kick your solos into saturation with 12dB of clean boost. Benefit from all-analog amp emulation courtesy of integrated SansAmp technology. Add dimension to your playing with two flavors of reverb. You also get an analog delay with tap tempo, plus an effects loop and a chromatic tuner. The Fly Rig 5 v2 is brimming with features — it can easily take the place of your entire pedalboard.

After decades on the market, Tech 21's SansAmp GT2 is still the desert island pedal of choice for guitarists and bass players around the world. With the GT2's combination of three 3-mode voicing switches, a 2-band EQ, and a massive range of gain, you can conjure up just about any amp tone you can imagine.

Use the MXR Ten Band EQ Pedal for precision control over your guitar or bass tone. Featuring 10 EQ sliders, with carefully selected frequencies and +/-12dB boost/cut range, you can optimize your sound in any room or recording session. Additional Volume and Gain sliders allow you to use the Ten Band EQ Pedal as an extremely tweakable boost pedal.<br> Dual outputs allow you to feed two amplifiers at once. And 18-volt operation ensures you'll have all the headroom you need, even if you're running a chain of pedals into it. Built with rugged aluminum and featuring true bypass switching, the MXR Ten Band EQ Pedal is a fine addition to any pedalboard.

Blackstar – FS 14 5 Button Footcontroller for HTV MkII lets you unlock its full potential and gives you the control of all amplifier channels and voice for sound switching. The Footswitch has 5 buttons that lets you access all the different voices and the independent volume boost and reverb effect. You can turn this into a powerful live performance tool with remote control of all functions.

The FS-12 is a multi-function footcontroller in a compact, low profile, durable aluminium body that allows access to all 36 patches of the ID:CORE 100 / ID:CORE 150.<br> <br>-The large, clear dot matrix display ensures easy visibility for the fully chromatic tuner and current patch details.<br> <br>-Two user-configurable function switches provide control for <br>-Modulation, Delay and Reverb effects on/off <br>-Modulation and Delay tap tempo <br>-Full Looper functionality <br>-Effects Loop on/off <br>-Super Widestereo on/off <br>-Noise Gate on/off<br> <br>The FS-12 includes an extension socket for connection to the FS-13 2-button footcontroller (included with ID:CORE 100 / ID:CORE 150) In this configuration you can add two extra, programmable switches which are configurable via the Blackstar INSIDER software.

Take control of your Blackstar ID:Core Stereo 20 or ID:Core Stereo 40 amplifier with the 2-button Blackstar FS-11 footcontroller. The all-metal FS-11 offers two modes of operation to make your gig and rehearsals run smooth. Mode 1 offers the standard channel switching and effects on and off functions. Mode 2 lets you scroll up and down through your presets so you can quickly get to your next sound. Capture the full functionality of your Blackstar ID:Core Stereo amp with the Blackstar FS-11 Footcontroller!

The Blackstar –LT Boost Compact Pedal is an extremely flexible pedal that can be use into a clean amp as a volume boost or to drive your amplifier into dynamic overdrive. With its patent-applied for gain circuit, you can push your guitar amp into smooth overdrive but with a maximum delivery of dynamics & tone.<br><br>Features:<br>- Bass Control <br>- Treble Control <br>- True Valve-Like Response<br>- Battery Operated <br>- Continuously variable boost <br>- Small form-factor - great for pedalboards Rugged construction<br>- Patent-Applied-For clipping circuit that matches the tone and response of our valve pedals

Exceptionally Musical Vibrato Pedal with 2 Vibrato Types, Easy Controls and Built-In TonePrint Technology<br><br>Vibrato is one of those ‘hard to grasp but oh so important’ parts of guitar playing. Just think where Yngwie Malmsteen, BB King or Stevie Ray Vaughan would be without their unique vibrato. It’s what makes us recognize a guitarist after 2 notes - vibrato is what makes playing come alive. And from a subtle warble to Leslie sounds, SHAKER VIBRATO does what it can to liven things up!<br>- 2 vibrato types<br>-Great controls, including ‘Rise-Time’ <br>- Latch-mode<br><br>SHAKER VIBRATO features 2 different types of settings: a classic true pitch vibrato and ‘latch mode’ where the effect is only active when you press and hold the switch. This allows for subtle vibrato and faux-whammy bar effects without you having to tap dance all night.<br><br>Vibrato is an effect with a wide range of applications, but it can be tough to figure out which those are if you don’t get a range of sounds, voicings and expressions that knock you off your feet - and with SHAKER VIBRATO those surprises are always musical, never unpleasant. Featuring a set of controls and giving you control over the ‘rise-time’ of the effect, SHAKER VIBRATO vibes with your playing instantly.

An endless list of immortal artists have used the flange effect to create musical magic. From The Beatles to Pink Floyd to Van Halen, Metallica and the Red Hot Chili Peppers and beyond – thanks to VORTEX FLANGER, all of those sounds are instantly yours for the rocking!<br>-Classic flange and tape flange modes<br>-Intuitive yet deep control set <br>-Stereo I/O<br><br>The two modes in VORTEX FLANGER are a classic pedal flanger capable of giving you everything from suble chorus tones to classic Van Halen jet flanger swoosh, and tape mode, which gives you the psychedelic sound of the original flange tones of Jimi Hendrix and Led Zeppelin. And it does fantastic ‘through zero’ sounds too!<br><br>VORTEX takes the great pioneers of ’60s and ’70s flange and adds a set of deep controls, allowing you to sculpt and time your flange sounds with great precision. This allows you to quickly dial through the rich history of the legendary flange pioneers, such as Hendrix and Van Halen – or sculpt your own twisted sounds!

Blackstar - LT DualCompact Distortion Pedal is a 2 channel pedal that lets you move from clean to boost to overdrive. While the other channel takes you from super crunch right up to screaming lead. Thanks to the Blackstar Infinite Shape Features (ISF) circuit that gives you infinite adjustment over the characteristics of the tone control so you can play a wide variety of style because of patent-applied for clipping circuit that delivers amazing valve-like tone & compression. The unique switching operation will transform a single channel amp into a three tone machine.<br><br>Features:<br>- Dual Gain Channel <br>- Dual Level Channels <br>- True Valve-like Response <br>- Battery Operated

Blackstar - LT Metal Compact Distortion Pedal is designed for a modern guitarist because of its aggressive high gain tones but sametime, giving you infinite adjustment of the tone control of heavy metal & anywhere in between. It also features the Blackstar patented Infinite Shape Feature(ISF) circuit, & Blackstar patent-applied for clipping circuit that deliver an amazing valve-like tone & compression for a wide variety of playing style.<br><br>Features:<br>- GAIN CONTROL <br>- TONE CONTROL <br>- TRUE VALVE-LIKE RESPONSE <br>- BATTERY OPERATED <br>- ISF CONTROL

The classic 1970's funk box now available in a pocket-sized case. Dynamic picking response produces super-funky wah-like tones. The Doctor Q is an envelope filter that specializes in generating percussive punchy filter sweeps for a rhythmic groove.

Guitarists and keyboardists know that nothing beats a Leslie rotary speaker for smooth, swirling stereo chorus. The Electro-Harmonix Lester-G pedal re-creates the classic Leslie sound in pedal form with two adjustable speeds controlled by a footswitch to move between fast and slow textures without tying up your hands. The Lester-G's drive control adds B-3 guts and grit to your sound, while a balance control, which simulates the balance between a Leslie's horn and bass speaker, helps smooth out your tone. Dynamic players will appreciate the Lester-G's onboard compressor, which helps to smooth out rhythms and leads. True stereo ins/outs and a stage-ready metal chassis make the Lester-G a great option for keyboardists and guitarists wanting to add stereo textures to live work and ear-to-ear effects to recordings.

The Blackstar –LT Boost Compact Pedal is an extremely flexible pedal that can be use into a clean amp as a volume boost or to drive your amplifier into dynamic overdrive. With its patent-applied for gain circuit, you can push your guitar amp into smooth overdrive but with a maximum delivery of dynamics & tone.<br><br>Features:<br>- Bass Control<br>- Trebel Control<br>- True Valve-Like Response<br>- Battery Operated<br>- Continuously variable boost <br>- Small form-factor - great for pedalboards Rugged construction<br>- Patent-Applied-For clipping circuit that matches the tone and response of our valve pedals

The CBM95 Cry Baby Mini Wah gives you all the famed Dunlop tone in a smaller, convenient package. Roughly half the size of the original, this wah is perfect for crowded pedalboards and gigs with little stage room. The legendary Fasel inductor delivers smooth sweeps and classic tone. Internal switching gives you a choice of three voicings - low, vintage, and the more modern GCB95 - so you'll have all the tonal control you'd expect from a full-sized wah. Take it from the Sweetwater crew - if you want a versatile wah that is the perfect size for any rig, then you want the Dunlop CBM95 Cry Baby Mini Wah

The Electro-Harmonix Epitome multi-effects pedal marries the Micro POG (octave), Stereo Electric Mistress (flange/chorus), and Holy Grail Plus (reverb) into a single pedal. Use all three together or separately. Dedicated, straightforward controls eliminate need to scroll through tedious setting menus, giving you the stompbox simplicity you expect from ehx. You can even totally change the Epitome's overall character via the shimmer button, which re-routes the effects signal chain by swapping the Holy Grail reverb with the Electric Mistress and adds an analog delay to the POG.

The Phase 95 combines the Phase 45 and Phase 90 circuits-toggled by the 45/90 switch-in a mini housing, featuring a Script switch to toggle between modern and vintage style phasing.

Armed with Morley’s acclaimed MQ2 inductor, the Mini Classic Switchless Wah delivers classic wah-wah tone with a wide, smooth sweep that sounds good in a broad range of applications. What’s more, it avoids scratchy pots, thanks to Morley's famous electro-optical design. Operating the Mini Classic Switchless Wah is child’s play, thanks to its switch-less design — just step on the treadle to engage and off to bypass. This pedal’s rugged cold-rolled steel housing is built to withstand heavy (ab)use, and its LED indicator and quick-clip battery door are infinitely useful. Beyond that, its True Tone Bypass buffer ensures zero tone loss. Best of all, the Morley Mini Classic Switchless Wah gives you this pro-level performance at an entry-level price!

Limited Edition of Kiko’s version of our mini Switchless Wah. Our world famous Electro-Optical circuitry and switchless design in this cool new mini-format. Simply step on pedal to engage Wah and step off to go to bypass. Equipped with our custom MQ2 Inductor and TrueTone Buffer circuit, the Mini Kiko is set for Kiko’s preferred Wah tone and sweep and decked out in Brazilian colors and graphics.

Single-Button Stompbox for Studio Mastered Vocal Tone<br><br>VOICETONE T1 automatically reacts to your voice and applies studio-quality dynamics and EQ to bring out your most-exciting vocal tone. Now you can put a recorded sheen on your live singing – without the setup and adjustment of complex equipment normally required to achieve “that sound”.<br><br>It’s Just this Simple...<br>-Plug in your mic, plug your pedal into the mixer & set the gain<br>-Turn on the effect<br>-(That’s it)<br>-Of course, you can always change the style or the amount of correction, but you shouldn’t need the manual – unless you’re making a fire!

By allowing infinite adjustment over the characteristics of the HT-DIST guitar pedal's tone control network, the Patented ISF circuit allows you to effectively design your own tone and find the sound in your head. Add to this the dynamics of the high voltage valve design and a no compromise speaker emulated output and this pedal is a classic amongst modern distortions.<br> <br>Genuine valve design <br>Operates at 300V HT <br>Cascaded valve gain stages <br>Responds like a valve amp <br>Unique enhanced tone controls <br>Patented Infinite Shape Feature (ISF) <br>Fully equipped for stage or studio <br>Speaker emulated output <br>High integrity buffered bypass <br>Power supply included Silent switching<br> <br>Features<br> <br>DISTORTION ADJUSTMENT <br>By allowing infinite adjustment over the characteristics of the HT-DIST's tone control network, the patent-applied-for ISF circuit allows you to effectively design your own tone and find the sound in your head.<br> <br>OPERATES AT 300V HT <br>The HT pedal operates on a 300V DC anode supply voltage (High Tension voltage). This is the same used in traditional valve amplifier design and means the circuit has the headroom associated with a true valve design and will 'clean up' accordingly. The pedal will exhibit the compression and distortion characteristics associated with a true valve design.<br> <br>SILENT SWITCHING <br>Many hours of research showed us that only soft switching and a buffered bypass signal will give absolutely silent switching in high gain applications.<br> <br>SPEAKER EMULATED OUTPUT <br>The Blackstar emulated output design is a new benchmark for pro direct recording. This no-compromise design makes it easy to get your tone to disk and tape. You can also use it to run a line out to a PA.<br> <br>ISF CONTROL <br>The ISF control works in conjunction with the Tone control. It allows you to choose the exact tone signature you prefer.

British invasion! Taking its roots from legendary British guitar amps, the English Muff'n recreates their majesty and classic tone with spot-on accuracy. Rather than approximating these amps like "emulator" products, the English Muff'n employs vacuum tubes to produce the richness and natural saturation of Brit-valve sounds. A bloody masterpiece!

