The classic 1970's funk box now available in a pocket-sized case. Dynamic picking response produces super-funky wah-like tones. The Doctor Q is an envelope filter that specializes in generating percussive punchy filter sweeps for a rhythmic groove.

Guitarists and keyboardists know that nothing beats a Leslie rotary speaker for smooth, swirling stereo chorus. The Electro-Harmonix Lester-G pedal re-creates the classic Leslie sound in pedal form with two adjustable speeds controlled by a footswitch to move between fast and slow textures without tying up your hands. The Lester-G's drive control adds B-3 guts and grit to your sound, while a balance control, which simulates the balance between a Leslie's horn and bass speaker, helps smooth out your tone. Dynamic players will appreciate the Lester-G's onboard compressor, which helps to smooth out rhythms and leads. True stereo ins/outs and a stage-ready metal chassis make the Lester-G a great option for keyboardists and guitarists wanting to add stereo textures to live work and ear-to-ear effects to recordings.

The Electro-Harmonix Epitome multi-effects pedal marries the Micro POG (octave), Stereo Electric Mistress (flange/chorus), and Holy Grail Plus (reverb) into a single pedal. Use all three together or separately. Dedicated, straightforward controls eliminate need to scroll through tedious setting menus, giving you the stompbox simplicity you expect from ehx. You can even totally change the Epitome's overall character via the shimmer button, which re-routes the effects signal chain by swapping the Holy Grail reverb with the Electric Mistress and adds an analog delay to the POG.

The electro-harmonix Pitch Fork polyphonic pitch shifter effects pedal brings a new realm of sound to your playing. Turn your 6-string guitar into an 18-string guitar or send single notes soaring into the stratosphere with razor-sharp precision. You can set the Pitch Fork for your desired pitch shift or use an expression pedal for continuous control of sweeps and multi-octave jumps. We love innovative products at Sweetwater, and the electro-harmonix Pitch Fork pedal delivers a rock-solid pitch shifter in a small package.

British invasion! Taking its roots from legendary British guitar amps, the English Muff'n recreates their majesty and classic tone with spot-on accuracy. Rather than approximating these amps like "emulator" products, the English Muff'n employs vacuum tubes to produce the richness and natural saturation of Brit-valve sounds. A bloody masterpiece!

Capture a frozen moment and turn it into a tonally unique sonic foundation. The Freeze Sound Retainer delivers infinite sustain of any note or chord at the press of a momentary footswitch. Release the footswitch and you are again sample ready. Three selectable decay rates, including a latch mode, guarantee liquid, smooth tonal transitions. Hook the Freeze up with your favorite pedals for a sonic collage that will be unlike anything you have ever heard. It’s like adding an extra musician to the band.

The first multi-effect pedal from Electro-Harmonix! Righteous possibilities emerge when you combine a kaleidoscope of effects: Reverbs, Pitch Shifting, Tremolo, pure analog drive and fuzz. The brilliance of the Stain lies in the dynamic interaction of its controls. Invent brilliant tonal combinations.

Rotary speaker emulation at its finest in a compact, easy-to-use package. Stereo outputs provide a lush, realistic sound with either stereo or mono inputs. Tube-style overdrive is variable and the speaker balance can be fine-tuned. Switch between adjustable Fast and Slow modes to achieve that iconic sound when the big cabinet ramps up to speed and down.

The ultimate metal distortion pedal. Three powerful EQ bands sculpt the mids and 6 controls shape the sound precisely for your groove from slithering mercury to lead belly blast furnace dross. Its unique Top Boost adds serious bite with its own control knob and footswitch so you can kick it on for searing leads.

Rich, overtone laden sound that doesn’t get muddy. Responsive controls that take you from sparkling, clean boost through brown crunch and all the way to thick, saturated hi-gain. Advanced features like Tone Shift and selectable 9 or 18V internal voltage for surgical sound sculpting. The new OD Glove delivers overdrive and distortion with impact, and the modern player in mind. “The OD Glove is unlike any of the overdrives we offer and great!” - Mike Matthews

Same silky smooth violin-like sustain and creamy tone that made the legendary 1970 Big Muff Pi famous. This little brother displays its heritage proudly. Same circuitry in a compact die-cast box.

Combines two sweet pedals—-the Soul Food transparent overdrive and Nano POG polyphonic octave generator—-in one potent multi-effect. Use them alone or together, put either first in the chain, insert other pedals between them with the FX loop. Also includes a cool Mode switch for a choice of two different octave-up sounds. The versatile Soul POG delivers award-winning overdrive and flawless polyphonic octaves in any combination!

Digital Delay Pedal with Up to 2 Seconds of Delay, Analog-style Decay, Blend, Delay Time, and Feedback Controls, and Heavy-duty Housing<br> The #1 Echo is part of the Electro-Harmonix line of Micro (xo) guitar effect pedals, with a small die-cast housing. But don't let the size deceive you - it produces some of the finest digital echo available, with a full two seconds(!) of maximum delay time. Echo/delay effect is controlled by feedback and delay time knobs. A blend control lets you adjust the amount of delay in your signal to make sure the Micro #1 sits exactly where you want it in any track or performance.<br> <br>A rugged footswitch selects whether the #1 Echo pedal is engaged or bypassed, indicated by an LED. When in Bypass mode, the output jack is connected to the input jack through a buffer. It's equipped with standard 1/4" instrument I/O jacks. The barrel connector is for a 9-volt battery eliminator capable of delivering 100 mA of current. The inner ring of the 9-volt battery eliminator must be negative, the outer ring positive. The unit's battery may be left in or taken out when the eliminator is in use.<br> <br>FEATURES<br> <br>Up to two seconds of delay <br>Blend control <br>Delay Time control <br>Feedback control <br>On/off footswitch <br>LED indicator <br>1/4" input and output jacks <br>Buffer bypass

Got the digital blues? Coat your guitar in warm, organic tone. The new Analogizer thaws out digitally processed guitar, and gives you that analog sound and feel. Boost your solos with up to 26dB of gain. Fatten your sound. The Analogizer is perfect for warming up the harshness of your digitally processed guitar or for thickening up your already warm sound.

