With the bus-powered MDB-USB Stereo DI, the days of relying on your headphone jack to get audio from a computer into analog gear are over. Combining a high-resolution audio interface with a noise and distortion-free stereo DI, MDB-USB converts your digital audio into clean, balanced, stereo output. Featuring an output level control, headphone output, and mono sum for maximum versatility. Analog outputs are dual XLR with ground lift.

Never play the guessing game with cables again. Featuring a simple 5-way switch to test every pin, even with mismatched connectors, the battery-powered MTEST-1 is an essential tool to have in your bag for every gig. You can even manually test continuity between any two points with the included probes. Equipped with the most commonly used connector types including TRS, TS, XLR, RCA, Speakon, 3.5mm TRS, MIDI, and Banana jacks.

Great for stereo sources like keyboards and synthesizers, the MDB-2P is an essential tool for electronic musicians, live sound venues, and recording studios. The MDB-2P Stereo Passive DI features dual 1/4” high-impedance inputs with Thru outputs and -15db pads, and dual low-impedance XLR outputs with ground lift.

The M48 48v Phantom Power Supply allows you to use your devices and microphones that require external power in any setup. Sometimes the phantom power being supplied is inadequate as well, and with the M48, you will always get a clean, full 48v of power for the best sound and noise performance. Powered by either a 9v battery or supplied AC adapter.

An essential tool for every musician and engineer, the MDB-1P Passive DI has everything you need to adapt unbalanced, high-impedance audio to a balanced, low-impedance output with minimal noise. Featuring a 1/4” high-impedance input and thru with -15db pad and a balanced XLR output with ground lift.

Great for active instruments like guitars and basses with active pickups and preamps, the MDB-1A Active DI features increased headroom and distortion-free operation. Featuring a 1/4" high-impedance input and thru with -20db pad plus a Merge switch that turns the Thru jack into a second input, perfect for summing a stereo source to a mono output. The balanced XLR output features switches for Polarity, Low Cut, and Ground Lift. For maximum convenience, the MDB-1A is powered by 48v phantom power.

Stereo Direct Box for Computer Sound Cards & A/V The Radial JPC is an analogue stereo interface designed to help solve the buzz and hum problems commonly associated with connecting a computer to an audio system. This is accomplished by combining active buffers and transformer isolation to create an effective 'hybrid' circuit. Intended for professional field use, the JPC comes fully loaded with choice of ¼", RCA and 3.5mm input connectors that make it easy to interface with all types of unbalanced audio sources such as computers, iPods, and CD players. It is equipped with isolation transformers to eliminate hum and buzz caused by ground loops and to further reduce system noise; while AC blocking capacitors in the active circuit prevent pollution from the audio system from bleeding back into the computer. Outputs are XLR balanced mic level for easy interface to snake systems and PAs. Powering the JPC is accomplished via 48V phantom from a mixing console. This enables the JPC to be used in concert environments without requiring an external power supply. The JPC is a great sounding stereo direct box that is plug-and-play easy to use with practically any consumer electronic device. The noise eliminating advantages makes the JPC a must-have problem solver for any technician's audio kit.

Passive 1-channel Multimedia DI with RCA, 3.5mm, XLR, and 1/4" Connectors The ProAV1 is a passive direct box,specifically developed with the audio-video integrator in mind. The ProAV1 features a variety of stereo inputs that are summed mono via a resistive mixer, greatly simplifying signal management.To eliminate the need for various adaptors, both units are equipped with a 'Swiss Army' array of connectivity options including 1/4" inputs for instruments, RCA and 3.5mm (1/8") connectors for CD players, iPods, video decks and computers. The ProAV1 also features a female XLR input for interfacing equipment with +4dB professional signal levels. The front panel connectors can also be used as thru-puts to allow multiple patch points.Custom wound Eclipse ET-DB2 transformers are able to withstand exceptionally hot signal levels while maintaining linearity from 20Hz to 20kHz. The resulting smooth Bessel curve is warm and natural, making them particularly adept at handling digital sources that can sound harsh. Transformer isolation further benefits by eliminating hum and buzz caused by ground loops or DC offset problems.