Overdrive Pedal with True Bypass Switching, Gain Control, Tone Control, and up to 20dB of Signal Boost<br> Mesa/Boogie made the Grid Slammer overdrive pedal to make sure you've got a commanding guitar tone whenever you need it. The Grid Slammer gives you a wide-range variable gain boost with a midrange bump that really makes your guitar cut through a thick mix. From sweet, warm breakup to sizzling, harmonic-laden overdrive that sings and stings, the Grid Slammer sets the overdrive bar incredibly high. And with up to 20dB of signal boost via the master level control, you'll be able to push your tube amplifier into glorious overdrive too with the Mesa/Boogie Grid Slammer overdrive pedal.<br> <br>Mesa/Boogie Grid Slammer Distortion Pedal at a Glance:<br> <br>Wide-ranging overdrive is a workhorse for your pedalboard <br>Built tough in the USA for rugged reliability<br> <br>Mesa/Boogie Grid Slammer Overdrive Pedal Features:<br> <br>Versatile overdrive pedal with tone control <br>True bypass switching ensures you maintain your tone <br>Master level can add up to 20dB of signal boost <br>Powered by 1 x 9V battery or optional power supply (sold separately) <br>Designed and handbuilt in the USA

Rotary speaker emulation at its finest in a compact, easy-to-use package. Stereo outputs provide a lush, realistic sound with either stereo or mono inputs. Tube-style overdrive is variable and the speaker balance can be fine-tuned. Switch between adjustable Fast and Slow modes to achieve that iconic sound when the big cabinet ramps up to speed and down.

The Distortion+ delivers everything from cool overdriven blues tones to huge '80s hard rock distortion.

Built from the ground up with the best available components, the MXR GT-OD Overdrive pedal creates smooth, warm, and classic overdrive without excess noise or tone coloring. The simple controls make it easy to dial in a great tone quickly-from crunchy rhythm tone with chord clarity-to sparkly and harmonicrich lead tones with tons of sustain.

The Dyna Comp Mini Compressor combines classic tone and modern convenience in a housing that's nearly half the size of the original, featuring an all-new Attack switch to toggle between slow and fast attack times.

The MXR M77 Custom Modified Badass Overdrive Guitar Effects Pedal is a classic overdrive circuit with modern modifications for improved performance and versatility. <br>For added flexibility, there's a 100HZ cut and boost control that allows for a more focused EQ when cut, or a beefier tone when boosted. The Bump switch engages an alternate EQ voicing that boosts the lows and mids. Put it in front of the '78 Custom Badass Distortion for a slew of amp-like gain structures that won't mask your tone.<br><br>Features:<br>-Classic overdrive circuit modded for improved performance and versatility<br>-100HZ cut and boost control allows tonal fine-tuning<br>-BUMP switch engages alternate voicing for a low and mid-range boost<br>-True Bypass

The Ebtech Mark 1 - Mark Tremonti Power Wah Pedal incorporates Morley's world famous Electro-Optical circuitry and switchless design, and a Boost knob that allows a full 20dB of Wah gain to cut through the mix. The Wah tone is the perfect hybrid of a traditional and modern Wah, voiced to Mark's preferred frequency & sweep controls. Clear-Tone buffer circuitry translates your guitar's personality and tone, while maintaining full output. Roadworthy housing is dressed up with Diamond Plate foot-pad for no slip Wah action.

Limited Edition mini version of George’s signature Wah: Electro-Optical Wah with THREE Wah modes: Wah (traditional), Wow (bit of overdrive with unique vowel-like tone) and Wah Lock (allows you to electronically lock the Wah in Wah mode).

A great-sounding volume pedal, a classic-sounding wah pedal, and a whole lot of extra room on your pedalboard. That's what you get with the Morley Mini Power Wah Volume pedal. With all of the classic tone and convenience of the full size version, this mini pedal puts it in a package that allows you to fit more pedals into your rig. And it's equipped with Morley's custom HQ2 inductor, Electro-optical circuitry, and Cold Rolled Steel Housing for rock-solid operation.

Built in the tradition of the legendary BOSS overdrives, the OD-3 OverDrive pedal gives guitarists a greatly expanded range of smooth overdrive tones and improved response while staying true to the original.

Combines two sweet pedals—-the Soul Food transparent overdrive and Nano POG polyphonic octave generator—-in one potent multi-effect. Use them alone or together, put either first in the chain, insert other pedals between them with the FX loop. Also includes a cool Mode switch for a choice of two different octave-up sounds. The versatile Soul POG delivers award-winning overdrive and flawless polyphonic octaves in any combination!

The Two Stroke Boost EQ is our take on the essential ‘clean boost’ pedal, but with even more versatility. Combining an active dual-parametric EQ and up to 12dB of output boost, the Two Stroke is the perfect tool for fine-tuning your sound or pushing your amp’s front end with unsurpassed control. Subtle Two Stroke tweaks can add an extra dimension to solos, whilst more aggressive use of the pedal’s EQ can sculpt entirely new sounds. Use the Two Stroke to add an extra channel to your amplifier or re-voice your guitar’s pickups completely. Crank the high mids to jump through the mix, cut the low end to remove the woolliness that normally occurs with traditional boost pedals, or leave the EQ flat to hear more of what you already like.<br><br>However you set it, thanks to the pedal’s charge pump circuit (which doubles the internal voltage and massively increases the headroom), the Two Stroke works brilliantly placed before or after other pedals, or even in your effects loop. It’s also suitable for bass and acoustic guitars as a practical tool to remove unwanted ‘honk’ or feedback, making this pedal a valuable addition to any musician’s setup. If you’ve flirted with EQ pedals before but been immediately put off by excessive noise and underwhelming results, the awesome Two Stroke Boost EQ may just change your mind.<br><br>

Born to obey the demanding boots of no other than guitar god Steve Vai – a guitar virtuoso and a true tone aficionado. This second version of the Bad Horsie adds a second Wah mode (Contour Wah). In contour Wah mode, two knobs, Contour and Level allow you to tweak the loudness and frequency of the Wah. You can switch between the Contour and Bad Horsie modes easily on the fly with a footswitch. A Bad Horsie and then some.

Single-Button Stompbox for Dramatic Megaphone and Distortion Vocal Effects<br><br>VOICETONE X1 brings a modern “down ‘n’ dirty” quality to live vocals with crackling megaphones and amplified vocal distortion effects. Punctuate a word, phrase or an entire song with these sounds. The Drive and Filter controls can be set to suit your voice and the song. Kick it on, kick it off – you’re in control!<br><br>It’s Just this Simple...<br>-Plug in your mic, plug your pedal into the mixer & set the gain<br>- Turn on the effect<br>-(That’s it)<br>-Of course, you can always change the style or the amount of correction, but you shouldn’t need the manual – unless you’re making a fire!

Digital Delay Pedal with Up to 2 Seconds of Delay, Analog-style Decay, Blend, Delay Time, and Feedback Controls, and Heavy-duty Housing<br> The #1 Echo is part of the Electro-Harmonix line of Micro (xo) guitar effect pedals, with a small die-cast housing. But don't let the size deceive you - it produces some of the finest digital echo available, with a full two seconds(!) of maximum delay time. Echo/delay effect is controlled by feedback and delay time knobs. A blend control lets you adjust the amount of delay in your signal to make sure the Micro #1 sits exactly where you want it in any track or performance.<br> <br>A rugged footswitch selects whether the #1 Echo pedal is engaged or bypassed, indicated by an LED. When in Bypass mode, the output jack is connected to the input jack through a buffer. It's equipped with standard 1/4" instrument I/O jacks. The barrel connector is for a 9-volt battery eliminator capable of delivering 100 mA of current. The inner ring of the 9-volt battery eliminator must be negative, the outer ring positive. The unit's battery may be left in or taken out when the eliminator is in use.<br> <br>FEATURES<br> <br>Up to two seconds of delay <br>Blend control <br>Delay Time control <br>Feedback control <br>On/off footswitch <br>LED indicator <br>1/4" input and output jacks <br>Buffer bypass

With a Morley ABY MIX, you can combine, split, rout, and A/B your guitars signal, adding amazing depth and dimension to your sound. Plug in two guitars and run them to the same amp, or plug two guitars into the ABY MIX and run both to a pair of amps. Toggle each output individually, and use the ABY MIX as a fully discrete effects loop selector, running your distortion on one output path and your time-based effects on the other. Thanks to its separate input volume controls, you can also use your ABY MIX as a summing mixer.

Got the digital blues? Coat your guitar in warm, organic tone. The new Analogizer thaws out digitally processed guitar, and gives you that analog sound and feel. Boost your solos with up to 26dB of gain. Fatten your sound. The Analogizer is perfect for warming up the harshness of your digitally processed guitar or for thickening up your already warm sound.

The HT-DUAL guitar pedal offers the ultimate in high voltage valve distortion flexibility. Channel 1 has Clean or Crunch modes and can be used clean, as a boost or overdrive. Channel 2 gives distortion tones from super crunch right up to screaming lead. The unique switching operation will transform a single channel vintage amp into a three channel tone machine.<br> <br>Genuine valve design <br>Operates at 300V HT <br>Cascaded valve gain stages <br>Responds like a valve amp <br>2 channel operation <br>Clean, Crunch & Lead modes <br>Unique switching operation <br>Unique enhanced tone controls <br>Patented Infinite Shape Feature (ISF) <br>Fully equipped for stage or studio <br>Speaker emulated output <br>High integrity buffered bypass <br>Power supply included Silent switching<br> <br>Features<br> <br>DUAL CHANNELS <br>The HT-DUAL features two switchable channels for flexability. Channel 1 has either Clean or Crunch modes so it can be used clean, as a boost or overdrive. Channel 2 gives distortion tones from super crunch right up to screaming lead. The unique switching operation will transform a single channel vintage amp into a three channel tone machine.<br> <br>ISF CONTROL <br>The ISF control works in conjunction with the Tone control. It allows you to choose the exact tone signature you prefer. Fully CCW is a more American characteristic with a tight bottom end and more aggressive middle, and fully CW is a British characteristic which is more ‘woody’ and less aggressive.<br> <br>OPERATES AT 300V HT <br>The HT pedal operates on a 300V DC anode supply voltage (High Tension voltage). This is the same used in traditional valve amplifier design and means the circuit has the headroom associated with a true valve design and will 'clean up' accordingly. The pedal will exhibit the compression and distortion characteristics associated with a true valve design.<br>

Dual tube magic! Using the same professional-grade techniques as the most revered, vintage, high-end studio compressors, the Black Finger delivers truly professional performance compression. Unlike other "tube hyped" products on the market, which use 9 to 50 volts, the Black Finger's toroidal transformer allows for a full 300 volts of swing, preserving the attack while providing the warmest compression imaginable. Fantastic sustain, and a must for any amplified acoustic guitar.

The BOSS CH1 Super Chorus enables brilliant, clear sounds thanks to its EQ controller, but other, softer settings are of course possible. The effects unit sounds highly convincing in mono, but plug in a second amp to Output B and the sun will truly rise. A truly broad stereo sound, shimmering in the treble, makes most clean sounds (among others) much more effective.

Guitar gods have used the cocked wah sound to create monster riffs that have earned a permanent place in the rock lexicon. That required finding the sweet spot in their wah pedal’s sweep. The Cock Fight lets you achieve that cool cocked wah sound without the wah pedal. Tune in the tone you want. Add the built-in distortion for more grind and growl, or switch to the Talking Wah mode for a stuck voice-box sound. If you plug in an expression pedal, you can sweep the Cock Fight for jaw dropping wah and the tone you want.

Add an MXR Custom Shop Script Phase 90 to your pedalboard and instantly transport your tone back to the early days of rock, when shimmering chords and warbling leads were giving creative guitarists the fuel they needed to redefine modern music. True to the specs of the original Phase 90 model that MXR made up until the late '70s, the Script Phase 90 gives you both the expansive headroom and exceptional clarity that made this such a popular effect, plus the warmth and smoothness those old circuit designs were known for. Top it off with an original orange paint job and script logo, and the only way you can tell the original apart from the reissue MXR Custom Shop Script Phase 90 is the handy status LED.<br><br>

Our flagship overdrive/distortion covers vast tonal real estate and redefines versatility. Like a database of great tone, the EHX TORTION’s full complement of features and controls make dialing in inspired guitar sound intuitive. Whatever the era, from vintage to modern, your search for the ultimate tone has ended.

This pedal features both Script and Block style phasing with graphics inspired by Eddie Van Halen's legendary Frankenstein guitar.<br><br>The EVH 90 will give you the same great spacey swirls and hypnotic warbles that made the Phase 90 famous. But the EVH 90 also features the all-new Script switch that lets you instantly toggle between a vintage, Script Logo phase tone and a more modern, in-your-face Block Logo phaser.

A wired remote control for the 22500 Dual Stereo Looper that gives you foot control over paging up and down thru the pedal’s Loop Banks. The 22500 records and plays in up to 100 Loop Bank. The Foot Controller makes it easy to navigate thru the 22500’s 100 Loop Banks, moving up or down by either one or ten banks at a time.

Foot Controller and Live Expansion Module for the ehx 45000 Looper It makes everything faster and easier by delivering hands free operation of key functions. Choose a new track or loop without missing a beat. Get instant access to up to 100 loops per SDHC card. The Foot Controller receives power from the 45000 and connects to it with a standard mono guitar cable. It’s a must have!

Legendary Boogie® Five-Band Graphic EQ is now available in a Pedal! For well over four decades the Boogie Five-Band Graphic EQ has been at the heart of chart topping guitar sounds and it’s hard to ignore the impact its now-classic “V-Curve” has had on modern guitar sounds and popular music. Now we offer this powerful tool in a stand-alone pedal format that packs the same tone-shaping power and hand-built in Petaluma, CA quality as those found in our high-end amplifiers.

