Ortega Cable ties keep your cables coiled up and well organized for tidy storage. <br> Works with all instrument, microphone & power cables.

Entry-level, low-priced microphone stand. The practical swivel joint allows the one-piece boom arm to be simultaneously positioned for tilt and length. Thanks to a low weight of only 4.075 lbs, it is particularly suitable for the mobile musician. The stand requires little space as its base diameter is only 25.984". The large foot end caps help to make the stand stable and reduce unpleasant transmission noise.

The K&M 21020 (Black) tripod microphone stand and boom offers lightweight and sturdy support for live sound and recording applications. The stand features a fixed length boom measuring at 33" with adjustable height between 35.50 - 65".

Reduces unwanted breath and wind noise. For use with the Shure Beta57A microphone. Available in black.

The PS-6 Popper Stopper is widely recognized throughout the recording and post-production communities as the leading tool in pop elimination technology. With a 6" diameter, the highly durable four-layer screen stops plosive consonants such as "p" and "b", while the fully adjustable 14" gooseneck and mic stand clamp ensure flexibility across any number of applications.

Securely mounts the SM58, SM57, SM87A, Beta 87A and all other microphones with 3/4-inch and larger handles to a standard microphone stand.Securely mounts the SM58, SM57, SM87A, Beta 87A and all other microphones with 3/4-inch and larger handles to a standard microphone stand.

Foam windscreen reduces unwanted breath and wind noise while using Beta 98, MX183, MX184, MX185, MX202, WH30, WL183, WL184, and WL185 microphones.

Works with Beta 181, KSM137, KSM141, SM63, SM63L, SM63LB, SM81, VP64A, VP64AL, MX412, MX418, MX412S, MX418S, MX412SE, and the MX418SE microphones and standard microphone stands.

Snap-fit windscreen securely fastens to Microflex gooseneck microphones to reduce unwanted breath and wind noise.

Black foam windscreen for larger Shure "ball-type" microphones, such as the SM48, SM58®, Beta 58A®, or 565SD.

Microphone drum mount attaches a standard end address microphone to the side of a drum for compact and accurate drum mic placement. Standard end address microphones include the Beta 57, Beta 56, SM57, and PG57 microphones.<br>Compact in design, the A56D can be used in a multitude of positions for accurate microphone placement. Live, or in the studio, this universal clamp can be mounted virtually anywhere, including drum rims and racks, microphone stands, and cymbal stands. This reduces the stage clutter that is associated with traditional mic stand set-ups, while promoting greater placement accuracy. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and sturdy, and can be used with standard end address microphones such as the Shure Beta57, Beta56, SM57, and PG57, making it a great tool for both musicians and sound engineers. Available individually or as part of the DMK57-52 Drum Kit.

The K&M Popkiller - a world-wide classic. For stands with diameter of up to 30 mm. Double nylon screen for superior performance. Unobtrusive black round filter frame. Non-marring locking screw prevents scratching of mic stand.

15V DC in-line power supply adheres to energy-efficient power standards and features 2 built-in mounting tabs for easy installation.

The Shure C25J Hi-Flex microphone cable is designed for low-impedance operation at long runs. The cable measures 25 feet (7.5 m).

Universal Microphone Mount Universal Microphone Mount. Quick-release microphone mounting accessory for versatile and secure placement and removal. Included with BETA 98AMP.

Two-piece telescopic boom arm with 5/8" thread. Complete with locking washer and plastic grip. Smooth, silent and scratch-free adjustment thanks to large wing nut.

Hi-Flex 50 foot (15 m) cable with chrome XLR connectors, for low-impedance operation.

In-Line Preamplifier for Microflex Microphones. Boosts resistance to Radio Frequency Interference (RFI).

Factory original dent-resistant replacement grille for Shure Beta58A wired microphones and wireless transmitters.

Green foam windscreen for larger Shure "ball-type" microphones, such as the SM48, SM58®, Beta 58A®, or 565SD.

Isolation mount and swivel adapter securely attaches Beta 98 and Beta 98A microphones to standard microphone stands.

Replacement kit with clip and 2 foam windscreens for SM31FH headset microphone.

The K&M 221D Microphone Mounting Flange installs into desktop surfaces and features a 5/8" hexagonal screw for vertical connection of goosenecks, microphone mounts, etc. A 4mm cable entry hole hides the cable run and enables easy installation.