Stereo USB Laptop DI with 24bit/96k Converters, Two Balanced Outputs Balanced lo-Z Outputs with Switchable Isolation, and Built-in Headphone Amp The Radial USB-Pro is a high-resolution stereo digital audio converter (DAC) and direct box that is designed to connect to any computer system to seamlessly transfer digital audio to analog. A stereo pair of balanced XLR audio outputs with adjustable level control then feeds the signal to a microphone preamplifier, PA system, mixing console or even a powered speaker! Made for plug and play simplicity, the USB-Pro will automatically be listed as an available sound card in the audio settings in all popular operating systems including Windows XP, Windows 7/8, and Mac OSX. Connection to a computer is accomplished through a standard USB type-B port. Digital-to-analog conversion can be monitored on headphones through the 3.5mm analog output to check signal quality and level before connecting to a sound system. A mono-sum switch may be engaged to check for phasing or for connection to a mono system. Should hum or buzz caused by ground loops be encountered, two recessed side-access switches allow the user to insert isolation transformers into the signal path. To further reduce susceptibility to noise, this is augmented with a ground lift switch that lifts pin-1 on both XLR jacks. As with all Radial products, the USB-Pro is designed to handle the rigors of professional touring. Our unique book-end design creates protective zones around the switches, connectors and controls to keep them out of harm's way. Inside, our time-tested I-beam construction assures the sensitive internal PC board will not torque, which could cause premature part failure. Finally, a full bottom no-slip pad provides mechanical isolation and electrical insulation to ensure quiet operation.

Passive 2-channel Multimedia DI with RCA, 3.5mm, XLR, and 1/4" Connectors The ProAV2 delivers two discrete channels where full stereo functionality is required. To eliminate the need for various adaptors, both units are equipped with a 'Swiss Army' array of connectivity options including 1/4" inputs for instruments, RCA and 3.5mm (1/8") connectors for CD players, iPods, video decks and computers. The ProAV1 also features a female XLR input for interfacing equipment with +4dB professional signal levels. The front panel connectors can also be used as thru-puts to allow multiple patch points. Custom wound Eclipse ET-DB2 transformers are able to withstand exceptionally hot signal levels while maintaining linearity from 20Hz to 20kHz. The resulting smooth Bessel curve is warm and natural, making them particularly adept at handling digital sources that can sound harsh. Transformer isolation further benefits by eliminating hum and buzz caused by ground loops or DC offset problems.

Transformer-equipped Passive Stereo DI The Radial JDI Stereo is a passive stereo direct box designed to handle extreme signal levels without distortion of any kind. Unlike an active DI that is limited by the buffering amplifier's rail voltage, the JDI employs a pair of Jensen audio transformers that at once balance the signal and lower the impedance to drive long cables. No power is required. You simply plug in and it works. The magic comes from the amazing Jensen transformers inside. Jensens are legendary in their ability to gracefully handle transients while delivering a smooth, warm sounding Bessel curve, reminiscent of the finest vintage gear. Ruler flat from 10Hz to 40kHz and with virtually zero phase deviation, the JDI Stereo delivers the natural, pure sound of the instrument without artifact. In addition to converting the unbalanced Hi-Z signal to low, the transformers also serve to isolate the input from the output, essentially filtering out stray DC voltage that can cause noise and lead to so called ground loops. This allows audio to pass while eliminating problems. Features include input and thru-put ¼" connectors plus a -15dB input pad on each channel. This is supplemented with a ground lift switch that lifts pin-1 on the two XLR outputs to further reduce hum and buzz caused by ground loops. Built tough to handle the abuse of live touring, the JDI Stereo employs a 14-gauge steel I-beam inner frame and a unique book-end outer shell. The innovative design eliminates stress on the PCB, reducing opportunity for solder joints to go 'cold' while the outer shell creates a protective zone around the switches and connectors. The steel enclosure works with the transformer's MuMETAL® cans and internal Faraday shield to protect the sensitive inner workings from powerful magnetic fields such as those generated by stage amplifiers. This ensures the signal transfer is quiet and free from hum.