Not one, but two narrow filters sweep your tones under control of the envelope, generating very unique vocal-like sounds. A distortion switch enriches the harmonics. The response control varies the sweep range determined by your attack. Not only designed for and great on bass guitar, but also very funky on guitar.

Dual tube magic! Using the same professional-grade techniques as the most revered, vintage, high-end studio compressors, the Black Finger delivers truly professional performance compression. Unlike other "tube hyped" products on the market, which use 9 to 50 volts, the Black Finger's toroidal transformer allows for a full 300 volts of swing, preserving the attack while providing the warmest compression imaginable. Fantastic sustain, and a must for any amplified acoustic guitar.

Guitar gods have used the cocked wah sound to create monster riffs that have earned a permanent place in the rock lexicon. That required finding the sweet spot in their wah pedal’s sweep. The Cock Fight lets you achieve that cool cocked wah sound without the wah pedal. Tune in the tone you want. Add the built-in distortion for more grind and growl, or switch to the Talking Wah mode for a stuck voice-box sound. If you plug in an expression pedal, you can sweep the Cock Fight for jaw dropping wah and the tone you want.

Our flagship overdrive/distortion covers vast tonal real estate and redefines versatility. Like a database of great tone, the EHX TORTION’s full complement of features and controls make dialing in inspired guitar sound intuitive. Whatever the era, from vintage to modern, your search for the ultimate tone has ended.

The EHX Expression Pedal is part of our innovative Next Step Effects series. It does not use a potentiometer, optics or magnetism to sweep expression-enabled controls. The result is a responsive expression pedal that provides precise control over your expression or control- voltage capable effects and instruments.

A wired remote control for the 22500 Dual Stereo Looper that gives you foot control over paging up and down thru the pedal’s Loop Banks. The 22500 records and plays in up to 100 Loop Bank. The Foot Controller makes it easy to navigate thru the 22500’s 100 Loop Banks, moving up or down by either one or ten banks at a time.

Foot Controller and Live Expansion Module for the ehx 45000 Looper It makes everything faster and easier by delivering hands free operation of key functions. Choose a new track or loop without missing a beat. Get instant access to up to 100 loops per SDHC card. The Foot Controller receives power from the 45000 and connects to it with a standard mono guitar cable. It’s a must have!

The Good Vibes recaptures the iconic chorus/vibrato effect of the 1960s in an updated pedal with features designed to meet the needs of the modern player. Like the original Uni-Vibe®, it uses photocells to create chorus and vibrato with a warm, undulating, liquid groove for a sound and response that’s true to the classic design. Boosted power rails provide 21st century definition and headroom, and an expression pedal input puts free-form control for speed or intensity at your feet. True bypass, too. Very groovy!

Electro-Harmonix announces the Grand Canyon equipped with 12 effect types plus a fully featured looper capable of recording and overdubbing the Grand Canyon's effects. The pedal provides up to three seconds of delay time, tap tempo and nine tap divide settings, stereo output, 13 presets, programmable EXP pedal settings and high quality analog bypass with soft switching. The Grand Canyon's 13 modes are: 1. ECHO - 24-bit digital delay with bit crush/sample rate reduction and low/high pass filtering 2. MOD - Modulated delay, yields flanger, chorus, vibrato and more 3. MULTI - Multi-tap delay, set the exact number of echo repeats up to 31 4. REVERSE - Reverse delay with an intelligent pluck detection algorithm 5. DMM - Deluxe Memory Man, re-creates the tone of the EHX bucket-brigade delay pedal 6. TAPE - Tape Delay, simulates analog tape echo including tape distortion, wow and flutter 7. REVERB - Lush plate reverb plus echo. 8. PITCH - Polyphonic pitch shifting plus digital delay creates pitch-shifted echoes 9. SHIM - Shimmer generates a rich octave-shifted wash 10. SAMPLE/HOLD - Sample and hold, senses a note being plucked and produces echoes indefinitely until another note is detected 11. DRUM - Magnetic drum echo that emulates a classic Binson Echorec style delay 12. DOUBLE - Thickens up a mono signal or creates a stereo spread. 13. LOOPER - Looper with up to 16 minutes of recording time. Includes unlimited overdubs, undo/redo, dedicated stop button, loop fade-out, reverse and speed adjust.

The Holy Grail Nano is a digital reverb in a compact guitar pedal. Holy Grail Nano contains three different reverb algorithms: Spring, Hall and Flerb. All three algorithms were designed and tailored for the electric guitar but they will work equally as well on most instruments and voices. The Spring algorithm is a re-creation of the classic spring reverbs that are found in many guitar amplifiers. The Hall algorithm is a new, lush reverb. Flerb is a beautiful reverb like nothing you have heard before. Holy Grail Nano will change the way you look at reverb!<br><br>Electro-Harmonix Holy Grail Nano Reverb Features:<br>-Three different reverb algorithms <br>-Spring, Hall, and Flerb <br>-Great for guitar, voice, and most any instrument<br>-Digital reverb in a compact pedal

The Holy Grail Max shares the Holy Grail’s remarkable Spring and Hall reverbs. Then we added a Plate reverb, with its wonderfully lush tone, and Reverse reverb for the sonically adventurous. The Max’s multi-function control lets you adjust decay or reverse time. With the Holy Grail Max your quest for the perfect, portable reverb pedal is answered.