The K&M 25950 REIN Microphone Stand is a low-profile tripod microphone stand and boom combination, suitable for capturing sound from bass drums and low lying amplifier cabinets. The all-metal stand features a fixed height of 11" (280mm). The included boom features a variable length between 16.73 to 28.54" (425 to 725mm).

The A27SM from Shure is a professional-quality elastic suspension microphone shock mount. It features ShureLock technology to keep the microphone securely locked into the mount and prevent sound from unwanted vibrations. The mount is designed for use with the KSM27 microphone.

From Blue, the Series II Shock Mount for BlueBerry Microphone is designed to suspension-mount the BlueBerry microphone and minimize noise due to vibration, movement and shock. The Series II is easily installed onto any microphone stand.<br><br>Blue's solid brass Series Two Shockmount is individually hand-built and soldered. Crafted with the same attention to detail that goes into all Blue microphones, this shockmount for the Blueberry mic will last a lifetime.

Microphone mounting clip for all Shure handheld transmitters

The large Popkiller for modern studio engineering. The large 200 mm nylon screen guarantees optimum sound filtering during studio recording. The Popkiller with flexible gooseneck can be screwed to all standard microphone stands (rod diameter max. 30 mm).

Exclusively developed by Shure with Rycote® for the VP83 and VP83F LensHopper™ models, the Windjammer is a high quality synthetic fur cover that fits snugly over the foam windshield and provides an additional 25 dB of wind noise reduction.

Shock mount for SM89 shotgun microphone, or any microphone with a 3/4-inch diameter handle.

Foam windscreens for Shure MX405, MX410 and MX415 microphones (contains four).

Suspension Mount for Snowball microphone,Ringer is a vintage-style suspension mount that isolates your microphone from ambient vibration. Although custom designed for our Snowball USB mics, Ringer can also work with other mics that have a standard thread mount.

Instrument cable connects the T1, UT1, SC1, BLX1, PG1, PGX1, GLXD1, QLXD1, SLX1, LX1, ULX1, UC1, UR1, UR1M and U1 body-pack trasmitter to a guitar or other instrument.<br> Features a 2.5 foot (0.75 m), length with 1/4-inch plug and 4-pin mini connector (TA4F) (supplied with instrument systems).

Our popular, smooth-running microphone desk arm with 3/8" or 5/8" thread connector for sound studios and multimedia work stations with a new innovative table clamp. Easy to position and suitable for microphones to max. 0.8 kg. The 5 m long microphone cabl

Allows two Shure SM57, Beta 57A, or 545 Series microphones to be placed vertically on a standard microphone stand.

Red foam windscreen for larger Shure "ball-type" microphones, such as the SM48, SM58®, Beta 58A®, or 565SD.

Developed by Shure with Rycote, softie windshield reduces wind noise up to 25 dB. Works with VP89M.

The I2 Bass and Cello Mount holds gently and securely, providing vibration damping and ideal microphone positioning on cellos and double basses.

The I2 Violin Mount holds gently and securely, providing vibration damping and ideal microphone positioning on violins and violas.

Charcoal gray replacement grille for Shure KSM9 wired microphones.

The Pop is a high-quality windscreen that can be used with any microphone. Simply clamp it to the mic stand, and position where desired. With a wire mesh grill and sturdy frame, Pop will deliver years of durable performance.

The Ringer is a custom designed shockmount for Blue's complete line of spherical microphones; the ball, the 8-ball, the kickball, and snowball.<br><br> Beyond just working with Blue-engineered microphones, The Ringer is a great accessory for any microphone where you desire a high-quality, sharp-looking shockmount.<br><br>Vintage-Style Suspension<br> The Ringer features a vintage-style suspension mount design to isolate the microphone body from low-frequency energy when mounted on a microphone stand. It accommodates virtually any microphone with a standard thread mount.<br><br>Universal Shockmount<br> The Ringer is also a true universal shockmount--if the microphone will fit through the loop, it can be mounted in The Ringer by virtue of its unique universal thread mount.<br><br>Quality Build<br> Like all of Blue's shockmounts and pop filters, the ringer is composed of solid brass and individually hand-built and soldered. Crafted with the same attention to detail that goes into Blue's mics, these accessories will last a lifetime.

1ft. coi1-foot audio cable connects a TA3F connector to a 3.5mm stereo connector led