Passive Mono Direct Box with Jensen Transformer and Rugged I-beam Construction The Radial JDI is a passive direct box designed to handle extreme signal levels without distortion of any kind. Unlike an active DI that is limited by the buffering amplifier’s rail voltage, the JDI employs a Jensen audio transformer as the engine. Jensen transformers are legendary in their ability to gracefully handle transients while delivering a smooth, warm sounding Bessel curve, reminiscent of the finest vintage gear. Ruler flat from 10Hz to 40kHz and with virtually zero phase deviation, the JDI delivers the natural, pure sound of the instrument without artifact. The 100% passive circuitry inside the JDI is incredibly efficient. The transformer performs both high-to-low impedance conversion and signal balancing at the same time with minimal loading and does so without any power whatsoever. The transformer also introduces a magnetic bridge that passes signal while rejecting stray DC voltage. This makes the JDI particularly adept at eliminating hum and buzz caused by ground loops. Features include input and throughput ¼” connectors, -15dB input pad, ground lift, and 180º degree polarity reverse to help phase align the instrument with the PA. A secondary circuit is added for direct interfacing with high output devices such as guitar or bass amp loudspeakers plus a unique merge function allows stereo sources such as keyboards to be summed mono, saving valuable input channels. Built tough to handle the abuse of live touring, the JDI features a 14-gauge steel I-beam inner frame and a unique book-end outer shell. The innovative design eliminates stress on the PCB, reducing opportunity for solder joints to go ‘cold’ while the outer shell creates a protective zone around the switches and connectors. The steel casing resists noise-causing electromagnetic pollution and the transformer’s sensitive inner workings are further protected from magnetic fields with a MuMETAL® can.

Passive Stereo DI with Isolation Transformer, 15dB Pad, and Lift Switch The Radial ProD2 is a compact stereo direct box developed specifically to address the needs and challenges of interfacing a stereo keyboard to a professional audio system. This passive DI features two independent channels with separate inputs and thru-puts for the artist's stage amp and two fully isolated outputs for the PA system. At the heart of the design are two high performance Eclipse ET-DB2 transformers. These deliver 20Hz to 20kHz performance with less than 1.5dB deviation above 18kHz and are able to withstand tremendous signal levels without distortion. Unlike active circuits that overload when the signal exceeds the rail voltage, transformers saturate. This creates a pleasing effect that naturally rounds out the tone, acting like a subtle limiter which is particularly advantageous when interfacing the ProD2 with digital pianos, samplers and drum machines that can produce excessive dynamics. Transformers are particularly adept at eliminating hum and buzz caused by ground loops. As with all Radial products, the ProD2 is built tough to handle the rigors of professional touring. A 14-gauge steel ultra rigid i-beam skeleton frame eliminates opportunity from outside stress to flex the sensitive PC board and cause premature solder joint failure. The innovative book-end design creates a protective zone around the connectors and switches further increasing lifespan. And a full bottom no-slip pad adds mechanical isolation and electrical insulation to further reduce opportunity for noise. The Radial ProD2's warm sound, legendary build quality and compact design have made it the most popular stereo direct box made today.