Overdrive Pedal with Dual Modes, 5-band Graphic EQ, True Bypass Switching, Gain Control, Bass/Treble EQ Controls, and Hi Mode Trim The FLUX-FIVE™ adds our classic Five Band Graphic EQ and footswitchable HI/LO performance Modes, featuring separate OUTPUT LEVEL controls to the already versatile FLUX-DRIVE™ package for increased tone shaping power and enhanced stylistic versatility.<br> <br>The reception for the FLUX-DRIVE’s fat, smooth, expressive gain has been outstanding among Artists and players alike. With critical praise from around the globe, it was an obvious recipient for the enhanced power of our Five-Band EQ. The FLUX-FIVE overdrive is a supercharged version of our popular FLUX-DRIVE that features a “shrunk-to-size” version of our classic Boogie&ref; Five-Band Graphic EQ and new added versatility thanks to footswitchable HI/LO performance Modes. The LO Gain Mode is the original FLUX-DRIVE in every way and now, on this wider platform, a new higher gain version of this soulful sound appears in the HI Mode. The Graphic EQ allows the popular “V-Curve” EQ setting to be applied to its layers of thick gain - creating a huge, wide Heavy Rock or Metal sound that still retains the FLUX’s warm character. The original TREBLE and BASS rotary EQ controls can be used to dial in global enhancements and the combination of the two EQ styles produces signature sounds for any genre.<br> <br>The Graphic EQ can be applied to both HI and LO Gain Modes enabling you to have a global EQ curve or apply it to either gain Mode separately to have two “preset” sounds with different EQ shapes and gain signatures to switch between. A HI TRIM pot allows the volume level of HI to be adjusted in relation to the original LO (FLUX-DRIVE) Mode. However you choose to utilize all this potential, the warm rich FLUX-FIVE overdrive is sure to inspire you and bring out your best.

The TONE-BURST™ Boost/Overdrive offers a virtually transparent gain range usually associated with “clean” boost pedals. However, the TONE-BURST has enough gain to boost your guitar to the threshold of clip and slightly beyond, making it far more useful for a variety of applications. It’s incredibly powerful for adding boost, drive and/or EQ to any guitar and amp combination. Whether using it as a utility to boost the output of single coils to match a humbucker or as a subtle overdrive when a standard overdrive may be too much, the TONE-BURST is an incredibly useful and expressive pedal that makes the best things sound even better!<br> <br>Product Features<br> <br>-Designed and Handcrafted in Petaluma, California, USA <br>-True Bypass On/Off Switching - Bypasses all circuitry when off to ensure no tonal loss <br>-Gain Control allows you to dial in the perfect amount of boost or mild overdrive <br>-Master Level Control provides a variable range of signal boost up to +20dB <br>-Bass & Treble Controls provide +/- 12dB of EQ boost or cut for exceptional tone shaping <br>-On/Off Status LED <br>-9V Battery Powered Externally Powered (optional) via External Power Jack Input <br>-Input & Output Jacks (Nominal Input -20dB

This Cry Baby Wah is equipped with a Fasel® Inductor, a vintage voice, and true bypass switching.<br><br>The Cry Baby Classic Wah is a modern take on a classic sound. Dunlop's engineers re-tuned the Cry Baby Standard Wah circuit to have a lower frequency center and a more subtle effect while adding the legendary Fasel® Inductor to create the gorgeous tone, voice, and sweep of early Cry Baby pedals. For tonal purists, the Cry Baby Classic Wah also features true bypass switching.

The Ebtech GLW2 George Lynch Dragon 2 Wah Pedal is ideal for guitar, bass and keyboards. The GLW2 features three Wah modes: Wah (traditional), Wow (bit of overdrive with unique vowel-like tone) and Wah Lock (allows user to electronically lock the Wah in Wah mode). A Notch knob lets musicians dial the desired Wah frequency. The pedal features a ninja-red and black trim finish, and graphic treadle rubber.

The Good Vibes recaptures the iconic chorus/vibrato effect of the 1960s in an updated pedal with features designed to meet the needs of the modern player. Like the original Uni-Vibe®, it uses photocells to create chorus and vibrato with a warm, undulating, liquid groove for a sound and response that’s true to the classic design. Boosted power rails provide 21st century definition and headroom, and an expression pedal input puts free-form control for speed or intensity at your feet. True bypass, too. Very groovy!

The Holy Grail Max shares the Holy Grail’s remarkable Spring and Hall reverbs. Then we added a Plate reverb, with its wonderfully lush tone, and Reverse reverb for the sonically adventurous. The Max’s multi-function control lets you adjust decay or reverse time. With the Holy Grail Max your quest for the perfect, portable reverb pedal is answered.

The first multi-effect pedal from Electro-Harmonix! Righteous possibilities emerge when you combine a kaleidoscope of effects: Reverbs, Pitch Shifting, Tremolo, pure analog drive and fuzz. The brilliance of the Stain lies in the dynamic interaction of its controls. Invent brilliant tonal combinations.

We’ve got your back, or rather, you’ve got your back! Vocal looping has never been simpler; with one stomp you are now your own back-up vocalist. Creating multiple, overdubbed loops for vocal harmonies or rhythmic counterpoint is just a foot stomp away.<br><br> The DigiTech® JamMan® Vocal XT is a compact looper designed specifically for vocalists. It is easy to use, yet versatile enough to add the “wow factor” to your vocal performances. 10 minutes of looping time, Silent Clear™, JamSync™, XLR Input/Output, a Built-in dbx® Mic Preamp, and +48V Phantom Power, the JamMan Vocal XT extends our JamMan Looper family to vocalists!<br><br> JamSync automatically synchronizes the JamMan Vocal XT to another Vocal XT, JamMan Express XT, or JamMan Solo XT. This revolutionary feature allows you to create independent, yet perfectly synchronized loops. Using JamSync you can build a custom multi-track looper or build loops within your band.<br><br> The JamMan Vocal XT’s Silent Clear feature allows you to clear a recorded phrase without requiring you to play it first, an annoyance typical with some other loopers.<br> Connect your favorite mic to the JamMan Vocal XT with its built-in studio quality mic preamp and you’ll instantly notice its pristine sound. Your original vocal and the repeated loops will be crystal clear and you’ll be able to creatively express yourself in new, jaw-dropping ways!

With the Kongpressor pedal, Orange is utilizing optical compression to deliver superior tone, sustain, and sheen. You'll find that the controls for attack and release sound great all the way through their range. The volume control determines the pedal's output, and you'll be able to hear the detail in your tone, thanks to an onboard active chime circuit that adds and removes top-end sparkle. The Kongpressor is no one-trick pony. It is just as happy in front of a gained-up amp, nailing chicken pickin' tones, or simply smoothing out your performance.<br><br>Orange has been an iconic rock 'n' roll brand since the dawn of distorted electric guitar. Their high-powered bass and guitar amp heads have powered the backlines of everyone from Black Sabbath to the Eagles of Death Metal. The company also helped kick off the lunchbox amp revolution with their famous Tiny Terror amp line. The Kongpressor is an addition to the company's recent line of high-quality effects pedals that are taking the industry by storm. If you're looking to pick up some legendary British tone, this is the right one for you.<br><br>Orange Kongpressor Compressor Pedal Features:<br>-Optical compressor pedal with a versatile set of controls<br>-Attack and release controls optimize the pedal's bloom<br>-Active chime control adds and removes top-end sparkle<br>-Up to 12dB of clean gain available for boosting the front of your amp<br>-Internal charge pump doubles the operating voltage for more headroom<br>-Clear and true-sounding buffered bypass

Ultimate riff power is yours with the Fullbore Metal Distortion pedal from MXR. This compact but powerful device is all you need to unleash the most devastating contemporary metal guitar tones ever heard. The Fullbore Metal turbo-charges your guitar signal with lethal amounts of ultra high gain. This is combined with a built-in Noise Gate to knock out the noise associated with extreme gain levels while also adding definition and tightness to syncopated metal riffs.

The Analog Chorus creates classically lush, liquid textures with Rate, Level, Depth, High, and Low controls for superior control over your sound.<br><br>THE LONG STORY.<br> The Analog Chorus uses bucket-brigade circuitry to create classically lush, liquid textures that you just can't get with digital circuitry. Rate, Level, and Depth controls, as well as knobs for cutting High and Low frequencies allow ultimate tone control. Like all MXR pedals, the Analog Chorus comes in a heavy-duty housing with durable jacks and switches for a lifetime on the road.

The MXR DC Brick power supply is the perfect way to power your midsize guitar or bass pedalboard. The simple and compact DC Brick power supply provides enough power for 10 of your favorite stompboxes, without hogging your pedalboard. Eight 9V outputs and two additional 18V outs provides clean power to each of your pedals, without the sag and starvation you get with a budget system. There are even LEDs onboard the DC Brick, which warn you in there's a short on the line. And since it comes with all essential cabling, there are no unexpected surprises when you pick up an MXR DC Brick from Sweetwater.

Intended for use with electric guitars, basses, and keyboards, the M2VO Passive Volume Pedal from Morley is a volume pedal requiring no power to run whatsoever. Its smooth taper and volume-controlling monofilament cable will allow you to effect fluid swells, gradual fades, or conversely, immediate changes in level.

The Reverb delivers six distinct exquisitely crafted reverb styles, a hi-fi analog dry path with a massive 20 volts of headroom, and numerous other features to tailor your reverb sound.

Designed by the award-winning MXR Custom Badass team, the Super Badass Distortion puts decades of 100% analog distortion at your feet.

The Guitar God’s legendary, signature Wah now available in a convenient size. Decorated with Vai’s original artwork this beauty not only saves valuable space on your board, but also brightens it up. This eye candy wonder Wah is limited to 500 pieces worldwide.<br>-Engineered to save space on your board; 6.85″ x 4.5″ x 2.5″ (L x W x H)<br>-Switchless operation; Simply step on the treadle to engage the Wah and step off to bypass.<br>-Our world famous Electro-Optical design. No pots to wear out!Our world famous Electro-Optical design. No pots to wear out!<br>-True Tone Bypass buffer circuit ensures pure guitar tone and output.<br>-Glow-in-the-dark treadle rubber and Morley logo.<br>-Powered by one 9-volt battery or optional Morley 9V adapter. Compatible with most 9V adapters.<br>-Works with Guitar, Bass or Keys!

Classic Wah sound sharing a space with dedicated Volume control. Our custom MQ2 inductor ensures a super clean tone and the electro-optical design has eliminated the need for having pots that may wear out and get scratchy. Duality at its absolute finest!

Equipped with 11 Amp Models and 20 Studio Quality Effects, up to 8 effects can be used at once for unimagined tonal possibilities. The RP55 is the easiest RP product to use; just simply dial up your choice of amps and preset effects settings with no deep parameter settings. All settings come from our year's of experience with the pros. We've just made professional tone easy.The RP55 uses our AudioDNA™ DSP chip to produce effects and amps that studio-class. Add 24-bit A/D/A conversion so that no frequency response is lost between inputs and outputs. Also included is a drum machine with 30 patterns and an easy-to-use 13-LED chromatic tuner.

The Signal Pad is a passive attenuator that allows you to instantly switch to a different preset volume. It's like your guitar's volume knob, with a fully-passive and color-free circuit. Leave your amp's volume set high for overdrive, and use the Signal Pad to lower your level for a clean sound -- then switch it off to kick in your amp's natural overdrive. You can also experiment with the Signal Pad anywhere in your effects chain -- you'll bring out new tonal combinations from your favorite old pedals.

The EHX Volume Pedal is part of our innovative Next Step Effects series. It does not use a potentiometer, optics or magnetism to sweep the volume control. It delivers accurate and very expressive control over the volume of an instrument.

All-tube time machine allows you to go back to the 1960's with The Wiggler's recreation of the most sought-after modulation effects that until now were only found in classic amps. Clear and defined amplitude modulation and vibrato with the vacuum tube warmth that older generations once took for granted. CAUTION: Your friend who shelled out big bucks for a Leslie cabinet will no longer speak to you... don't say we didn't warn you.

Building on EHX’s looper legacy, the 45000 combines the familiar controls of a multi-track digital recorder with state-of-the-art features making it possible to create complex multi-track loops quickly and easily. Each loop has four mono tracks and one stereo mixdown track. The 45000 records non-compressed, 44.1 kHz / 16-bit CD quality audio direct to a removable SDHC card (4 to 32GB). Each card holds up to 100 individual loops accessed with the optional 45000 Foot Controller (sold separately). Loop speed is adjustable over a two octave range, and reverse recording and playback are also possible. For extra convenience, a built-in metronome to a separate Monitor Out and a Headphone Out are also included.

The Switch-Track™ enables an either-or-both, ABY scenario for your two favorite amplifiers. Select between two different amplifiers, two identical amps for more Channels and sonic options or combine them for a bigger, fuller sound, or a specific blended character.<br>The INPUT is buffered to prevent signal loss due to increased loading when both amplifiers are engaged. Both OUTPUTS are transformer isolated for consistent tone and provide unbalanced or balanced signals for longer than normal cable runs. The “B” OUTPUT’s Ground is default-lifted to eliminate Ground loops. <br>The switching (including phase) can be triggered at the unit itself for Pedal-Board mounted applications or remote controlled via Midi Program Change (or Control Change) commands sent from a Midi Controller in scenarios that require the ABY be located at the amplifiers or in a larger Touring Rack setup.<br>Other valuable features include an “always on” low impedance TUNER OUT jack, a GROUND LIFT switch for isolating the A Output (B is always isolated), a PHASE invert switch (which is also MIDI controllable) for the “B” Output’s Phase relation to the “A” Output, MIDI IN and THRU DIN jacks and a Midi Preset (Program) STORE button. Two on-board Footswitch Buttons offer A/B and A+B/MUTE.