Electro-Harmonix combined two of their popular dirt pedals — the Crayon boost/overdrive and the Hot Tubes overdrive pedal — to create the Hot Wax dual-overdrive pedal. Offering two footswitchable sections, you can switch between two distinct overdrive tones or combine them for even more harmonic complexity.

The Knockout is a powerful two-filter combination that can make your Les Paul sound like a Strat and your Strat sound like a Tele. Its secret...the Knockout has a 7 pole filter for sculpting the low end of your mids and a 6 pole filter to shape the top end of the mids. This provides incredible tone shaping. Use after distortion to bring out the heavy weight punch of the metal masters. The Knockout is also truly amazing on Bass.

The new Nano Bass Big Muff is the latest EHX bass guitar, effect pedal. It delivers that huge Bass Big Muff sound in a nano-sized package. With voicing inspired by the battle-tank green, Russian Big Muff and a classic Big Muff Pi layout of Sustain, Tone and Volume controls, it provides sounds ranging from a slight but satisfying grit to an over-the-top wall of bass fuzz.

The Signal Pad is a passive attenuator that allows you to instantly switch to a different preset volume. It's like your guitar's volume knob, with a fully-passive and color-free circuit. Leave your amp's volume set high for overdrive, and use the Signal Pad to lower your level for a clean sound -- then switch it off to kick in your amp's natural overdrive. You can also experiment with the Signal Pad anywhere in your effects chain -- you'll bring out new tonal combinations from your favorite old pedals.

The EHX Volume Pedal is part of our innovative Next Step Effects series. It does not use a potentiometer, optics or magnetism to sweep the volume control. It delivers accurate and very expressive control over the volume of an instrument.

All-tube time machine allows you to go back to the 1960's with The Wiggler's recreation of the most sought-after modulation effects that until now were only found in classic amps. Clear and defined amplitude modulation and vibrato with the vacuum tube warmth that older generations once took for granted. CAUTION: Your friend who shelled out big bucks for a Leslie cabinet will no longer speak to you... don't say we didn't warn you.

Building on EHX’s looper legacy, the 45000 combines the familiar controls of a multi-track digital recorder with state-of-the-art features making it possible to create complex multi-track loops quickly and easily. Each loop has four mono tracks and one stereo mixdown track. The 45000 records non-compressed, 44.1 kHz / 16-bit CD quality audio direct to a removable SDHC card (4 to 32GB). Each card holds up to 100 individual loops accessed with the optional 45000 Foot Controller (sold separately). Loop speed is adjustable over a two octave range, and reverse recording and playback are also possible. For extra convenience, a built-in metronome to a separate Monitor Out and a Headphone Out are also included.

Synth-style filter modulation may not be for everybody, but if you enjoy funky filter sweeps or simply want to explore new avenues to enhance your guitar effects, then you're going to love the Electro-Harmonix Blurst modulated filter pedal. The Blurst follows the tried-and-true modulated filter formula used by countless synthesizers: you start with a variable resonant filter — usually a lowpass filter like the one featured in this pedal — and then modulate the filter cutoff point with an LFO (low-frequency oscillator). The results can be exceptionally stunning, especially when you combine the Blurst with other effects.

The Crying Bass brings all the advantages of EHX’s outrageous Next Step Effects to bass guitarists. Designed especially for bass, this wah/fuzz pedal provides the smoothest response and sound that goes all the way from smooth funk to rude growl without losing any bottom.

The classic analog Flanger. An array of critically notched and tuned filters gracefully sweep the sound spectrum, creating shimmering, ethereal passages that are truly out of this world. Exclusive Filter Matrix mode disengages the automatic sweep, allowing manual positioning of the filter bank to achieve chime-like metallic tones and other unique effects.

Classic dual overdrive. The original 1969 plug-in Muff Fuzz had just a touch of overdrive and sounded like a vintage amp with a slightly torn speaker. We paired two of these together in one box to create the Double Muff. Use just one Muff for a hint of milky distortion, or cascade the second Muff for over-the-top overdrive that turns the milk into cream. Two distortions in one! Now in a compact, rugged Nano-sized package.

Your quest for an ultra pedalboard-friendly stompbox that includes plate reverb is fulfilled with the Holy Grail Neo. Divine Hall and classic Spring reverbs complete the heavenly mix and give you three of the most sought after reverb styles. The three-position switch lets you choose and the Reverb knob acts as a wet/dry control. The Holy Grail Neo is equipped with True Bypass to ensure maximum signal path integrity when the effect is in bypass mode and comes with a standard EHX9.6DC power supply.

The Holy Grail Plus starts with the Holy Grail's amazing spring, hall, and flerb reverbs, and adds a graceful room reverb. The Plus' multifunction control lets you control decay, damping and modulation speed. The Grail has gotten even more divine!