Active 48-volt Phantom-powered Direct Box The Radial J48 has been designed from the ground up to deliver the most natural tone. As a direct box manufacturer, we do not believe it is our task to alter the sound of your prized '1962 Fender Jazz Bass', but retain and transfer the true character of the instrument to the mixing console without adding distortion or introducing artifact. This design philosophy has gained a tremendous following from many of the world's most demanding musicians. Using only 48V phantom power, the Radial J48 is an active direct box that produces an exceptionally linear response that extends from 20Hz up to well above 40kHz. Low distortion of all types is achieved via a unique digital switching power supply that raises the internal operating rail voltage for added headroom and improved signal handling. The results are truly amazing. The J48 delivers an ideal even-order harmonic cascade and a sonic performance that outperforms DIs costing several hundreds more. And like all Radial products, the J48 is both feature-rich for studio and made tough to handle the road. This includes a -15dB input pad to tame extra loud signals, 180º polarity reverse for feedback control on stage and a ground lift to help reduce hum & buzz caused by ground loops. Special features include a merge function that elegantly mixes left-right signals to mono without phase cancellation. To minimize resonant feedback with acoustic instruments, the J48 is also equipped with an 80Hz high-pass filter (low-cut). When engaged, this also increases headroom by eliminating unneeded bass frequencies. Radial's innovative book-end design protects switches and connectors from abuse while the internal I-beam construction eliminates stress on the PC board. This serves to reduce solder joints from going 'cold' and delivers trouble-free performance for years.

Active 48-volt Phantom-powered Stereo Direct Box The Radial J48 Stereo is a high performance active direct box designed for professional touring and studio recording. It features the same award-winning signal path that has made the single channel J48 the most specified active direct box on tour today. And with users as diverse as Paul McCartney, Tommy Emmanuel and Joe Chiccarelli, you can be sure it will meet the most demanding qualifications. The design begins with a rugged 14 gauge steel construction and a bookend design that protects sensitive switches and connectors from damage. The internal I-beam construction ensures the fragile internal PC board will not torque, which in turn could lead to cold solder joints developing and premature failure. All connectors are made from glass-filled nylon and feature extra large nickel-silver contacts that will not tarnish over time. Inside, a unique switching power supply converts the 48 volt phantom to AC, increasing the headroom for improved signal handling and lower distortion. This results in an exceptionally linear frequency response that spans from 10Hz to 40kHz while being able to handle high output instruments without choking. In addition, a -15dB pad may be engaged for extreme signal handling. This is supplemented with a high-pass filter that gently rolls off low frequencies below 80Hz to clean up mud and excessive resonance. A side-access 180º polarity reverse aids when using the J48 Stereo with dual element pickups to either phase align the sources or eliminate acoustic hot spots that can cause feedback on stage. A unique aspect of the power supply is the way that the J48 handles buzz and hum caused by ground loops. The traditional solution is to lift the audio ground by disconnecting pin-1 at the XLR output. When this is done, the 48 volt phantom power from the console is shut off, forcing one to introduce a battery into the equation.

The JS2 is equipped with one isolated output high performance balanced mic level splitters that let you split a signal and feed multiple destinations at the same time. Typical applications include splitting a signal in the studio to feed more than one preamp, feeding a stage mic to more than one mixing console, or even splitting the signal to a live PA during a broadcast event.

Passive Mono Direct Box with Custom Transformer and Rugged I-beam Construction The Radial ProDI is a passive direct box that combines exceptional audio performance with solid dependable construction, making it the ideal general duty direct box for stage and studio. The heart of the ProDI is a custom wound Radial transformer. It features an exceptionally high 140kΩ input impedance to reduce loading while enabling the ProDI to handle extreme signal levels at all frequencies without distortion. This is further improved upon with an internal MuMETAL® shield to protect against electromagnetic fields that can cause unshielded transformers to distort. This compact direct box begins with 14-gauge steel I-beam skeleton for added rigidity and Radial's unique book-end design that creates a protective zone around switches and connectors. Glass filled nylon connectors and high cycle switches combine with the mil-spec PCB and internal RF filtering to provide durability and noise-free performance. A full bottom no-slip pad provides both mechanical isolation and electrical insulation to further protect against the rigors of professional touring. The ProDI is ideally suited for instruments such as bass guitar, active acoustics, keyboards and just about anything else! When you consider all of the features and the affordable price tag, it is no wonder the Radial ProDI has become one of the most popular direct boxes ever made. The Radial ProDI… Spectacular performance at a price that anyone can afford!