Use Your Cab and FX with 2 Amp Heads<br>With the Mesa/Boogie Head-Track, you can toggle between two amplifiers while using the same cabinet. Beyond that, a shared effects loop allows you to route effects to each amplifier's loop and switch it to the amp in use. The Head-Track is a breeze to set up — you simply place it near your amp to safeguard your signal's integrity, while controlling its switching via MIDI or a latching footswitch on your pedalboard. You can also switch between amps using the Head-Track's built-in footswitch. Ideal for live, studio, and A/B comparisons alike, the Head-Track is also an easy way to route your entire signal chain to a backup amplifier.<br><br>Mesa/Boogie — tone, versatility, and performance<br>For decades, Mesa/Boogie amps have set the standard for what a great-sounding tube amplifier should be. Renowned for their combination of pure tube tone, versatility, and player-friendly performance, these amps are found on stages and in studios everywhere, and for good reason — the best choose the best. We're very proud to offer a full range of Mesa/Boogie products, from compact and studio-friendly tube combos all the way up to arena-shaking high-wattage heads and cabinets.<br><br>Mesa/Boogie Head-Track Guitar Amp Head/Effects Loop Switcher Features:<br>Guitar amp head/effects loop switcher<br>Instantly toggle between two amplifiers while using the same cab<br>Shared effects loop allows you to route effects to each amplifier's loop and switch it to the amp in use<br>Control switching via built-in footswitch, MIDI, or a latching footswitch on your pedalboard<br>An internal load resister protects the amp not in use<br>Ideal for live, studio, A/B comparisons, and routing your signal chain to a backup amplifier

The Boss AW-3 Dynamic Wah Pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new "humanizer" effect that can simulate human vowel sounds. The Boss AW-3's bass input even provides a variety of funky wah sounds for bass guitar.

The HT-METAL valve distortion pedal is a no-compromise, two channel, ultra high gain, filth machine. Powered by true 300V high-voltage valve circuitry, this pedal offers cascaded tube gain stages and authentic tube amp response. Each ultra-high gain channel offers its own gain and volume controls. Channel 1 is equipped with a Clean/Overdrive switch. The three-band EQ includes Blackstar's patented ISF (Infinite Shape Feature) control, which re-voices the entire tone stack from British Heavy Metal to US High Gain. No compromises, no excuses, no apologies - stay Metal!<br> <br>Genuine valve design <br>Operates at 300V HT <br>Cascaded valve gain stages <br>Extreme Gain and Tone <br>Responds like a valve amp <br>2 channel operation <br>Clean, Overdrive and Super High Gain Lead modes <br>Unique switching operation <br>Unique enhanced tone controls <br>Patented Infinite Shape Feature (ISF) <br>Fully equipped for stage or studio <br>Speaker emulated output <br>High integrity buffered bypass <br>Power supply included Silent switching<br> <br>Features<br> <br>OVERDRIVE AND SUPER GAIN <br>The HT Metal takes gain to the next level. Powered by true 300V high-voltage vacuum tube circuitry this pedal offers cascaded tube gain stages and authentic tube amp response. Two channels and three modes provide extreme versatility. Each ultra-high gain channel offers its own gain and volume controls. Additionally, Channel 1 is equipped with a Clean/Overdrive switch. The three-band EQ (Bass, Middle, Treble) is tied to the patented ISF (Infinite Shape Feature), which re-voices the entire tone stack for an expansive tonal range.<br> <br>ISF CONTROL <br>The ISF control works in conjunction with the Tone control. It allows you to choose the exact tone signature you prefer. Fully CCW is a more American characteristic with a tight bottom end and more aggressive middle, and fully CW is a British characteristic which is more ‘woody’ and less aggressive.<br>

Synth-style filter modulation may not be for everybody, but if you enjoy funky filter sweeps or simply want to explore new avenues to enhance your guitar effects, then you're going to love the Electro-Harmonix Blurst modulated filter pedal. The Blurst follows the tried-and-true modulated filter formula used by countless synthesizers: you start with a variable resonant filter — usually a lowpass filter like the one featured in this pedal — and then modulate the filter cutoff point with an LFO (low-frequency oscillator). The results can be exceptionally stunning, especially when you combine the Blurst with other effects.

Ultra-Compact Acoustic Guitar Pedal for Acoustic Pickup Enhancement with Studio-Quality Tone and Feedback Suppression<br><br>BODYREZ is the new must-have tool for every acoustic player out there. Designed to restore the natural acoustic resonance of your instrument when using under-saddle pickups, BODYREZ gives you a more pristine sound simply with the turn of a single knob. Getting great acoustic tone couldn’t possibly be easier, with harmonic bliss now just a stomp away.<br>-Studio-Quality Acoustic Guitar Tone<br>- Built-In Feedback Suppression<br>-Restores Natural Playing Feel<br><br>There’s nothing more captivating than the natural rich and crisp sound of an acoustic guitar. Sadly, most acoustic pickups take that full 3-dimensional sound and make it flatter and more uninviting than a burned pancake. This is where BODYREZ comes in. With BODYREZ it’s like having your own personal pro audio engineer along with you at all times, making sure that you sound your best all while eliminating potential feedback traps. Once you plug this pedal in, you’re going to wonder how you ever lived without it!<br><br>Even though BODYREZ emanates simplicity with its one dial design, there are tons of cool things going on underneath the hood. BODYREZ applies a vast amount of pre-configured filters combined with subtle quick compression in order to bring your amplified acoustic tone back to life. All of these factors have been painstakingly measured and meticulously selected to help bring out all that’s good about your instrument. So all you have to do is turn it on and start wowing the crowd.

The classic analog Flanger. An array of critically notched and tuned filters gracefully sweep the sound spectrum, creating shimmering, ethereal passages that are truly out of this world. Exclusive Filter Matrix mode disengages the automatic sweep, allowing manual positioning of the filter bank to achieve chime-like metallic tones and other unique effects.

Easy to Use Two-Button Looper Pedal for Vocals and Acoustic Instruments<br><br>Go from idea to performance in an instant, with ease. One knob, two buttons – it couldn’t be simpler! With its superior audio quality, unlimited overdubs and Undo/Redo, Ditto Mic Looper is the essential choice for looping vocals and instruments.<br>Top single artist Daniel Bedingfield and emerging singer Butterscotch share their first creations with Ditto Mic Looper...<br><br>Using Ditto Mic Looper is exactly like plugging a mic directly into the PA – you only need to set input gain once, at the mixer. No more trial-and-error to find the optimal balance between input gain on your effects unit and the mixing desk.<br><br>It's This Simple<br>-Press LOOP to record. Press again to play the loop. Repeat for endless overdubs. Hold to undo/redo latest overdub.<br>-Press STOP to stop all loops, press again to restart play from the beginning – or hold it for a quick, noiseless erase.

Classic dual overdrive. The original 1969 plug-in Muff Fuzz had just a touch of overdrive and sounded like a vintage amp with a slightly torn speaker. We paired two of these together in one box to create the Double Muff. Use just one Muff for a hint of milky distortion, or cascade the second Muff for over-the-top overdrive that turns the milk into cream. Two distortions in one! Now in a compact, rugged Nano-sized package.

The DS-1X launches the famous BOSS distortion into a modern era of expression, delivering an unmatched level of performance for guitarists with an ear for tone. This next-generation stomp combines over 35 years of innovation in pedal design with the most advanced technologies, bringing you a completely new tonal experience that’s only possible with the legendary expertise of BOSS. Prepare to be amazed—the inspiring and ultra-responsive DS-1X will change your thinking about distortion pedals forever.The DS-1X completely redefines the distortion stomp, kicking it into a new universe of dynamic response and clarity. Powered by BOSS’ MDP technology, this amazing pedal delivers distortion that sounds perfect no matter where you play on the neck, even at the highest gain settings. You’ll enjoy tight response on the low strings and fat, singing tones on the highest notes, plus exceptional definition when playing two or more notes at a time. At every setting, the sound is never muddy or boomy, while the smooth, natural presence ensures that you always cut through without harshness or nasal overtones. With the DS-1X, your distortion tone feels and sounds “dialed in” the instant you turn it on, providing a rich, satisfying playing experience that’s both effortless and inspiring.

The EVH Flanger features an Unchained switch for instant EVH tone and comes fittingly adorned with Eddie's famous striped graphics.<br><br>MXR Flanger that powered the timeless Van Halen tunes Unchained and And The Cradle Will Rock. Now you can grab a piece of that world-class tone with the MXR EVH117 Flanger.EVH Switch, which instantly calls up Eddie's Unchained sound with the exact same Manual, Width, Speed and Regeneration settings that he used to get one of the greatest guitar tones of all time.

The EVH 5150 III is a brute. Don't let its size fool you; this amp barks with the big dogs. With seven 12AX7s in its wheelhouse and two 6L6s in the engine room, the 5150 III punches above its weight with arena-filling volume and and copious tonal attitude. You get three channels, along with comprehensive tone-sculpting control. Dial up chimey cleans for rhythm work, hit the included footswitch to call up tasty crunch, then hit it again for face-melting lead tones.

Based on EVH's own "Holy Grail" wah pedal, this Cry Baby Wah features a custom inductor, pot, and an extra wide frequency sweep.<br><br>The EVH Wah was developed after intensive design collaboration with the legendary guitarist, Eddie Van Halen. Early on in the process, Eddie handed over his Holy Grail Cry Baby Wah-a standard Cry Baby customized in the early Nineties with a more vocal-like, High Q inductor and a wider frequency sweep.

The EHX Expression Pedal is part of our innovative Next Step Effects series. It does not use a potentiometer, optics or magnetism to sweep expression-enabled controls. The result is a responsive expression pedal that provides precise control over your expression or control- voltage capable effects and instruments.

Mesa Boogie Acoustic DI-Preamp DI Box with preamp for acoustic guitars, control phase switch, level control, boost footswitch with variavle thomann boost level control, variable notch-filter (40Hz to 500Hz), Vvriable hi-Pass filter (40Hz to 200Hz), activer 4-Band (+/- 12dB bass, low-Mid, high-Mid & treble) with switchable low-mids (150Hz-1800Hz) & high-mids (300Hz-5000Hz) frequency controls; separate preamp output level control, tuner out, FX loop, balanced XLR DI with level control and thomann pre/post & ground lift switch, line level preamp out, battery or 9v power supply(not included),

The Mesa/Boogie Flux-Drive overdrive pedal delivers liquid gain and juiced sustain with rich harmonic overtones. This pedal is downright inspiring to play, and ideal for enhancing your amp's crunch or high-gain channel. The Flux-Drive overdrive also sports a comprehensive tone-shaping network, with individual Treble and Bass controls that give you a world of sounds to explore - giving you versatility that far outranks most overdrive pedals. So push your amp hard the right way, with the Mesa/Boogie Flux-Drive overdrive pedal.

Capture a frozen moment and turn it into a tonally unique sonic foundation. The Freeze Sound Retainer delivers infinite sustain of any note or chord at the press of a momentary footswitch. Release the footswitch and you are again sample ready. Three selectable decay rates, including a latch mode, guarantee liquid, smooth tonal transitions. Hook the Freeze up with your favorite pedals for a sonic collage that will be unlike anything you have ever heard. It’s like adding an extra musician to the band.

This is the original Dunlop Cry Baby wah pedal. It's the one that's joined legions of legendary guitarists onstage since the dawn of rock... from Hendrix to Clapton and far, far beyond. Mount this one on your pedalboard and you'll never regret the decision: this is the one and only wah you need to conjure up classic tones or dive in a new direction of your own. Featuring a heavy-duty die-cast construction for years of stomping, rocking, and tear-shedding (and sometimes shredding) the Dunlop Cry Baby wah pedal is a pedalboard classic.

With the price of vintage HOT TUBES soaring, countless guitarists have requested that we re-issue our 1970s CMOS HOT TUBES. We’ve done this using the exact same design and miniaturized it, too! Volume and Overdrive let you go from a gentle rasp that caresses your notes to a full-blown gain monster with a powerhouse punch. Sculpt your sound with the Tone control, or take a detour around the tone circuit with the Tone On/Off switch. True bypass for a pristine signal chain.

This pedal is crafted to deliver the same dynamic tonal sweep of the original Italian-made Thomas Organ wah Jimi Hendrix used, now with half the footprint of a standard wah pedal. <br><br>The wah-wah pedal was just invented when Jimi Hendrix burst on the scene in 1967, but he quickly came to rely on his wah to deliver a stunning array of tones. And to this day, few players' names are more synonymous with killer wah leads and wicked, wah-driven syncopated rhythms.

The JP95 John Petrucci Signature Cry Baby Wah is the result of the legendary prog metal shredder’s years-long quest to hone his perfect wah tone. For years, John used the Cry Baby Rack Wah system to tweak and fine-tune its numerous parameters until he found the sound that perfectly represents all the expression and intensity he needs. Recently, he and Dream Theater engineer Richard Chycki worked with the Cry Baby design team to replicate and further fine-tune that sound with a single pedal. This is a wah that, as John puts it, “sounds huge and badass like an angry, screaming monster with the ultimate expressive range—it‘s perfect for shaping single notes or manipulating growling, heavy chords.