With the price of vintage HOT TUBES soaring, countless guitarists have requested that we re-issue our 1970s CMOS HOT TUBES. We’ve done this using the exact same design and miniaturized it, too! Volume and Overdrive let you go from a gentle rasp that caresses your notes to a full-blown gain monster with a powerhouse punch. Sculpt your sound with the Tone control, or take a detour around the tone circuit with the Tone On/Off switch. True bypass for a pristine signal chain.

The smallest member of the polyphonic POG clan provides impeccable tracking and sound. Separate level controls for dry, sub octave and octave up plus an extra Dry out and silent footswitching provide the perfect formula for this compact jewel.

The Electro-Harmonix Operation Overlord overdrive effects pedal originated from the idea of giving keys players a way to add great-sounding grit to their sounds. But the guitarists at EHX quickly realized that the Overlord's FET-based overdrive delivered the tube amp-like tone and feel that guitarists clamor for. So the company went about adding even more guitarist-friendly features, such as an independently footswitchable boot, a dry blend, and more. No matter how you intend to run your EHX Overlord, it's sure to deliver the warm and gritty tones you're after.

The Electro-Harmonix Ravish Sitar is the answer. Session sitarists are not exactly a dime-a-dozen, and with its characteristic harmonic and dynamic slipperiness, the sitar is a tough instrument to emulate with a guitar pedal. Thankfully, there's Ravish Sitar, which distills the essence of the sitar into a compact enclosure, serving up a polyphonic lead voice and tunable sympathetic string drones that dynamically react to your playing. You can create your own custom scales for the sympathetic strings and set decay time for the lead voice. Two expression pedal inputs let you simultaneously bend the pitch of the lead voice and control the volume of the sympathetic strings. Tweak Ravish Sitar's powerful controls to conjure new organic instruments.

The Electro-Harmonix Riddle is a powerful and precise envelope filter fine-tuned for guitar frequency response.<br> Sculpt your envelope to reveal a truly expressive tone, with a defined and unique signature. Riddle will deliver tight and smooth control over the complete 80 Hz to 5 kHz range, with a consistent and even sweetness.<br> Need some edge? Engage Riddle's analog distortion and dial in anything from subtle bite to dominating crush.<br> You can even plug in an optional expression pedal to control the filter sweep with your foot. With the ability to adjust Q, sweep range, and filter type, you'll also wind up with of the most versatile wahs available.<br> Riddle: a mysteriously musical envelope filter for guitar.

A sophisticated noise gate that can tame a single pedal or an entire effects loop! The Silencer’s three-control layout provides precise fine-tuning to fit your system, axe and playing style. Threshold adjusts how much level is required to open the noise gate and allow a signal to pass thru. Reduction regulated the degree to which the gated signal is reduced and is variable between -70dB and +4dB. Release controls how long the gate remains open after the signal drops below the Threshold. Release time is variable between 8ms and 4 seconds. I/O includes ¼ inch Input, Output, Send and Return jacks. The footswitch selects whether The Silencer is engaged or in bypass mode; buffered bypass allows the effects loop to remain in your signal path when the gate is bypassed. A built-in AC jack accepts a standard power supply like the EHX 9.6DC unit (optional) and the pedal comes with a 9V battery. Conquer noise with The Silencer!

Transpose, detune, texturize, and harmonize all from the same pedal: the Electro-Harmonix Slammi Plus. Think of the Slammi Plus as an EXH Pitch Fork and a space-saving expression pedal all in one, with a powerful new dry/wet crossfade feature baked right in. Tracking is lightning fast and glitch-free as ever, even on chords, and a ±3-octave range gives guitar, bass, and synth players plenty of room to experiment. Transpose keys in seconds to suit your vocalist. Pull off whammy and dive-bomb tricks without whipping out your trem guitar. Create chorus and doubling FX on the spot. An X-Fade function even blends seamlessly between wet and dry tones — stack fifths on your riffs and thirds on your leads at will and as subtly as you please.

Generate slithering "Axis Bold as Love" textures. Use Filter Matrix mode to manually flange your sound or select a flange point allowing musically frozen tonalities. This is the only pedal where lush Stereo Flange and Stereo Chorus work together seamlessly for the richest modulations that undulate and flow over any stage or recording. Colorful and seductive in stereo.

The Stereo Memory Man is a real time performance tour de force. As a Looper it has up to a full 30 seconds of loop time. World class echoes with modulation and reverse are just a few of the choices. The Stereo Memory Man with Hazarai is destined to be one of the most creative instruments you will ever own. Ethereal tone-scapes to full musical performances are only limited by your imagination. And it's all in stereo.

A truly super tremolo with powerful controls and signal routing. Sculpt the tremolo’s shape with adjustable sine, triangle and pulse waveforms while tap tempo and tap divide ensure synchronicity. Create your own rhythmic patterns and store them. Save and recall up to eight customized preset programs. Conjure moving tremolos on-the-fly with EXP control over Rate, Depth, Shape, Phase or Volume. Deluxe I/O lets you choose stereo in/out, mono in/stereo out, stereo in/mono out or mono in/mono out operation. Analog circuitry yields warm, lush tone that will envelop you in shape shifting waves.

TONE TATTOO is our first fully-interactive, analog multi-effects pedal. Satisfy your tone jones with a chain that features the Metal Muff Distortion, Neo Clone Chorus and Memory Toy Analog Delay. Delivers crushing Lead & Rhythm tones. Features full tone sculpting, including two levels of scoop. New Noise Gate for minimal noise. With three critically acclaimed effects, it’s like a talisman for great guitar.