Stereo Direct Box Optimized for Consumer Device Audio, The Radial Stage Bug SB-5 is a compact stereo direct box designed to accommodate laptop computers, tablets and other consumer audio products when amplifying the signal through a PA system. The passive design begins with an integrated input cable that connects from the headphone out via a flexible 1.5m (5') cable that is terminated with a standard 3.5mm (1/8") stereo connector. The cable is secured via a clamping strain relief and is wrapped using the sidewinder cleat for easy storage. This of course eliminates having to locate a cable making it easier to deploy in fast paced work environments. Inside, the unbalanced stereo signal is sent to a pair of custom wound transformers which balances the signals for long cable runs - upwards to 100 meters (300'), without noise. Transformers further benefit by isolating the computer from the PA system to help eliminate hum and buzz caused by ground loops. This is augmented with a ground lift switch to further reduce ground contamination. A choice of output connectors is available including a stereo set of ¼" TRS jacks for full stereo operation or an XLR out that automatically sums the left-right program material to mono. This can save valuable channels on the PA system and makes setup easier in situations where full stereo reproduction is not required. A -15dB input pad may be engaged to reduce sensitivity and enable extra high output sources to be connected without distortion. These features combine to make the SB-5 the perfect tool-kit DI for the AV technician, media manager or traveling musician equipped with a computer.

Features electrically isolated XLR I/O, a direct throughput with ground lift, and 2 transformer-isolated outputs. Has a 30dB pad, delivers 48V DC phantom power for microphones, has a ground lift, and has common mode noise rejection up to -100dB at 60Hz. F

2-channel Line-level Isolator for Balanced and Unbalanced Signals The Radial Twin-Iso is a high performance two channel balanced line-level isolator for professional touring, sound installation, broadcast and studio that provides isolation between various pieces of audio equipment such as consoles, amp racks, remote towers and recorders as a means of eliminating hum and buzz caused by ground loops. Central to the Twin-Iso are two high performance Eclipse transformers. These stellar audio engines are modelled after Deane Jensen's original designs to deliver an exceptionally linear response at all frequencies and are capable of handling as much as +21dB without distortion. Placed in between the audio source and destination, they assure absolute signal integrity is retained no matter what the program material. As with all Radial products, the Twin-Iso is road-ready to handle the most abusive environments. It features 14 gauge steel I-beam construction and an innovative book-end design that creates a protective zone around switches and connectors. A full bottom no-slip pad provides mechanical isolation from vibrations while adding electrical insulation between electrically charged devices. When combined with the J-Rak or J-Clamp, the Twin-Iso easily integrates into 19" rack systems or may be permanently mounted inside racks or under podiums. The Twin-Iso solves noise problems with plug & play simplicity while delivering exceptional audio signal integrity.

Active Combination Stereo RIAA turntable Preamp and Direct Box, PSU Included The Radial J33 is a combination phono preamplifier and purpose built stereo direct box made to handle the rigors of the professional recording studio and the abusive environment of live touring. But don't let the tough exterior fool you… the J33's sonic performance will easily surpass many audiophile preamps costing much more. Designed specifically for dynamic cartridges, the J33 begins with a low noise front end. Inputs are standard RCA with the required turntable ground lug. A precise RIAA low pass filter is tailored to produce a smooth, warm response. The signal is then buffered to provide the audio system with a standard -10dB signal with choice of RCA connectors for compatibility with home HiFi entertainment systems, 3.5mm (1/8") output to feed a laptop or iPod, or a stereo TRS ¼" jack for an audio recorder. A second set of direct box XLR outputs deliver a mic level signal to feed a concert snake, mic splitter and mixing desk preamp inputs. A rumble filter is also available for high sound pressure environments to reduce bothersome resonant feedback. As with all Radial DIs, the J33 features a 14 gauge steel enclosure with a unique book-end design that creates a protective zone around the switches and connectors. The internal I-Beam construction ensures maximum rigidity while ensuring minimal stress on the sensitive solder joints. These combine to provide exceptional shielding against noise while ensuring greater dependability in the most demanding environments. The Radial J33, a high performance turntable preamp that is ideally suited for music playback, archiving, DJing and sampling.