The Knockout is a powerful two-filter combination that can make your Les Paul sound like a Strat and your Strat sound like a Tele. Its secret...the Knockout has a 7 pole filter for sculpting the low end of your mids and a 6 pole filter to shape the top end of the mids. This provides incredible tone shaping. Use after distortion to bring out the heavy weight punch of the metal masters. The Knockout is also truly amazing on Bass.

Get the sonic secret sauce of the Echoplex Preamp with the legendary boosting power of the MXR Micro Amp in a lightweight, space-saving mini housing.

The MXR Sugar Drive provides a diverse range of clear and transparent overdrive tones, from sauced up boosting to blown-tube distortion. It’s based on a rare overdrive pedal that has acquired a mythical reputation among fanatical tone-seekers thanks to its unique circuit design.

The Carbon Copy Mini Analog Delay packs organic analog warmth, shimmery modulation, and ease of use into an MXR mini housing with a Bright switch for additional sonic versatility so that you can make the most out of your pedalboard real estate.

The MXR Uni-Vibe Chorus/Vibrato delivers classic textures and tones with a smaller footprint, a simple three-knob interface, and true bypass switching.

The MD-2 Mega distortion takes the bottom-heavy distortion sounds heard in today's new-school metal and pushes it to the extreme. The secret is a special dual-stage distortion circuit with an added gain boost-plus new Bottom and Tone controls--for crushing distortion with massive low end. Take your distortion into the future with the MD-2.Produces extreme, low-end distortion for modern metal and hard rock Gain Boost circuit creates huge distortion and sustain regardless of level New Bottom control for bottom-heavy distortion matched to 6- or 7-string guitars Tone control adjusts balance between high and low frequencies

The OD-1X launches the famous BOSS overdrive into a modern era of expression, delivering an unmatched level of performance for guitarists with an ear for tone. This next-generation stomp combines over 35 years of innovation in pedal design with the most advanced technologies, bringing you a completely new tonal experience that’s only possible with the legendary expertise of BOSS. Prepare to be amazed—the inspiring and ultra-responsive OD-1X will change your thinking about overdrive pedals forever.

The Electro-Harmonix Operation Overlord overdrive effects pedal originated from the idea of giving keys players a way to add great-sounding grit to their sounds. But the guitarists at EHX quickly realized that the Overlord's FET-based overdrive delivered the tube amp-like tone and feel that guitarists clamor for. So the company went about adding even more guitarist-friendly features, such as an independently footswitchable boot, a dry blend, and more. No matter how you intend to run your EHX Overlord, it's sure to deliver the warm and gritty tones you're after.

The Electro-Harmonix Ravish Sitar is the answer. Session sitarists are not exactly a dime-a-dozen, and with its characteristic harmonic and dynamic slipperiness, the sitar is a tough instrument to emulate with a guitar pedal. Thankfully, there's Ravish Sitar, which distills the essence of the sitar into a compact enclosure, serving up a polyphonic lead voice and tunable sympathetic string drones that dynamically react to your playing. You can create your own custom scales for the sympathetic strings and set decay time for the lead voice. Two expression pedal inputs let you simultaneously bend the pitch of the lead voice and control the volume of the sympathetic strings. Tweak Ravish Sitar's powerful controls to conjure new organic instruments.

The Electro-Harmonix Riddle is a powerful and precise envelope filter fine-tuned for guitar frequency response.<br> Sculpt your envelope to reveal a truly expressive tone, with a defined and unique signature. Riddle will deliver tight and smooth control over the complete 80 Hz to 5 kHz range, with a consistent and even sweetness.<br> Need some edge? Engage Riddle's analog distortion and dial in anything from subtle bite to dominating crush.<br> You can even plug in an optional expression pedal to control the filter sweep with your foot. With the ability to adjust Q, sweep range, and filter type, you'll also wind up with of the most versatile wahs available.<br> Riddle: a mysteriously musical envelope filter for guitar.

This Cry Baby Wah features a custom-wound resonance inductor, a huge dynamic range, and a wide sweep with LEDs to indicate effect status.<br>THE LONG STORY.<br><br> Throughout his career, Slash has used the Cry Baby to create his trademark epic solos that he weaves into his groundbreaking gritty, blues-influenced rock. We worked closely with him to design the Slash Cry Baby Classic, custom-voiced for the raw, expressive sound that influenced a generation of guitar players. Tuned to a lower frequency and featuring a custom-wound resonance inductor, this wah- wah has a huge dynamic range and a wide sweep. Two side-mounted blue LEDs indicate ON/OFF status, viewable from any angle onstage, so you can always tell when the effect is on. The Slash Cry Baby Classic also features high quality components, such as a true hardwire bypass switch and a long-life pot, and comes in housed in a heavy duty die-cast casing featuring custom Slash artwork and a distressed hot-rod paintjob.

Generate slithering "Axis Bold as Love" textures. Use Filter Matrix mode to manually flange your sound or select a flange point allowing musically frozen tonalities. This is the only pedal where lush Stereo Flange and Stereo Chorus work together seamlessly for the richest modulations that undulate and flow over any stage or recording. Colorful and seductive in stereo.

The Stereo Memory Man is a real time performance tour de force. As a Looper it has up to a full 30 seconds of loop time. World class echoes with modulation and reverse are just a few of the choices. The Stereo Memory Man with Hazarai is destined to be one of the most creative instruments you will ever own. Ethereal tone-scapes to full musical performances are only limited by your imagination. And it's all in stereo.

A truly super tremolo with powerful controls and signal routing. Sculpt the tremolo’s shape with adjustable sine, triangle and pulse waveforms while tap tempo and tap divide ensure synchronicity. Create your own rhythmic patterns and store them. Save and recall up to eight customized preset programs. Conjure moving tremolos on-the-fly with EXP control over Rate, Depth, Shape, Phase or Volume. Deluxe I/O lets you choose stereo in/out, mono in/stereo out, stereo in/mono out or mono in/mono out operation. Analog circuitry yields warm, lush tone that will envelop you in shape shifting waves.

TONE TATTOO is our first fully-interactive, analog multi-effects pedal. Satisfy your tone jones with a chain that features the Metal Muff Distortion, Neo Clone Chorus and Memory Toy Analog Delay. Delivers crushing Lead & Rhythm tones. Features full tone sculpting, including two levels of scoop. New Noise Gate for minimal noise. With three critically acclaimed effects, it’s like a talisman for great guitar.

Unzip your soul! Just picture your guitar signal being massaged by a complex set of filters moving through a vacuum tube maze. Energized by two Electro-Harmonix 12AX7 tubes, the Tube Zipper's patented moving filter tastefully adds controlled analog harmonics to your signal. In typical EHX fashion, each control can be set over-the-edge, generating a host of novel tones. Tron or Trill a la mode!

The Turnip Greens is a compact multi-effect pedal combining the award-winning Soul Food Overdrive and Holy Grail Max Reverb. The Soul Food delivers transparent sounds starting with clean boost and progressing all the way to intense overdrive. It’s equally adept at adding punch to a player’s tone, pushing an amp into saturation or in front of other dirt pedals driving them into new worlds of distortion. The Holy Grail Max provides four carefully crafted reverbs: Spring, Hall, Plate and Reverse. A newly designed analog wet/dry control yields a constant volume curve as the Blend knob is turned from fully dry to fully wet, while also keeping the dry signal analog through the pedal. The pedal’s left side features the Holy Grail Max’s controls and independent footswitch while the right side is dedicated to the Soul Food’s controls and footswitch. A toggle effect-order switch, located in the middle of the Turnip Greens, selects whether the overdrive or reverb is first in the effects chain. Send and Return jacks let the player insert effects into the signal path between the two. With the switch to the right the signal chain is Soul Food → Holy Grail Max which produces a traditional sound familiar to most players. In the left position the signal chain is Holy Grail Max → Soul Food. Now the reverb is boosted by the overdrive which, when used in conjunction with pedals in the effects loop, can create very lush textures. The Turnip Greens features an internal switch that lets the player select between true bypass or buffered bypass for the Soul Food section. In true bypass mode, when the Turnip Greens is set to bypass, the input jack is connected directly to the amp jack and nothing else. In buffered bypass mode, the bypass signal passes through a high-quality buffer circuit before it is output from the Amp jack. The new Turnip Greens comes standard with an EHX 9.6-Volt/DC200mA AC Adapter.

EHX introduces the 95000 Performance Loop Laboratory, the company’s most advanced looper to date, featuring six mono tracks and one stereo mixdown track per loop. It will record up to 375 minutes and 100 loops with a 16GB Micro SD card and switching between loops is quick and easy.<br><br>The new 95000 is housed in a rugged, aluminum, all metal chassis with a control layout that has been optimized for use as both a tabletop and foot-pedal unit. This new design ensures that the player can take maximum advantage of the looper’s powerful performance capabilities.<br><br>The 95000 also features a robust I/O including two audio inputs, each capable of handling a microphone (phantom power is included), instrument or unbalanced line input so the unit can readily connect to all sound sources. Left / right outputs, a Monitor out and a Headphone Out are included.

Easy-to-use interface includes LCD, footswitches, analog-style cursor keys/parameter knobs and LED indicators<br> Remodeling presets for 16 body types and 28 popular acoustic guitar models<br> 40 effects can be used in any combination<br> Acoustic guitar pre-amp with Mic and Pickup mixing options, 3-band EQ, Balance control and super-low noise design

With 9 presets that were finely tuned to emulate the most legendary organs from the ‘60s and beyond, the B9 Organ Machine will transform your guitar or keyboard. Control the instrument’s signature percussive click and sweet modulation. Blend your dry signal to create lush layers. Enough tonewheel and combo organ inspiration to light your fire and cook up some green onions!

Blackstar - LT DriveCompact Drive Pedal delivers amazing valve –like tone & compression for a wide variety of playing style. This small form factor is great for pedalboards rugged construction & a 9V battery powered or using 9V DC power input.<br><br> Main Features:<br>-Gain Control-is the amount of distortion that this pedal will deliver<br>-Tone Control-allows exact adjustment of the treble frequencies within the sound. <br>-True Valve-like Response- is a unique clipping circuit in the LT Pedals that is designed & tested to behave just like our successful HT pedals.

Blackstar - HT DistX is patented Infinite Shape Features (ISF) control that takes you from a Classic British to a Modern American & anywhere in between & the no compromise speaker emulated output that lets you get it all down to tape or disk.<br><br>Features:<br>- Genuine valve design <br>- Operates at 300V HT <br>- Cascaded valve gain stages <br>- Responds like a valve amp <br>- Unique enhanced tone controls <br>- Patented Infinite Shape Feature (ISF) <br>- Fully equipped for stage or studio <br>- Speaker emulated output <br>- High integrity buffered bypass <br>- Power supply included <br>- Silent switching Extreme gain and tone<br>- Extreme Gain<br>-Operates at 300V HT<br>-Silent Switching

Designed to work with the following amps: ID:15TVP, ID:30TVP, ID:60TVP, ID:60TVP-H, ID:260TVP and ID:100TVP<br> <br>The FS-10 is a multi-function footcontroller that allows access to all 128 patches plus the tuner function. It operates in three modes:<br> <br>Patch Mode – This mode allows you to switch between the three banks of four patches accessible on the front panel of the amp (patches 1-12) in addition to patches 13-128, plus access to the tuner function and the ability to change to the other modes.<br> <br>Effects mode – This offers individual switching of the effects within a patch, operating more like traditional effects pedals. In this mode the fourth switch is used to control the tap time function. 8.<br> <br>Navigation mode – Enables access to the complete set of 128 patches stored on the amp. These can be stepped through one at a time, or in banks. Whilst in this mode you can also store patches.<br> <br>Features<br> <br>PATCH MODE <br>This mode allows you to switch between the three banks of four patches accessible on the front panel of the amp (patches 1-12) in addition to patches 13-128, plus access to the tuner function and the ability to change to the other modes.<br> <br>EFFECTS MODE <br>This offers individual switching of the effects within a patch, operating more like traditional effects pedals. In this mode the fourth switch is used to control the tap time function. 8. <br>NAVIGATION MODE <br>Enables access to the complete set of 128 patches stored on the amp. These can be stepped through one at a time, or in banks. Whilst in this mode you can also store patches.

The BD-2W Waza Craft Blues Driver from BOSS revisits the classic Blues Driver tone with all-discrete circuitry and focus on refined tone. The pedal offers a versatile palette of overdriven tones from creamy leads to crunchy rhythm sounds, and while specifically tailored for blues guitar, will be at home on a variety of pedalboards.<br><br> Based on the original BD-2 Blues Driver, but with a newly revised, all-analog amplifier circuit, this pedal provides a kind of warm overdrive, emotive distortion, and picking responsiveness similar to that found in vintage vacuum tube amplifiers. The pedal's Standard mode captures the classic BD-2 tone, while the Custom mode delivers more body and sustain.

The NYC original. Hendrix and Santana were among the first to get a piece of the Pi, and for over 40 years the Big Muff Pi has been defining the sound of rock guitar. Revered by contemporary guitarists and rock legends for its rich, creamy, violin-like sustain, from Pink Floyd to The White Stripes, everyone still wants a piece of the Pi!

BloodyMary will bring high impact sound, unrivalled customization and bonecrushing distortion to the fingertips of its master. A power which can only be rivalled by mighty Mjolnir. <br><br> What gives this beast its true power is its 5-dial sound customization, giving you complete control of not only High, Mid and Low settings, but also Gain and Level. The Body switch adds a distinct tone and a rich lower mid and bass to your sound.