Unzip your soul! Just picture your guitar signal being massaged by a complex set of filters moving through a vacuum tube maze. Energized by two Electro-Harmonix 12AX7 tubes, the Tube Zipper's patented moving filter tastefully adds controlled analog harmonics to your signal. In typical EHX fashion, each control can be set over-the-edge, generating a host of novel tones. Tron or Trill a la mode!

The Turnip Greens is a compact multi-effect pedal combining the award-winning Soul Food Overdrive and Holy Grail Max Reverb. The Soul Food delivers transparent sounds starting with clean boost and progressing all the way to intense overdrive. It’s equally adept at adding punch to a player’s tone, pushing an amp into saturation or in front of other dirt pedals driving them into new worlds of distortion. The Holy Grail Max provides four carefully crafted reverbs: Spring, Hall, Plate and Reverse. A newly designed analog wet/dry control yields a constant volume curve as the Blend knob is turned from fully dry to fully wet, while also keeping the dry signal analog through the pedal. The pedal’s left side features the Holy Grail Max’s controls and independent footswitch while the right side is dedicated to the Soul Food’s controls and footswitch. A toggle effect-order switch, located in the middle of the Turnip Greens, selects whether the overdrive or reverb is first in the effects chain. Send and Return jacks let the player insert effects into the signal path between the two. With the switch to the right the signal chain is Soul Food → Holy Grail Max which produces a traditional sound familiar to most players. In the left position the signal chain is Holy Grail Max → Soul Food. Now the reverb is boosted by the overdrive which, when used in conjunction with pedals in the effects loop, can create very lush textures. The Turnip Greens features an internal switch that lets the player select between true bypass or buffered bypass for the Soul Food section. In true bypass mode, when the Turnip Greens is set to bypass, the input jack is connected directly to the amp jack and nothing else. In buffered bypass mode, the bypass signal passes through a high-quality buffer circuit before it is output from the Amp jack. The new Turnip Greens comes standard with an EHX 9.6-Volt/DC200mA AC Adapter.

EHX introduces the 95000 Performance Loop Laboratory, the company’s most advanced looper to date, featuring six mono tracks and one stereo mixdown track per loop. It will record up to 375 minutes and 100 loops with a 16GB Micro SD card and switching between loops is quick and easy.<br><br>The new 95000 is housed in a rugged, aluminum, all metal chassis with a control layout that has been optimized for use as both a tabletop and foot-pedal unit. This new design ensures that the player can take maximum advantage of the looper’s powerful performance capabilities.<br><br>The 95000 also features a robust I/O including two audio inputs, each capable of handling a microphone (phantom power is included), instrument or unbalanced line input so the unit can readily connect to all sound sources. Left / right outputs, a Monitor out and a Headphone Out are included.

With 9 presets that were finely tuned to emulate the most legendary organs from the ‘60s and beyond, the B9 Organ Machine will transform your guitar or keyboard. Control the instrument’s signature percussive click and sweet modulation. Blend your dry signal to create lush layers. Enough tonewheel and combo organ inspiration to light your fire and cook up some green onions!

The Electro-Harmonix Bass Blogger gives bassists cutting fuzz tones and great overdrive tones - in the same pedal! E-H knows a thing or two about fuzz and overdrive - their legendary Muffs have been the standard for fuzz since their inception - and they package all their distortion expertise into the Bass Blogger. Controls for Drive, Volume, and Tone let you craft your ideal distortion style and a direct output lets you feed a second amp or effects chain.

A natural overdrive and clean boost for the tone conscious player to enhance the original sound of an instrument and amp while retaining their essential character. Its gain stage, treble control and signal path are optimized for bass guitar and guitarists wanting extended low frequency response. An adjustable clean blend assures an articulate, full tone while boosted power rails deliver extended headroom. EHX Founder and President, Mike Matthews, stated: “Our Soul Food put ‘Klon-like’ transparent overdrive into the hands of players at an unprecedented price point. Now we want to bring that to bass guitarists and guitar players who want more low-end definition. The Bass Soul Food delivers a wide range of overdrive and clean boost sounds, and has plenty of volume to assert your place in the mix. It will give your tone a lift in all the right places!” Selectable true or buffered bypass modes and a switchable -10dB pad for active instruments complete the package. Bass Soul Food runs on a 9V battery and ships with a EHX9.6DC-200 power supply.

Everything you love about the legendary Big Muff, in a compact pedal that's perfect for any pedalboard! The electro-harmonix Big Muff Pi Nano distortion/fuzz pedal serves up a wide range of aggressive tones that have been favored by Jimi Hendrix, Santana, Pink Floyd, and countless others. The tone control covers expansive sonic territory, while the sustain control lets you dial in just how huge your sound is. The Big Muff Pi is one of the most popular distortion/fuzz boxes at Melody House for electric guitar or bass, and now you can have it in a more convenient smaller size with the ehx Big Muff Pi Nano!

The NYC original. Hendrix and Santana were among the first to get a piece of the Pi, and for over 40 years the Big Muff Pi has been defining the sound of rock guitar. Revered by contemporary guitarists and rock legends for its rich, creamy, violin-like sustain, from Pink Floyd to The White Stripes, everyone still wants a piece of the Pi!

The new C9 Organ Machine springboards off the revolutionary B9 to mine another rich vein of classic gold and provide players with nine more definitive organ and keyboard sounds. The C9 will transform your instrument into a convincing full body, electric organ or vintage electronic keyboard. For each preset chosen, it also provides precise control over important elements of that sound’s sonic fingerprint like percussive click, modulation, attack/sustain, drawbar setting or high frequency content. Blend your dry signal to create beautiful layers. Lovers of classic organ and keyboard rejoice!