2-channel Instrument Preamp with Boost, 2 Piezo Boosters, 3-band EQ, Notch Filter, High-pass Filter, Separate DIs for House Mix and Monitoring, and Tuner Out with Footswitchable Mute The Radial Tonebone PZ-Pre™ is the most powerful acoustic preamplifier ever to be put inside a pedal. And when we say acoustic, we do not just mean acoustic guitar - we mean ANY acoustic instrument including banjo, violin, cello, mandolin, contrabass, bouzouki or lute. The magic lies in the combination of high performance 100% discrete class-A PZB piezo boosters, an ultra-quiet preamp circuit that will adapt to any pickup system and a host of connectivity options that will put you in total control. The PZ-Pre is equipped with two inputs for quick instrument changes on stage. These can also be combined to blend two pickups together if you so desire. Features include a powerful yet warm sounding semi-parametric EQ to tailor your sound, feedback eliminating controls including a dual-Q notch filter to surgically remove feedback, a high-pass filter to cut low frequency resonance, and a phase reverse switch to eliminate hot spots on stage. It is also equipped with a host of outputs: a ¼" hi-Z instrument out for an on-stage amp, a pre-EQ balanced XLR output for the PA system and a post EQ XLR out for stage wedges or in-ear monitors. A dedicated tuner out with mute switch lets you quietly tune on-stage. There's even a combination power booster - effects loop to add sizzle and dynamics to the performance and extra presence when soloing! Compact and easy to use, the Radial PZ-Pre packs in all of the features you need to take your acoustic instrument from home to studio and club to concert.

The J-Iso employs a premium Jensen transformer for optimal signal transfer to minimize distortion and artefact. Full bandwidth performance makes the J-Iso ideal for music production. The passive design begins with 100% discrete components throughout. A set & forget level control lets you attenuate the input signal to prevent it from overloading the destination device. Output connections include a stereo pair of ¼" connectors, a set of RCAs and a mini 3.5mm (1/8") for interfacing to a mini recorder or lap-top computer. Transformer isolation helps eliminate hum and buzz caused by ground loops while eliminating stray DC currents from flowing. Construction begins with 14 gauge steel throughout utilizing Radial's unique bookend construction. This creates a protective zone around the connectors and controls for added durability. The steel construction also assists by shielding the transformers from outside magnetic fields. Inside, the J-Iso features an innovative I-beam skeletal insert that makes it virtually impossible to torque the PC board. This reduces potential stress which could cause premature solder joint failure. Designed for full range applications, the J-Iso combines exceptional signal handling with the type of durability that has made Radial famous.

Stereo Passive DI with Level Control, Mono Merge, and 1/4", RCA, and 1/8" TRS Input Connectors The Radial Trim-Two is a passive direct box, designed for use with laptop computers and other consumer devices where the user has a requirement for a 'ready access' volume control for quick adjustments on stage. The design begins with a choice of inputs including dual ¼" jacks, left and right RCAs and a stereo 3.5mm input. These are wired in parallel to allow the signal to be split off to feed an alternate signal path such as monitors. Inside, two great sounding Eclipse transformers do the work of isolating and balancing the signal. These 'passive engines' deliver a linear frequency response from 20Hz to 18kHz and are capable of handling up to +15dB signal levels thus providing typical -10dB consumer-level devices with plenty of headroom. An easy access front panel stereo level control makes adjusting the volume a snap. A handy stereo-to-mono switch makes it easy to reduce the output channel count or send the same balanced signal to two destinations at once. Transformers provide galvanic isolation between the source and the destination and are extremely effective at eliminating hum and buzz caused by ground loops. This is augmented with a ground lift switch at the XLR outputs. One merely connects the source to the Trim-Two and then the male XLR outputs to the PA system. As the Trim-Two is completely passive, no power is required. Made in Canada from heavy duty 14 gauge steel, the Trim-Two features Radial's unique book-end design that creates protective zones around the connectors and controls. Inside, the unique I-beam frame protects the sensitive inner workings from potential damage that could torque the PC board and cause solder pointes to prematurely go cold. The steel casing also provides shielding against external magnetic fields.