The new C9 Organ Machine springboards off the revolutionary B9 to mine another rich vein of classic gold and provide players with nine more definitive organ and keyboard sounds. The C9 will transform your instrument into a convincing full body, electric organ or vintage electronic keyboard. For each preset chosen, it also provides precise control over important elements of that sound’s sonic fingerprint like percussive click, modulation, attack/sustain, drawbar setting or high frequency content. Blend your dry signal to create beautiful layers. Lovers of classic organ and keyboard rejoice!

A truly pleasant Chorus, even its name is reminiscent of the BOSS classics. Let us remind ourselves: with the Roland Jazz Chorus Amp and the BOSS CE 1, Roland/BOSS built the very first Chorus effects. Nowadays this effect can be considered indispensable since there are people who simply do not know any more, what a Clean sound without a Chorus actually sounds like. Alongside the usual Rate, Depth and Level controls there is also a filter control, which allows a fine tuning of the effects characteristics.

The Electro-Harmonix Crayon is a versatile overdrive with independent Bass and Treble controls and an open frequency range that provides players with a musical alternative to customary mid-focused overdrive pedals. It delivers a range of sounds going from a suggestion of dirt to full-on distortion and is equally impressive all by itself or when driving another overdrive pedal.

This Cry Baby Wah features an extended sweep for more lows and highs, a fine-tune knob, a side-mounted 6-way frequency selector, and a switchable boost with LEDs to indicate wah and boost status.

Nothing can compare to the organic sound of analog delay, and no one does analog like the electro-harmonix Memory Man! The Electro-Harmonix Deluxe memory Man provides up to 550ms of vibrant echo that rivals tape delay. Lush, spatial chorus and haunting vibrato are just a few of the treats in the Memory Man's sonic schmorgasbord! Analog warmth that renders digital delay obsolete - the Deluxe Memory Man echo with chorus/vibrato!

Ever since being discontinued way back in 1984, the BOSS DM-2 Delay pedal has remained highly sought after by players everywhere for its warm, “bucket brigade” analog delay tone. Now, the DM is back! With the Waza Craft DM-2W, the coveted stomp has been reborn with switchable sound modes and greater versatility for today’s music styles. Using 100-percent analog circuitry, the DM-2W’s Standard mode nails the lush sound and 20-300 ms delay range of the original DM-2. Flipping into Custom mode instantly changes the sound character to a cleaner analog tone with over twice the available delay time.

The DS-2 Turbo Distortion features twin modes for an expanded range of distortion--taking users from blues-rock rhythms to searing leads at the press of a pedal or twist of a knob.Classic BOSS distortion tones with added Turbo modes Turbo Mode I produces warm and mellow distortion with flat frequency response Turbo Mode II provides biting distortion with a mid-range boost, perfect for leads Built-in remote jack allows users to connect an external footswitch such as the FS-5L for instant, hands-free switching between modes.

The Electro-Harmonix Enigma is a powerful and precise envelope filter fine-tuned for bass frequency response.<br> Sculpt your envelope to reveal a truly expressive tone, with a defined and unique signature. Enigma will deliver tight and smooth control over the complete 40 Hz to 3 kHz range, with a consistent and even sweetness.<br> Need some edge? Engage Enigma's analog distortion and dial in anything from subtle bite to dominating crush.<br> You can even plug in an optional expression pedal to control the filter sweep with your foot. With the ability to adjust Q, sweep range, and filter type, you'll also wind up with of the most versatile wahs available.<br> Enigma: a mysteriously musical envelope filter for bass guitar.

Mesa Boogie Footswitch - Mark Five : 35<br><br>Functions: Channel 1/2, EQ, Solo Ch 1 & Solo Ch 2<br><br>Where used: Mark Five: 35 Guitar Amplifier

The second in the new Legend Series is the FDR-1, based on the Fender 1965-era Deluxe Reverb — a coveted tube amp known for its natural touch-responsive and distinctive snappy overdriven sound. In conjunction with Fender, BOSS designed this stompbox to recreate the legendary tone of the 1965 Fender Deluxe Reverb amp. Features include the same controls on the original Deluxe Reverb: Level, Gain, Treble, Bass, Vibrato and Reverb. The FDR-1 also functions perfectly as a “pre-gain pedal” placed before an already overdriven amp to add the tone character of the Deluxe Reverb.

The Flatiron Fuzz is extremely versatile. At lower drive settings it remains fairly clean and adds a pleasing mild distortion. As the drive is turned up it transports you to a world of arena rock and produces spectacular, thick, meaty tones.

The THROTTLE BOX EQ™ combines the enhanced tone shaping power of our popular Boogie® Five-Band Graphic Equalizer with footswitchable HI/LO performance Modes and easy “Top Panel” access to the previously internal BOOST feature of the original THROTTLE BOX™.<br> With the worldwide success of the THROTTLE BOX™ overdrive, we saw potential for an even more powerful version that included our classic Five-Band Graphic Equalizer. With the added shaping power the on-board Five Band EQ creates the THROTTLE BOX EQ can go anywhere you want to take it stylistically. The middle range of the GAIN control delivers tight, stinging overdrive that–depending on whether you choose LO or HI GAIN Modes–can cover everything from Blues to Modern Metal with plenty of attitude and an urgent percussive nature. Cranking things up into the upper one-third of the GAIN control in HI unleashes a hot-rod that’s blistering with searing top-end harmonics.<br> For Hard Rock and Metal our Graphic EQ set to the popular mid-scooped “V-Curve” has over a four decade track record of creating the heaviest sounds around. With limitless curve possibilities, the Graphic expands the potential for sonic diversity across all styles as well as being able to unleash Mayhem.

The THROTTLE BOX™ Distortion serves up all genres of ROCK with cut and aggression, but retains the signature warmth and organic sonic quality found in all our instruments. While its main strengths lie in higher-gain sounds, it’s also versatile and the lower gain options shouldn’t be overlooked for classic rock or howling blues. It also features a unique Mid Cut that scoops out midrange to produce the signature Boogie “V” EQ-curve that so many artists have employed in our amps to create the world’s heaviest guitar tones!

Slap your amplifier with the electro-harmonix OD Glove overdrive pedal for guitar tone that's biting and defined. There's no tonal mud here - MOSFET semi-conductors give the OD Glove a harmonically rich sound with a surprisingly wide distortion range. Even when you've got the gain dimed and the mid-boost switch engaged, you can clean your tone up to a whisper with just your guitar's volume knob. And with an internal 9V/18V switch, you can even adjust the feel of the electro-harmonix OD Glove overdrive pedal.

Electro-Harmonix announces the Grand Canyon equipped with 12 effect types plus a fully featured looper capable of recording and overdubbing the Grand Canyon's effects. The pedal provides up to three seconds of delay time, tap tempo and nine tap divide settings, stereo output, 13 presets, programmable EXP pedal settings and high quality analog bypass with soft switching. The Grand Canyon's 13 modes are: 1. ECHO - 24-bit digital delay with bit crush/sample rate reduction and low/high pass filtering 2. MOD - Modulated delay, yields flanger, chorus, vibrato and more 3. MULTI - Multi-tap delay, set the exact number of echo repeats up to 31 4. REVERSE - Reverse delay with an intelligent pluck detection algorithm 5. DMM - Deluxe Memory Man, re-creates the tone of the EHX bucket-brigade delay pedal 6. TAPE - Tape Delay, simulates analog tape echo including tape distortion, wow and flutter 7. REVERB - Lush plate reverb plus echo. 8. PITCH - Polyphonic pitch shifting plus digital delay creates pitch-shifted echoes 9. SHIM - Shimmer generates a rich octave-shifted wash 10. SAMPLE/HOLD - Sample and hold, senses a note being plucked and produces echoes indefinitely until another note is detected 11. DRUM - Magnetic drum echo that emulates a classic Binson Echorec style delay 12. DOUBLE - Thickens up a mono signal or creates a stereo spread. 13. LOOPER - Looper with up to 16 minutes of recording time. Includes unlimited overdubs, undo/redo, dedicated stop button, loop fade-out, reverse and speed adjust.

The Holy Grail Nano is a digital reverb in a compact guitar pedal. Holy Grail Nano contains three different reverb algorithms: Spring, Hall and Flerb. All three algorithms were designed and tailored for the electric guitar but they will work equally as well on most instruments and voices. The Spring algorithm is a re-creation of the classic spring reverbs that are found in many guitar amplifiers. The Hall algorithm is a new, lush reverb. Flerb is a beautiful reverb like nothing you have heard before. Holy Grail Nano will change the way you look at reverb!<br><br>Electro-Harmonix Holy Grail Nano Reverb Features:<br>-Three different reverb algorithms <br>-Spring, Hall, and Flerb <br>-Great for guitar, voice, and most any instrument<br>-Digital reverb in a compact pedal

Your quest for an ultra pedalboard-friendly stompbox that includes plate reverb is fulfilled with the Holy Grail Neo. Divine Hall and classic Spring reverbs complete the heavenly mix and give you three of the most sought after reverb styles. The three-position switch lets you choose and the Reverb knob acts as a wet/dry control. The Holy Grail Neo is equipped with True Bypass to ensure maximum signal path integrity when the effect is in bypass mode and comes with a standard EHX9.6DC power supply.

Electro-Harmonix combined two of their popular dirt pedals — the Crayon boost/overdrive and the Hot Tubes overdrive pedal — to create the Hot Wax dual-overdrive pedal. Offering two footswitchable sections, you can switch between two distinct overdrive tones or combine them for even more harmonic complexity.

Line-level preamp. Two tubes deliver optimum gain while remaining quiet and transparent, offering amazing definition and warmth. In either stereo or dual mono mode, the LPB 2ube offers two full-frequency inputs and outputs, as well as the potential to gang the I/Os.

The Carbon Copy Analog Delay delivers rich, warm bucket-bridgade delay with up to 600ms of delay time and modulation.<br><br>THE LONG STORY.<br> Go from crisp bathroom slap echoes to epic, Gilmouresque delays with the MXR Carbon Copy Analog Delay. Featuring 600ms of delay time with optional modulation, and a three-knob layout that controls Delay, Mix, and Regen. In addition, there are two internal trim pots that offer user-adjustable width and rate control of the modulation for even more tonal options. All done by a completely analog audio path for authentic rich, warm analog delay-made possible only by old-school analog bucket brigade technology. True bypass.

The polyphonic MEL9 uses the same extraordinary technology as the B9, C9 and KEY9 to transform your axe and resurrect the sound of vintage tape-based keyboards.<br><br>Features:<br>-Pays homage to nine of the coolest Mellotron sounds: Orchestra, Cello, Strings, Flute, Clarinet, Saxophone, Brass, Low Choir and High Choir<br>-Combine it with the B9, C9 and KEY9 for your own multi-keyboard rig<br>-Works on guitar without modifications, special pickups or MIDI implementation. Also works with bass guitar down to the open A string, as well as with keyboards<br>-Features independent Effect and Dry volume controls with separate output jacks, so you can create the perfect mix. Attack & Sustain controls allow you to fine-tune swell speed and release time.

What is it that makes a performance legend? Experience and design integrity make a legend. Since the early 1970’s, Electro-Harmonix has been designing analog delays featured on some of the greatest recordings and used by legendary musicians throughout the world. From the original Memory Man to the Deluxe Memory Man, still available today, our delays are desired instruments for the organic tones that deliver textures that define quality.<br><br> The new Memory Boy carries the performance heritage for warm analog delays and modulations that made its ancestors the go to legends that remain today. With two years in design using new and refined, analog IC’s the focus was making the legend affordable to every musician while maintaining the character and artistic sounds that let you stand apart.<br><br> The new Memory Boy straps on the cape and flies with heritage into the search for amazing sound at a price that mere mortals can afford.

The Nano Battalion features a three-band EQ with three EQ position modes for maximum flexibility and sound shaping control. The three-band EQ includes Treble (boost/cut above 1kHz) and Bass (boost/cut below 200Hz) controls, plus a Mid switch which provides a 9dB boost or cut at 500Hz. Three signal path options determine where the EQ is applied. In Distortion Mode the EQ comes after the distorted signal and has a powerful effect on its timbre while the clean signal is not affected. In Input Mode the EQ comes first in the signal path affecting both the clean and distorted signals. Boosting frequencies in this mode can drive the distortion to a more saturated state. In Dry Mode the EQ affects the clean signal, but not the distorted signal.

The NS-2 effectively eliminates noise and hum of the input signal while preserving the original sound's tonality. The natural attack and envelope are unaffected thanks to the NS-2's unique noise detection circuit that precisely separates the guitar sound and the noise components.

Rich, overtone laden sound that doesn’t get muddy. Responsive controls that take you from sparkling, clean boost through brown crunch and all the way to thick, saturated hi-gain. Advanced features like Tone Shift and selectable 9 or 18V internal voltage for surgical sound sculpting. The new OD Glove delivers overdrive and distortion with impact, and the modern player in mind. “The OD Glove is unlike any of the overdrives we offer and great!” - Mike Matthews

For more than 50 years, the Marshall name has been synonymous with genre defining distortion tones. Initially, the way to get classic Marshall distortion was to naturally overdrive one of our valve amps by cranking it up to full volume. As time went by, Marshall Master Volume heads allowed for even more extreme levels of distortion, as the preamp valves were driven harder. The first generation of Marshall pedals simulated the various types of valve distortions in convenient, cost-effective stomp boxes. The Jackhammer is the next evolutionary step in Marshall distortion pedals. The JH-1 contains our most outrageous distortion levels to date. The Contour control allows you to not only scoop out the mids, but also choose the frequencies at which the scoop occurs, allowing you to tailor your sound to your individual requirements. Although the Jackhammer has more aggression and gain than any other Marshall pedal

The Little Alligator Volume was designed specifically for Steve Vai’s needs and preference. The volume swell is linear and smooth, and it works equally well in an FX loop setup as it does going directly into the main input on a guitar amp.