The Electro-Harmonix Crayon is a versatile overdrive with independent Bass and Treble controls and an open frequency range that provides players with a musical alternative to customary mid-focused overdrive pedals. It delivers a range of sounds going from a suggestion of dirt to full-on distortion and is equally impressive all by itself or when driving another overdrive pedal.

The Electro-Harmonix Crayon is a versatile overdrive with independent Bass and Treble controls and an open frequency range that provides players with a musical alternative to customary mid-focused overdrive pedals. It delivers a range of sounds going from a suggestion of dirt to full-on distortion and is equally impressive all by itself or when driving another overdrive pedal.

Nothing can compare to the organic sound of analog delay, and no one does analog like the electro-harmonix Memory Man! The Electro-Harmonix Deluxe memory Man provides up to 550ms of vibrant echo that rivals tape delay. Lush, spatial chorus and haunting vibrato are just a few of the treats in the Memory Man's sonic schmorgasbord! Analog warmth that renders digital delay obsolete - the Deluxe Memory Man echo with chorus/vibrato!

Electro-Harmonix creates classic overdrive in a JRC4558 IC based pedal that’s as bold as New York City. Symmetrical overdrive adds edge and gain without compromising tone. Volume and Drive take it from sweet to searing while Tone lets you dial in just the right amount of bite to cut through the mix. No matter how hard you drive it, you’re always in control. True bypass and tone that is absolutely unflinching at a musician-friendly price!

Protect your pedals with the Electro-Harmonix Pedal Bag. You won't have to hassle with setting up your pedals and hooking up cables anymore. This unique and convenient pedalboard is its own gig bag, and it comes with customized hook and loop strips to lock your pedals into place. Once you get your pedals hooked up you'll never have to do it again. The non-slip pedalboard won't slip and slide around the stage. The Electro-Harmonix Pedal Board Bag makes transporting your pedals a snap and keeps your gear safe. Dual handles and a comfortable shoulder strap make hauling your pedals from gig to gig a breeze.

The Electro-Harmonix Enigma is a powerful and precise envelope filter fine-tuned for bass frequency response.<br> Sculpt your envelope to reveal a truly expressive tone, with a defined and unique signature. Enigma will deliver tight and smooth control over the complete 40 Hz to 3 kHz range, with a consistent and even sweetness.<br> Need some edge? Engage Enigma's analog distortion and dial in anything from subtle bite to dominating crush.<br> You can even plug in an optional expression pedal to control the filter sweep with your foot. With the ability to adjust Q, sweep range, and filter type, you'll also wind up with of the most versatile wahs available.<br> Enigma: a mysteriously musical envelope filter for bass guitar.

The Flatiron Fuzz is extremely versatile. At lower drive settings it remains fairly clean and adds a pleasing mild distortion. As the drive is turned up it transports you to a world of arena rock and produces spectacular, thick, meaty tones.

Slap your amplifier with the electro-harmonix OD Glove overdrive pedal for guitar tone that's biting and defined. There's no tonal mud here - MOSFET semi-conductors give the OD Glove a harmonically rich sound with a surprisingly wide distortion range. Even when you've got the gain dimed and the mid-boost switch engaged, you can clean your tone up to a whisper with just your guitar's volume knob. And with an internal 9V/18V switch, you can even adjust the feel of the electro-harmonix OD Glove overdrive pedal.

Every musician battles hum in their signal chain. The Hum Debugger turns it into dead silence, courtesy of a little EHX magic. Not a noise gate, and not a noise suppressor -- but a real hum extractor. Silence is golden.

Line-level preamp. Two tubes deliver optimum gain while remaining quiet and transparent, offering amazing definition and warmth. In either stereo or dual mono mode, the LPB 2ube offers two full-frequency inputs and outputs, as well as the potential to gang the I/Os.

The polyphonic MEL9 uses the same extraordinary technology as the B9, C9 and KEY9 to transform your axe and resurrect the sound of vintage tape-based keyboards.<br><br>Features:<br>-Pays homage to nine of the coolest Mellotron sounds: Orchestra, Cello, Strings, Flute, Clarinet, Saxophone, Brass, Low Choir and High Choir<br>-Combine it with the B9, C9 and KEY9 for your own multi-keyboard rig<br>-Works on guitar without modifications, special pickups or MIDI implementation. Also works with bass guitar down to the open A string, as well as with keyboards<br>-Features independent Effect and Dry volume controls with separate output jacks, so you can create the perfect mix. Attack & Sustain controls allow you to fine-tune swell speed and release time.

What is it that makes a performance legend? Experience and design integrity make a legend. Since the early 1970’s, Electro-Harmonix has been designing analog delays featured on some of the greatest recordings and used by legendary musicians throughout the world. From the original Memory Man to the Deluxe Memory Man, still available today, our delays are desired instruments for the organic tones that deliver textures that define quality.<br><br> The new Memory Boy carries the performance heritage for warm analog delays and modulations that made its ancestors the go to legends that remain today. With two years in design using new and refined, analog IC’s the focus was making the legend affordable to every musician while maintaining the character and artistic sounds that let you stand apart.<br><br> The new Memory Boy straps on the cape and flies with heritage into the search for amazing sound at a price that mere mortals can afford.