Active Re-amping Device with Class-A Signal Path, Variable Output, and Ground Loop Elimination The Radial X-Amp is an active Reamper™ that allows the engineer to play a pre-recorded track back through guitar amplifiers and pedals. This opens the door to explore new musical sounds and spur on the creative process so that your recording stands out. Using the X-Amp is easy: start by recording a dry track using a high quality direct box like the Radial J48. Send the new track from your recorder via the X-Amp to your guitar amps, effect pedals or combinations thereof. Once the basic track has been recorded, replacing or adding tracks can be done well after the session player has gone home. This eliminates tiresome repetition and assures a fresh vibrant performance on the final recording. Furthermore, by driving two amps at the same time, new sounds and textures can be created while allowing you to make artistic decisions as the recording progresses. Following the critically acclaimed Radial JD7 Injector, the X-Amp employs a unique class-A circuit design that has been optimized for use with guitars. Features include balanced line level input with LED peak indicator and level control, class-A circuit topology for optimal reach and frequency response, a transformer isolated output to eliminate hum and buzz caused by ground loops, a 180º polarity reverse switch to bring both amps into phase, and a dual ground lift switch for noise-free operation. As with all Radial products, the X-Amp is built like a tank to provide years of trouble-free performance. An internal I-beam skeleton provides maximum protection against external stress which could cause solder points to fail. This is supplemented with an innovative bookend design that creates a protective zone around the switches, potentiometer and connectors.

Line Level Phase Alignment Tool with Lowpass Filter The Radial Phazer works with any instrument, letting you easily put two sound sources into phase alignment for even fatter, richer tones. There's a single dial on the Phazer so you can quickly find the sweet spot between zero and 180 degrees, and a polarity reverse switch that gives you access to the 181-360 degree range for some seriously unique tonal textures. Plus, a variable lowpass filter lets you focus the effect in the lower frequency spectrum where phasing is most audible. Improve your sound today with the easy-to-use, ruggedly built Radial Phazer. Radial Phazer at a Glance: Easily time align two signals for fat, rich tones Single dial control gets you there fast lowpass filter lets you focus the effect Built tough for the road

Radial's flagship direct box Active class A feed-forward circuit design 30V internal rail voltage 4 instrument amplifier outputs Balanced out Drag control for pickup load correction 3.9 Mohm input impedance for piezo pickups Hi-pass and lo-pass filters LED status indicators Polarity reverse

The Bassbone OD is a bass preamp with two instrument input channels, each of which is fully equipped with a level control, super powerful passive-interactive EQ and a low frequency filter to help eliminate resonance. Channel-A is equipped with a PZB booster switch that increases the sensitivity and load to 10 meg ohms to optimize it for use with piezo transducers as commonly used on upright bass. Channel-B takes a different slant with Drag Control load correction to optimize the tone and feel when using a passive instrument such as a vintage Fender bass. Toggling between channels is done using a footswitch and both channels may be mixed together by depressing the blend switch, should a dual pickup system be in use. Outputs include a ¼' instrument level output to feed the artist's on-stage amplifier plus a balanced low-Z Radial DI box output to feed the PA system. The XLR output can be assigned pre or post effects to suit the engineer's preference. A separately buffered tuner output works with the mute footswitch for quiet on-stage tuning. For bassists that employ effects, both input channels can share the same pedals by connecting via the built-in send & receive effects loop. This is augmented with an on-board bass overdrive with control over the drive level and tone. A wet-dry mix lets you add slight grit similar to an Ampeg SVT or full on distortion depending on your mood. The OD footswitch may be assigned to the loop, overdrive or both. Finally, a built-in headphone amp with 3.5mm output lets you use the Bassbone on the bus for those long drives between gigs. Comes equipped with 15VDC power supply. The Bassbone OD... the world's most powerful bass preamp in a pedal.