As a singer/songwriter you know, the act with the best sound, gets the gig — and the TC-Helicon Play Acoustic effects processing pedal is the tool to get you booked. Just plug in your mic and guitar and get the CD sound your music deserves and audiences want to hear. You will love TC Electronic's best-selling guitar effects and the BodyRez feature for giving your guitar a full, warm sound. For your vocals, the Play Acoustic gives you natural-sounding vocal harmonies guided either by your guitar or the onboard RoomSense microphones.

REVERB 4000 is the first stereo Reverb capable of rendering credible space onto two discrete sources, or to truly process a composite stereo source. Quite simply, REVERB 4000 gives you the most immense and innovative selection of State-of-the-Art stereo Reverbs - at the touch of a button.

Same silky smooth violin-like sustain and creamy tone that made the legendary 1970 Big Muff Pi famous. This little brother displays its heritage proudly. Same circuitry in a compact die-cast box.

Transpose, detune, texturize, and harmonize all from the same pedal: the Electro-Harmonix Slammi Plus. Think of the Slammi Plus as an EXH Pitch Fork and a space-saving expression pedal all in one, with a powerful new dry/wet crossfade feature baked right in. Tracking is lightning fast and glitch-free as ever, even on chords, and a ±3-octave range gives guitar, bass, and synth players plenty of room to experiment. Transpose keys in seconds to suit your vocalist. Pull off whammy and dive-bomb tricks without whipping out your trem guitar. Create chorus and doubling FX on the spot. An X-Fade function even blends seamlessly between wet and dry tones — stack fifths on your riffs and thirds on your leads at will and as subtly as you please.

With the Sovtek Deluxe Big Muff Pi, you get the classic sound of the Big Muff combined with the comprehensive tone-shaping controls found on the Deluxe Big Muff Pi. In addition to the familiar Sustain, Tone, and Volume controls, you have a parametric midrange EQ section with up to 10dB of boost/cut, and a Wicker switch for tailoring your high frequencies.

The polyphonic SUPEREGO Synth Engine reinvents sample and hold, performs fluid glissandos and creates oscillator like, synthesizer effects. It can stack sounds or create infinite sustain, it even lets you tweak attack and decay, or use its effects loop to invent novel synth patches. Indulge your guilty pleasures!

Building on the synthesis platform of the award-winning Superego, the Superego+ raises the bar when it comes to creating synth effects, sound layers, glissandos, infinite sustain and more. Plus, we’ve added a complete effects section featuring 11 effects types, an EXP input for effect parameter control/preset recall and an EXT jack for a 3-button controller.

Sturdy 3PDT switch. This is the original, patented blue 3PDT switch that has been used in boutique stompboxes for many years and has earned a great reputation for reliability and smooth switching action.

The Electro-Harmonix Synth 9 Synthesizer Machine pedal allows you to coax classic synth tones from your guitar or bass. And it doesn't require a special pickup system either — just add it to your pedalboard like any other effects pedal. Nine presets give you access to some of the most iconic synth sounds from the '70s and '80s. And thanks to an extremely wide playable range, the Electro-Harmonix Synth 9 pedal delivers precise tracking with both guitar and bass.

The VoiceTone Double continues TC Helicon's tradition of creating amazing vocal tools, providing a perfectly crafted doubled vocal sound. This is the perfect pedal for singers wanting to tap into this effect that studio engineers have relied on for years, but do so on a live stage. VoiceTone Double lets you truly sound the way you do on CD, but on stage. Plus, since it's in a compact pedal at your feet, you are in control of your sound, not the guy or gal running the board. Beef up your on-stage sound with VoiceTone Double.<br><br>Features<br>-Live Overdubbing in a Pedal<br>-Complete Control<br>-Superb Quality<br>-

Voicetone E1 is Single-Button Stompbox for Compelling Vocal Echo Effects<br><br>VOICETONE E1 offers singers the signature echo and slapback effects that evoke classic songs, while putting effects control at their feet. High quality, immersive echo effects for the stage are no longer just for guitarists.<br><br>Not only are there 13 different echo and delay types, but you can control the length of repeats, set the echo times to your song’s tempo, turn on the analog button for a vintage feel – or jump into the future with special effects to dramatically twist your tune.

Modulation madness! All-analog multi-effects processor featuring Phaser, Tremolo, Vibrato, and a Neo-modulated Wah. At the heart of The Worm is a specially designed tone-bending engine that creates groundbreaking oscillatory effects.

Combining a compact footprint, a comprehensive feature spec and an intuitive user interface, the 22500 delivers powerful looping capabilities in an affordable, easy to use package. It records high quality, non-compressed audio directly to a removable SDHC card (4 to 32 GB) and each card holds up to 100 individual loops. Includes an 8GB card for up to 12 hours of recording time.

With 720 seconds (12 minutes) of stereo recording time on 10 independent loops and unlimited overdubbing, the compact 720 Stereo Looper provides guitarists with an intuitive tool that’s perfect for practice and live performance.

The BD-2 Blues Driver delivers the creamy, yet crunchy sound associated with great blues guitar. This popular pedal provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps

The EHX Canyon Delay/Looper is much more than meets the eye. Onboard you'll find ten time-based effects, such as a Deluxe Memory Man-style analog delay, a reverb with plenty of control for matching your needs, a 62-second looper, and much more. And they can all be controlled with onboard tap tempo. The four control knobs are FX Level, Delay, Feedback, and the effect selector, and like many other pedals from EHX, the Canyon packs a lot of extra tweakability and tones under the hood. If you need a ton of ambient power, but don't have much room left on the pedalboard, check out the EHX Canyon.

The Electro-Harmonix Cathedral Stereo Reverb pedal surrounds your tone with an aria of rich presence. It's loaded with 7 different types of reverb plus digital echo, all of which work in true stereo. Full programmability lets you recall previous settings instantly. The EHX Cathedral Stereo Reverb lets you create the perfect space for your instrument or voice while offering an elegance that takes your music to a higher ground. The Cathedral offers two spring modes: Grail Spring, based on the Holy Grail's spring emulation, and Accu Spring, an Accutronics spring tank emulation. Top notch, professional Hall, Room, Plate, and Reverse reverb algorithms. Grail Flerb mode is the EHX Holy Grail Flerb with greater adjustability. Echo mode makes the Cathedral into a versatile 2-second digital delay. Up to 2 seconds of Pre-Delay, with Feedback allow for reverberant echoes. Tap tempo footswitch sets the pre-delay time with your foot. Instantaneous infinite reverb is yours by pressing and holding the Tap footswitch. Tone controls on the reverbs allow for further refinement of the sound. True stereo in and out.

The Electro-Harmonix Tone Corset compressor effects pedal offers dynamic control of your tone while retaining the nuance and personality of your playing. Dialing in the squish couldn't be easier thanks to controls for Sustain and Attack. And if you want more of your original signal to cut through, simply bring it in with the blend knob. And the Tone Corset's pad switch enables you to get the most from your guitar whether it's a vintage Strat or an active-humbucker-loaded metal machine.

The Electro-Harmonix Crayon is a versatile overdrive with independent Bass and Treble controls and an open frequency range that provides players with a musical alternative to customary mid-focused overdrive pedals. It delivers a range of sounds going from a suggestion of dirt to full-on distortion and is equally impressive all by itself or when driving another overdrive pedal.

The 1100-TT is designed with high quality bucket brigade ICs for an analog delay sound equal to the original Deluxe Memory Man. In addition to Tap Tempo control of the delay time, the 1100-TT also includes delay time modulation, an effects loop in the feedback path of the delay block, an input gain control, tap tempo divide and optional expression pedal control over five parameters: Delay Time, Feedback, Modulation Depth, Rate and Blend. The 1100-TT is true bypass.

The BOSS DS 1 is already a classic among distortion pedals. Compared to the legendary overdrive pedals from BOSS, it provides considerably rougher and more aggressive distortion, which is clearly oriented towards the stack sound of British amps and further away from the rather toneless fuzz sound of older distortions. DS1 is certainly good tip for fans of a harder pace. With level, distortion and tone controls one can naturally create tamer sounds. And the stability and reliability of DSP effects - there's no need to mention it.

Electro-Harmonix creates classic overdrive in a JRC4558 IC based pedal that’s as bold as New York City. Symmetrical overdrive adds edge and gain without compromising tone. Volume and Drive take it from sweet to searing while Tone lets you dial in just the right amount of bite to cut through the mix. No matter how hard you drive it, you’re always in control. True bypass and tone that is absolutely unflinching at a musician-friendly price!

Our flagship overdrive/distortion covers vast tonal real estate and redefines versatility. Like a database of great tone, the EHX TORTION’s full complement of features and controls make dialing in inspired guitar sound intuitive. Whatever the era, from vintage to modern, your search for the ultimate tone has ended.

If you're a guitarist, you know how important it is to have the freedom and flexibility to create your own sound. The Zoom G3Xn Multi-Effects Processor removes any barriers in your way.<br> The G3Xn is a genre-defying multi-effects processor that gives you the versatility you need to experiment with new sounds and playing styles. Its built-in expression pedal, 80 second Looper, faithful amp and cabinet emulators, and extensive selection of effects and patches make it an essential addition to any pedalboard. With the G3Xn, breaking boundaries and achieving great sound has never been easier.

The G5n comes loaded with 68 beautifully-crafted and newly assembled DSP effects, plus 10 of the most faithful and realistic amp/cabinet emulators we've ever created. A wide array of effects The G5n comes equipped with freshly-developed takes on not only the most-essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb, flanging, phasing, vibrato, and chorusing, but also unique multi-effects such as Seq Filter, Gold Drive, Reverse Delay, HD Hall, and OSC Echo. Ultra-realistic amp/cabinet emulation You can connect the G5n directly to a PA system or audio interface, using the 10 brand new onboard amp and cabinet emulators. Choose from 5 classic amp models like the Marshall JCM800, Fender Twin Reverb, MESA Boogie Mk3, Bogner Ecstasy Blue Channel and British 30W Class A Combo, newly and faithfully created to be adjusted exactly as you would with the knobs and switches of the real thing. Pair your amp with one of the 5 newly-created cabinet emulators to complete the sound, choosing from Marshall 1960 A-type cabinet (4x12” Celestion speakers), Fender ’65 Twin Reverb (2x12” Jensen speakers), the UK2x12 that recreates the sound of early British combo amps (2x12” Celestion speakers), Mesa Boogie Mark III cab (1x12” Celestion Black Shadow speaker), or Bogner Ecstasy cabinet (4x12” Celestion speakers).

The GE-7 Equalizer pedal offers seven bands of EQ ranging from 100Hz to 6.4kHz, ideal for guitar sounds, with boost/cut of +/- 15dB per band. This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.Compact EQ pedal with 7 bands of adjustable EQ sliders Allows for boost/cut of up to +/- 15dB per band Perfect as a "boost" pedal for solos, creating an alternate sound, or for eliminating feedback.

The go anywhere Headphone Amp delivers a musical quality and attitude that defines the spirit of Electro-Harmonix. As uniquely musical as it is portable, the ultra-light Headphone Amp let’s you practice as loud or funky as you want without waking up your old lady.

The Holy Grail Plus starts with the Holy Grail's amazing spring, hall, and flerb reverbs, and adds a graceful room reverb. The Plus' multifunction control lets you control decay, damping and modulation speed. The Grail has gotten even more divine!

Every musician battles hum in their signal chain. The Hum Debugger turns it into dead silence, courtesy of a little EHX magic. Not a noise gate, and not a noise suppressor -- but a real hum extractor. Silence is golden.

The ultimate metal distortion pedal. Three powerful EQ bands sculpt the mids and 6 controls shape the sound precisely for your groove from slithering mercury to lead belly blast furnace dross. Its unique Top Boost adds serious bite with its own control knob and footswitch so you can kick it on for searing leads.

Housed in a smaller enclosure than the Metal Muff and with simplified controls the Micro Metal Muff delivers the same aggressive metal drive that made its big brother famous. A wicked sound - a metallurgist's dream. The Metal Muffs from Electro-Harmonix have been called "the finest pedals ever created for heavy metal". Massive tones that sculpt the mids and add extra ‘bite’ by boosting a narrow band of high frequencies are the hallmarks of these metal monsters.

The Legenday and classic original POG won top awards from every major magazine on every continent for its flawless polyphonic tracking and musical flexibility. The Micro POG delivers the same perfect tracking and smooth polyphony in a simplified design. Now in a small pedalboard-friendly diecast chassis, the Micro POG delivers and will blow you away the first time you use it.

The Micro Q-Tron is a smooth envelope filter with a funky wah-wah tone. The filter is controlled by its internal envelope follower, analyzing the volume of your notes and the dynamics of your playing to directly sweep the filter's center or cutoff frequency. A stronger attack or louder note will produce a wider frequency sweep while softer playing produces more subtle effects. Use the Q control to make the effect more dramatic.