The Micro Q-Tron is a smooth envelope filter with a funky wah-wah tone. The filter is controlled by its internal envelope follower, analyzing the volume of your notes and the dynamics of your playing to directly sweep the filter's center or cutoff frequency. A stronger attack or louder note will produce a wider frequency sweep while softer playing produces more subtle effects. Use the Q control to make the effect more dramatic.

We took the Big Muff Pi circuit and simply shrunk it without changing its rich, creamy, violin-like sustain and sound. The Nano Big Muff Pi works and sounds identical in every way to our classic NYC Big Muff Pi. Get a piece of the pi for yourself!

The Nano Battalion features a three-band EQ with three EQ position modes for maximum flexibility and sound shaping control. The three-band EQ includes Treble (boost/cut above 1kHz) and Bass (boost/cut below 200Hz) controls, plus a Mid switch which provides a 9dB boost or cut at 500Hz. Three signal path options determine where the EQ is applied. In Distortion Mode the EQ comes after the distorted signal and has a powerful effect on its timbre while the clean signal is not affected. In Input Mode the EQ comes first in the signal path affecting both the clean and distorted signals. Boosting frequencies in this mode can drive the distortion to a more saturated state. In Dry Mode the EQ affects the clean signal, but not the distorted signal.

Based on the late-'70s op-amp Muff Earlier transistor-loaded Muffs are regarded for their smoother bite and more controlled sustain. Yet a key ingredient in Corgan's Siamese Dream tone was the op-amp-loaded, late-'70s Big Muff Pi. The EHX Op-Amp Muff captures the grit and gain of Corgan's classic in a compact new pedalboard-friendly footprint.

The little brother of the Metal Muff family takes the most powerful features and packs them into a slick die-cast box. Carefully selected mid frequencies are switch-selectable, offering powerful musical scoops. Heavy Metal fire power with slag simplicity.

The classic chorus! Analog chorus pedal popularized by Kurt Cobain. The finest analog chorus sounds: from clear, rich and dimensional to warm pulsating warbles, can be intensified with the Depth Control. Simple tweaks generate exciting doubling effects. Chiming 12-string tone, or Leslie-like warbles.

With the Sovtek Deluxe Big Muff Pi, you get the classic sound of the Big Muff combined with the comprehensive tone-shaping controls found on the Deluxe Big Muff Pi. In addition to the familiar Sustain, Tone, and Volume controls, you have a parametric midrange EQ section with up to 10dB of boost/cut, and a Wicker switch for tailoring your high frequencies.

The polyphonic SUPEREGO Synth Engine reinvents sample and hold, performs fluid glissandos and creates oscillator like, synthesizer effects. It can stack sounds or create infinite sustain, it even lets you tweak attack and decay, or use its effects loop to invent novel synth patches. Indulge your guilty pleasures!

Building on the synthesis platform of the award-winning Superego, the Superego+ raises the bar when it comes to creating synth effects, sound layers, glissandos, infinite sustain and more. Plus, we’ve added a complete effects section featuring 11 effects types, an EXP input for effect parameter control/preset recall and an EXT jack for a 3-button controller.

Sturdy 3PDT switch. This is the original, patented blue 3PDT switch that has been used in boutique stompboxes for many years and has earned a great reputation for reliability and smooth switching action.

The Electro-Harmonix Synth 9 Synthesizer Machine pedal allows you to coax classic synth tones from your guitar or bass. And it doesn't require a special pickup system either — just add it to your pedalboard like any other effects pedal. Nine presets give you access to some of the most iconic synth sounds from the '70s and '80s. And thanks to an extremely wide playable range, the Electro-Harmonix Synth 9 pedal delivers precise tracking with both guitar and bass.

Modulation madness! All-analog multi-effects processor featuring Phaser, Tremolo, Vibrato, and a Neo-modulated Wah. At the heart of The Worm is a specially designed tone-bending engine that creates groundbreaking oscillatory effects.

Combining a compact footprint, a comprehensive feature spec and an intuitive user interface, the 22500 delivers powerful looping capabilities in an affordable, easy to use package. It records high quality, non-compressed audio directly to a removable SDHC card (4 to 32 GB) and each card holds up to 100 individual loops. Includes an 8GB card for up to 12 hours of recording time.

With 720 seconds (12 minutes) of stereo recording time on 10 independent loops and unlimited overdubbing, the compact 720 Stereo Looper provides guitarists with an intuitive tool that’s perfect for practice and live performance.

The Prodigy reborn with underworld instincts comes to life wielding the drive of the original classic Big Muff Pi and the earthy support of a bass tailored design with no loss of low end. This is the pedal that bass players who loved the Big Muff sound have been waiting for.

A bass guitar preamp in a channel strip tool box. New distortion melds with carefully selected compression and bass specific EQ to add structure with a rock solid foundation. Additionally serves as a quiet and excellent DI. Useful for every bass player whether playing live, recording at a pro studio or recording bass into a laptop.

The EHX Canyon Delay/Looper is much more than meets the eye. Onboard you'll find ten time-based effects, such as a Deluxe Memory Man-style analog delay, a reverb with plenty of control for matching your needs, a 62-second looper, and much more. And they can all be controlled with onboard tap tempo. The four control knobs are FX Level, Delay, Feedback, and the effect selector, and like many other pedals from EHX, the Canyon packs a lot of extra tweakability and tones under the hood. If you need a ton of ambient power, but don't have much room left on the pedalboard, check out the EHX Canyon.