From the classic vintage sounds of the great early Moog synthesizer to custom creations, the Microsynth creates fat analog synth sounds heard on classic recordings by some of the finest musicians in the world. Compact ten-slider layout lets the sonically adventurous guitarist dial in a virtually limitless array of analog synthesizer sounds: from percussive stabs to backwards-sounding bowed effects.

The MT-2 Metal Zone is one of BOSS' most popular pedals. This stompbox provides some of the most over-the-top, insane distortion tones in the world—with huge mids and lows and an ultra-saturated sound. Incredible-sounding distortion pedal with unique dual-gain circuitry Provides super-long sustain and heavy mids and lows like a stack of overdriven amps Three-band EQ with semi-parametric Mid control offers a wide range of extreme distortion textures A must-have pedal for any hard rock or metal guitarist.

Mini version of Morley Volume Plus measuring 6.8” L x 4.5” W x 2.75” H. Electro-Optical circuitry and audio taper allow smooth, studio quiet volume control. Foot switchable Minimum Volume is used for a smooth transition between rhythm and lead volumes. Powers from one 9V battery or optional Morley adapter. Glow in the dark treadle rubber and toe-end logo, LED Indication, cold-rolled steel housing, quick clip battery door and one-year warranty.

The Ebtech MWV Mini Morley Wah Volume Pedal features optical electronics, wah and volume control. Additional features include Wah/Bypass Selector switch, Wah level control, LED indication, easy access battery door & cold rolled steel housing. Its small footprint is perfect for pedals boards when space is at a premium or when you just need a smaller pedal.

We took the Big Muff Pi circuit and simply shrunk it without changing its rich, creamy, violin-like sustain and sound. The Nano Big Muff Pi works and sounds identical in every way to our classic NYC Big Muff Pi. Get a piece of the pi for yourself!

The Electro-Harmonix Nano Clone Chorus Effect Pedal is everything you love about the Small Clone in an even more compact, die-cast package. This compact battery operated Chorus pedal features a simple, effective Rate knob, with an LED function indicator. To produce the Chorus effect, the Nano Clone bends the frequency slightly from the input source and mixes this altered signal with some direct unaffected signal. The combination produces a doubling effect.The depth switch controls the amount of frequency change that occurs in the altered signal. The rate knob controls the rate of alteration between raising and lowering the frequency. The red LED indicates when the effect is switched on. The footswitch engages and disengages the Chorus effect.

The electro-harmonix Nano Looper 360 lets you record 11 different loops and store them for later recall - that's a lot of looping power in a compact pedal! Guitarists and bassists at Sweetwater love practicing with looper pedals to explore new song ideas, and the creative possibilities for live performance are vast. The Nano Looper 360 will reward you with uncolored, dynamic sound thanks to its high-quality 24-bit digital converters. And with a single footswitch for control over record, overdub, undo-redo, and loop erase, the electro-harmonix Nano Looper 360 is an easy-to-use looper that will become incredibly addictive.

The smallest member of the polyphonic POG clan provides impeccable tracking and sound. Separate level controls for dry, sub octave and octave up plus an extra Dry out and silent footswitching provide the perfect formula for this compact jewel.

Based on the late-'70s op-amp Muff Earlier transistor-loaded Muffs are regarded for their smoother bite and more controlled sustain. Yet a key ingredient in Corgan's Siamese Dream tone was the op-amp-loaded, late-'70s Big Muff Pi. The EHX Op-Amp Muff captures the grit and gain of Corgan's classic in a compact new pedalboard-friendly footprint.

HeadRush Pedalboard<br> Featuring a finely-tuned quad-core processor and powered by exclusive Eleven; HD Expanded™ DSP software, the HeadRush Pedalboard™ delivers the most versatile, realistic-sounding and responsive amplifier, cabinet, microphone and FX models ever found in a road-ready floorboard guitar FX processor. The 7-inch touch display enables you to touch, swipe and drag-and-drop to instantly create and edit your rigs in an unprecedentedly realistic and intuitive way.<br><br> Plus, it features gapless preset changes with reverb and delay tail spillover, a built-in looper with 20 minutes of record time, the ability to load custom impulse response files and exclusive original boutique effects that can’t be found anywhere else. Whether you’re looking for a classic warm vintage amp with natural tube drive, wide ambient stereo delay textures with infinite feedback or the heaviest of heavy djent tone, the HeadRush Pedalboard covers it all and everything between.<br><br>Features:<br>-Powered by Eleven HD Expanded DSP<br>-Gapless Preset Switching with Reverb/Delay Spillover<br>-Looper with 20 Minutes of Record Time<br>-100+ Realistic FX, Amp, Cab, and MicrophoneModels<br>-7" High-Resolution Touch Interface

The electro-harmonix Pitch Fork polyphonic pitch shifter effects pedal brings a new realm of sound to your playing. Turn your 6-string guitar into an 18-string guitar or send single notes soaring into the stratosphere with razor-sharp precision. You can set the Pitch Fork for your desired pitch shift or use an expression pedal for continuous control of sweeps and multi-octave jumps. We love innovative products at Sweetwater, and the electro-harmonix Pitch Fork pedal delivers a rock-solid pitch shifter in a small package.

The little brother of the Metal Muff family takes the most powerful features and packs them into a slick die-cast box. Carefully selected mid frequencies are switch-selectable, offering powerful musical scoops. Heavy Metal fire power with slag simplicity.

Perfect for club performers, electronic musicians, and beatboxers, the RC-202 packs powerful BOSS looping and multi-effects in an amazingly compact tabletop unit. Based on the popular RC-505 Loop Station, the two-track RC-202 offers the distinctive look and fingertip interface style of its big brother, plus a host of new features. Four Input FX and four Track FX are available at once, and loops can be saved to memories in real time for seamless creative expression while performing. Expanded foot control and MIDI capabilities are also included, ideal for looping musicians who have their hands occupied with guitar, keyboards, and other instruments.

The RV-5 offers six of BOSS's best reverbs ever in stereo. This makes it possible to connect after other pedals that feature stereo outputs. New reverbs include convincing spring reverb emulation and a high-quality gate reverb. More spacious reverb sounds can be had using the newly developed Modulate mode. And thanks to its dual inputs, the RV-5 even works for keyboard players.

EHX re-creates the classic fuzztone pedal with the Satisfaction Fuzz, now updated with true bypass circuitry for optimum signal path integrity. The Satisfaction Fuzz features an elemental two-knob layout with controls for Volume and Attack (fuzz). True to the genre, this classically-voiced fuzztone creates a sound that is anything but subtle and goes from an aggressive rasp to full-on fuzzed-out mayhem!

Passionately designed by the master engineers at BOSS in Japan, the Waza Craft SD-1W Super Overdrive delivers a premium stomp experience that fans of customized pedal tone will love. Crafted with an ear for highly refined sound, the SD-1W hot rods the famous BOSS overdrive with all-discrete analog circuitry. Standard mode captures the classic SD-1 sound while Custom mode offers new tonal range and gain.

A sophisticated noise gate that can tame a single pedal or an entire effects loop! The Silencer’s three-control layout provides precise fine-tuning to fit your system, axe and playing style. Threshold adjusts how much level is required to open the noise gate and allow a signal to pass thru. Reduction regulated the degree to which the gated signal is reduced and is variable between -70dB and +4dB. Release controls how long the gate remains open after the signal drops below the Threshold. Release time is variable between 8ms and 4 seconds. I/O includes ¼ inch Input, Output, Send and Return jacks. The footswitch selects whether The Silencer is engaged or in bypass mode; buffered bypass allows the effects loop to remain in your signal path when the gate is bypassed. A built-in AC jack accepts a standard power supply like the EHX 9.6DC unit (optional) and the pedal comes with a 9V battery. Conquer noise with The Silencer!

The classic chorus! Analog chorus pedal popularized by Kurt Cobain. The finest analog chorus sounds: from clear, rich and dimensional to warm pulsating warbles, can be intensified with the Depth Control. Simple tweaks generate exciting doubling effects. Chiming 12-string tone, or Leslie-like warbles.

Overdrive/Distortion Pedal for Electric Guitar with Volume, Drive, and Treble Controls<br> The SOUL FOOD delivers transparent overdrive with great touch and response. Its circuitry features boosted power rails to provide abundant headroom and increased definition. Best of all, you don’t have to be a rock star to own one!

If you play metal, hard rock, industrial or any other type of music where distortion rules supreme, do yourself a favour and plug in to Totenschl¤ger. It' a little black box of fire-breathing distortion you™ll never want to live without, once you™ve heard what it can do. <br><br> With just three controls “ Level, Gain and Graphic EQ “ Totenschl¤ger is easy to master and adjust on stage. But what this pedal is all about is the positively hellish sound of the distortion it serves up.

Tremonti Phaser delivers everything you expect in a phaser and then some. The Stage switch lets you choose between a raw, vintage-sounding effect and a richer, more modern swirl. And the ingenious Bite knob adds a sexy overdrive edge to any setting. Fast or slow, deep or shallow, vintage or modern, Tremonti Phaser delivers extraordinary-sounding phased modulation that will take your playing to another world.

Awesome Vibe Pedal for Recreating the Legendary "Shin-Ei Uni-Vibe" Sound with Built-In TonePrint Technology<br><br>The original Shin-Ei Uni-Vibe* is a highly unique, complex and gorgeous-sounding analog unit, so when we set out to recreate it digitally we knew it wasn’t going to be easy. Through countless hours of meticulous side-by-side testing with the real thing and by pushing our insanely powerful DSP to its very limits, we’ve been able to recreate this legendary effect to a tee. You’ll get all the lush, syrupy vibe tones heard on countless tracks by Pink Floyd, Robin Trower and Jimi Hendrix and when you dive into that opening Machine Gun riff, we just know you’ll be convinced that we nailed it.<br><br>- 1:1 recreation of the legendary Shin-Ei Uni-Vibe*<br>-Compact design<br>-TonePrint Enabled<br><br>We poured our heart and soul into VISCOUS VIBE and there’s no hiding that we’re extremely proud of what we achieved. Its dead-on recreations of the legendary gooey phasey goodness and thick dramatic swirls of the original Shin-Ei Uni-Vibe* unit already makes it epic, but then transferring it all to a high-quality compact design that won’t break the bank – that just makes it epic beyond belief.<br><br>With VISCOUS VIBE you get the best of both worlds in a pedal that perfectly combines old analog warmth with modern-day functionality. With True Bypass for uncompromised tonal quality and stereo I/O for an ultra-wide sonic perspective, you've got the ideal pedal for hammering home classic-rock tones in your setup.

The wah wah pedal was introduced in the 1960s. Now, almost half a century later, Electro-Harmonix has solved many of its inherent problems by creating a gorgeous wah with absolutely no moving parts and the sweetest tone.

Introducing a new addition to the DigiTech Whammy Family -- Whammy DT! We've taken the premier pitch shifting effects pedal added drop tuning and true bypass to bring you the ultimate Whammy pedal, the Whammy DT. With the Whammy DT, you can modify your tuning without having to change guitars or pause awkwardly to make adjustments for the next song. Key changes are at the tips of your toes and take just moments, which is crucial when the audience is feeling your vibe. <br> Pitch shifting effects really help your guitar performance stand out and the Whammy pedal has been the core pitch shifting effect for famous artists for over 20 years. Now add full drop and raised tuning in addition to classic Whammy shifting to your effects arsenal and find out why the Whammy DT is the premiere pitch shifting effects pedal for every guitarist.<br> Step down or step up 7 half steps or an entire octave: The Whammy DT gives you the latest pitch shifting technology to retune your guitar without ever touching the tuning pegs. Step up or down in 7 half steps, or an entire octave with just one setting. <br> Whammy effects capabilities: With all the new tuning capabilities, you still have your true pitch shifting effects to sweeten up all moments of your gig. With over 20 years of leading the market in pitch shifting, Whammy effects give you the comfort of knowing the pedal you are using is a proven winner.<br> Momentary footswitch for "hammer-on" and "pull-off" effects: You can instantly create hammer-on and pull-off effects during your performance with the momentary footswitch. Hold it on for quick chord shifts or note changes during your solo or a gritty bridge.

Introducing a new addition to the DigiTech Whammy Family -- Whammy DT! We've taken the premier pitch shifting effects pedal added drop tuning and true bypass to bring you the ultimate Whammy pedal, the Whammy DT. With the Whammy DT, you can modify your tuning without having to change guitars or pause awkwardly to make adjustments for the next song. Key changes are at the tips of your toes and take just moments, which is crucial when the audience is feeling your vibe.<br> Pitch shifting effects really help your guitar performance stand out and the Whammy pedal has been the core pitch shifting effect for famous artists for over 20 years. Now add full drop and raised tuning in addition to classic Whammy shifting to your effects arsenal and find out why the Whammy DT is the premiere pitch shifting effects pedal for every guitarist.<br> Step down or step up 7 half steps or an entire octave: The Whammy DT gives you the latest pitch shifting technology to retune your guitar without ever touching the tuning pegs. Step up or down in 7 half steps, or an entire octave with just one setting. <br> Whammy effects capabilities: With all the new tuning capabilities, you still have your true pitch shifting effects to sweeten up all moments of your gig. With over 20 years of leading the market in pitch shifting, Whammy effects give you the comfort of knowing the pedal you are using is a proven winner.<br> Momentary footswitch for "hammer-on" and "pull-off" effects: You can instantly create hammer-on and pull-off effects during your performance with the momentary footswitch. Hold it on for quick chord shifts or note changes during your solo or a gritty bridge.