The Electro-Harmonix Cathedral Stereo Reverb pedal surrounds your tone with an aria of rich presence. It's loaded with 7 different types of reverb plus digital echo, all of which work in true stereo. Full programmability lets you recall previous settings instantly. The EHX Cathedral Stereo Reverb lets you create the perfect space for your instrument or voice while offering an elegance that takes your music to a higher ground. The Cathedral offers two spring modes: Grail Spring, based on the Holy Grail's spring emulation, and Accu Spring, an Accutronics spring tank emulation. Top notch, professional Hall, Room, Plate, and Reverse reverb algorithms. Grail Flerb mode is the EHX Holy Grail Flerb with greater adjustability. Echo mode makes the Cathedral into a versatile 2-second digital delay. Up to 2 seconds of Pre-Delay, with Feedback allow for reverberant echoes. Tap tempo footswitch sets the pre-delay time with your foot. Instantaneous infinite reverb is yours by pressing and holding the Tap footswitch. Tone controls on the reverbs allow for further refinement of the sound. True stereo in and out.

The Electro-Harmonix Tone Corset compressor effects pedal offers dynamic control of your tone while retaining the nuance and personality of your playing. Dialing in the squish couldn't be easier thanks to controls for Sustain and Attack. And if you want more of your original signal to cut through, simply bring it in with the blend knob. And the Tone Corset's pad switch enables you to get the most from your guitar whether it's a vintage Strat or an active-humbucker-loaded metal machine.

The 1100-TT is designed with high quality bucket brigade ICs for an analog delay sound equal to the original Deluxe Memory Man. In addition to Tap Tempo control of the delay time, the 1100-TT also includes delay time modulation, an effects loop in the feedback path of the delay block, an input gain control, tap tempo divide and optional expression pedal control over five parameters: Delay Time, Feedback, Modulation Depth, Rate and Blend. The 1100-TT is true bypass.

Our flagship overdrive/distortion covers vast tonal real estate and redefines versatility. Like a database of great tone, the EHX TORTION’s full complement of features and controls make dialing in inspired guitar sound intuitive. Whatever the era, from vintage to modern, your search for the ultimate tone has ended.

Most common power pentode found in British amplifiers such as Marshall, Hiwatt, Laney, and Sound City. The EL34EH defines the classic British rock sound of the 1960's and 1970's.

The go anywhere Headphone Amp delivers a musical quality and attitude that defines the spirit of Electro-Harmonix. As uniquely musical as it is portable, the ultra-light Headphone Amp let’s you practice as loud or funky as you want without waking up your old lady.

Housed in a smaller enclosure than the Metal Muff and with simplified controls the Micro Metal Muff delivers the same aggressive metal drive that made its big brother famous. A wicked sound - a metallurgist's dream. The Metal Muffs from Electro-Harmonix have been called "the finest pedals ever created for heavy metal". Massive tones that sculpt the mids and add extra ‘bite’ by boosting a narrow band of high frequencies are the hallmarks of these metal monsters.

The Legenday and classic original POG won top awards from every major magazine on every continent for its flawless polyphonic tracking and musical flexibility. The Micro POG delivers the same perfect tracking and smooth polyphony in a simplified design. Now in a small pedalboard-friendly diecast chassis, the Micro POG delivers and will blow you away the first time you use it.

From the classic vintage sounds of the great early Moog synthesizer to custom creations, the Microsynth creates fat analog synth sounds heard on classic recordings by some of the finest musicians in the world. Compact ten-slider layout lets the sonically adventurous guitarist dial in a virtually limitless array of analog synthesizer sounds: from percussive stabs to backwards-sounding bowed effects.

The Electro-Harmonix Nano Clone Chorus Effect Pedal is everything you love about the Small Clone in an even more compact, die-cast package. This compact battery operated Chorus pedal features a simple, effective Rate knob, with an LED function indicator. To produce the Chorus effect, the Nano Clone bends the frequency slightly from the input source and mixes this altered signal with some direct unaffected signal. The combination produces a doubling effect.The depth switch controls the amount of frequency change that occurs in the altered signal. The rate knob controls the rate of alteration between raising and lowering the frequency. The red LED indicates when the effect is switched on. The footswitch engages and disengages the Chorus effect.

The electro-harmonix Nano Looper 360 lets you record 11 different loops and store them for later recall - that's a lot of looping power in a compact pedal! Guitarists and bassists at Sweetwater love practicing with looper pedals to explore new song ideas, and the creative possibilities for live performance are vast. The Nano Looper 360 will reward you with uncolored, dynamic sound thanks to its high-quality 24-bit digital converters. And with a single footswitch for control over record, overdub, undo-redo, and loop erase, the electro-harmonix Nano Looper 360 is an easy-to-use looper that will become incredibly addictive.

EHX re-creates the classic fuzztone pedal with the Satisfaction Fuzz, now updated with true bypass circuitry for optimum signal path integrity. The Satisfaction Fuzz features an elemental two-knob layout with controls for Volume and Attack (fuzz). True to the genre, this classically-voiced fuzztone creates a sound that is anything but subtle and goes from an aggressive rasp to full-on fuzzed-out mayhem!

Overdrive/Distortion Pedal for Electric Guitar with Volume, Drive, and Treble Controls<br> The SOUL FOOD delivers transparent overdrive with great touch and response. Its circuitry features boosted power rails to provide abundant headroom and increased definition. Best of all, you don’t have to be a rock star to own one!

The wah wah pedal was introduced in the 1960s. Now, almost half a century later, Electro-Harmonix has solved many of its inherent problems by creating a gorgeous wah with absolutely no moving parts and the sweetest tone.